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Now & Later

  • 2011
  • 16
  • 1 Std. 39 Min.
IMDb-BEWERTUNG
5,1/10
2431
IHRE BEWERTUNG
BELIEBTHEIT
4.436
340
Now & Later (2011)
Angela (Shari Solanis) is an illegal Latina immigrant living in Los Angeles who stumbles across Bill (James Wortham), a disgraced banker on the run. She takes him in. Through passionate sex, soul-searching conversations ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview. As their affair heats up, the course of Bill's life begins to take an abrupt and unexpected turn.
trailer wiedergeben2:36
1 Video
6 Fotos
Drama

Angela lebt illegal in Los Angeles und stößt auf Bill, einen Banker, der auf der Flucht ist. Durch Sex, Gespräche über Politik und Philosophie und andere weltliche Freuden bringt Angela Bill... Alles lesenAngela lebt illegal in Los Angeles und stößt auf Bill, einen Banker, der auf der Flucht ist. Durch Sex, Gespräche über Politik und Philosophie und andere weltliche Freuden bringt Angela Bill in eine Sicht auf die Welt näher.Angela lebt illegal in Los Angeles und stößt auf Bill, einen Banker, der auf der Flucht ist. Durch Sex, Gespräche über Politik und Philosophie und andere weltliche Freuden bringt Angela Bill in eine Sicht auf die Welt näher.

  • Regie
    • Philippe Diaz
  • Drehbuch
    • Philippe Diaz
  • Hauptbesetzung
    • Keller Wortham
    • Shari Solanis
    • Luis Fernandez-Gil
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,1/10
    2431
    IHRE BEWERTUNG
    BELIEBTHEIT
    4.436
    340
    • Regie
      • Philippe Diaz
    • Drehbuch
      • Philippe Diaz
    • Hauptbesetzung
      • Keller Wortham
      • Shari Solanis
      • Luis Fernandez-Gil
    • 15Benutzerrezensionen
    • 21Kritische Rezensionen
    • 24Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Now & Later
    Trailer 2:36
    Now & Later

    Fotos5

    Poster ansehen
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    Topbesetzung48

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    Keller Wortham
    Keller Wortham
    • Bill
    • (as James Wortham)
    Shari Solanis
    • Angela
    Luis Fernandez-Gil
    Luis Fernandez-Gil
    • Luis
    Adrian Quiñonez
    Adrian Quiñonez
    • Diego
    • (as Adrian Quinonez)
    Marcellina Walker
    • Sally
    Anas Khalaf
    • Clinic Doctor #1
    Kenneth Alan James
    • Clinic Doctor #2
    Antonieta Velasquez
    • Flower Lady
    Hernaldo Guiterrez
    • Eddie
    Greg Arrowood
    • Police #1
    Mary Keeler
    • Police #2
    Bo Ballentine
    • Worker
    Jose Gonzalez
    • Worker
    Elias Jauregruif
    • Worker
    Erwin Elian Arauz
    • Restaurant Patron
    Danila Cabrera
    • Clinic Patron
    Hugo Cabrera
    • Clinic Patron
    Maria Cabrera
    • Clinic Patron
    • Regie
      • Philippe Diaz
    • Drehbuch
      • Philippe Diaz
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen15

    5,12.4K
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    Empfohlene Bewertungen

    8daliou

    Deserves watching and reflection

    Comparing the movie to the critic reviews is like talking about another film: this very true and provocative cinematique angle is nearly a threat to todays society, just because it is honest enough. Unlike what is written in the other user reviews, I think that the explicit sex scenes are NOT the main reason why this film has been chopped up by the critics, but they eventuallly add up to all its superficially called "negative points". Briefly:

    1. The sex scenes: it is true that a sexually repressed society will eventually turn out being violent and its people being miserable. The film underlines the oxymoron of how we are "taught" to hypocritically "hide" our need for sex and love, as if it is something bad and anethical, whereas in the end, if openly cultivated, leads to self-fulfilment, joy and mental balance. And reduces hatred and violence.

    2. The social point of view: The two leads are surrounded by poverty, social discrimination and injustice in what we think is our "modern equal world". And their relationship is indeed determined by those differences, as they both serve as representatives of two opposite social classes, the upper-class banker and the illegal immigrant. Poverty IS a reality and people ARE being exploited to death for others to consume and win millions. And the film cares to remind us that even if the two protagonists don't exist in reality, there are many many people who are like them.

    3. The "we are the heroes" part: now this is a turning point in the film. Sadly enough, politics ARE a way of expressing power and greediness, and some countries/ people are the unlucky victims. The main lead, as a former banker, a former "master of the universe", approaches the most painful part of the movie, the realisation that our political leads may not be so "saint" at all, that our country may have erred, that wars are being provoked just for the profit, that a poor country's future may be a toy in the hands of those who are in power (financially and politcally), that people die for others to get richer etc... All those are issues we are trying to forget or neglect or doubt, and this film makes us look straight up to them, or at least it tries.

    Some would rather look straight up to the provocative sex scenes, there is, though, i think, a natural coherency between all the issues addressed by the film (the sex, the politics, the freedom, the social critic) that lead up to a compact, intimate and philosophical end result.

    P. S. Give it a try and watch it, with honesty and open mindedness. As all authentically non-Hollywood approaches, the characters in this film are not the great heroes we have to admire and immitate. We merely learn from them. Besides, for instance, I don't see why the sexual theme in "Vicky, Chrsistina, Barcelona" should be more justifiable, less shocking or "intellectual" enough to win an oscar and get plenty of praising critic reviews.
    5kosmasp

    Explicit

    Explicit images (read nudity), but also penetration have made their way into mainstream movies (no pun intended). And while the term mainstream might feel like a stretch given to a low budget movie, this is not a single case of this thing happening. Low budget movies (or even higher budget movies like Nymphomaniac) do not hold back anymore. Caligula did that many decades ago, but back then it was more like a single case scenario (if you don't count some "horror" movies who had some explicit intercourse in them as well).

    But back to this one, which is depicting a relationship and a financial situation that might make feel people uncomfortable (even more uncomfortable than two people having sex together, while everything is shown). There is drama between all the nudity and it does work on a basic level. The acting is a bit off, which might have given this a bit of a boost, but overall the story is decent, though annoying at times. If you rent/watch it for the obvious non-story related reasons, you might feel disappointed, don't blame the movie for it though - on the other hand don't expect this to be a superb drama
    5andrewchristianjr

    SEX ALWAYS SELL.

    What can I say. Sex always sells. Good political touching. Straight up colossal waste of time. Sadly, any hardcore porno offers better acting and sex you might actually enjoy.
    4petkovalora

    Presence is the only thing we have...

    I liked the film very much. The whole story unfolds under the echo of the word "now". Now we live, love, die, fall and rise. Past is too far and future is hidden behind the dreams. It is such a relief when you realize that the only constant thing in life is the inconstancy. And there is no time enough for regrets and despair, no time for loosing yourself in the cave of greed for getting more and more. You should appreciate every single moment and never forget it is a gift.

    The main actors managed to inspire all these thoughts. Same feelings inspired the music and some camera decisions. I liked the scene with the bird-kite. And about the sex scenes I find them erotic, not vulgar or rude.
    9kimdino-1

    Ignore the distractions, just relax & enjoy this beautiful film

    I could analyze this film as a critique of the American Dream and a very good one it is.

    I could also point out the mass of very good social commentary and analysis of modern Western ethics.

    And I'm sure the prudes will be put off by the very intimate sex scenes while the pervy types will be distracted from the story by them. So I could implore you not to let this happen and, instead, just allow these scenes to draw you into a feeling of intimacy with the characters.

    I could also go on about how much the two lead actors must have put into this to bring their characters to life so vividly.

    But instead I'll just say "Enjoy what is a very beautiful film on several levels".

    btw I reserve 10 points for really, REALLY excellent films that stand out well above others. Otherwise I would have given this 10.

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    Handlung

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    • Wissenswertes
      Shari Solanis said the sex in the movie was all simulated except one scene. "We kept it professional. We didn't want the dynamic or energy of porn. It was all simulated except the blowjob scene - but that was it. It was not about [porn]. It was about showing a slice of life, and sex being very natural. We tried to capture that and not be exploitative," she said.
    • Patzer
      Even assuming that Anglea has some kind of off-screen arrangement/lease with the building owner(s) to make her residency on the roof legitimate, that is not the only factor that makes her situation untenable. Rain is admittedly sometimes rare in the Los Angeles area, but it is certainly not unheard of, and Angela seemingly has no provision whatsoever for protecting all of her rooftop possessions from being ruined every time it rains, or whenever some other inclement weather occurs.
    • Zitate

      Bill: You know, when I was a teenager, we used to say, "Life's a bitch and then you die." I guess I'm beginning to understand what it means.

      Angela: Well, we say the same thing, but at the end we had it, so fuck the bitch.

    • Soundtracks
      Ana Touiri
      Performed by Fadhéla Dziria

      Written by Al-habib Hachlafe

      Composed by Haddad Al-Jilali

      Edition de la paix / Royal Music

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    FAQ14

    • How long is Now & Later?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 18. Februar 2011 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official Amazon Site
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Şimdi ve Sonra
    • Drehorte
      • Los Angeles, Kalifornien, USA
    • Produktionsfirmen
      • Cinema Libre Studio
      • Imago-Creata
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 1.808 $
    • Eröffnungswochenende in den USA und in Kanada
      • 1.516 $
      • 20. Feb. 2011
    • Weltweiter Bruttoertrag
      • 1.808 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 39 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.78 : 1

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