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Los bastardos

  • 2008
  • Not Rated
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,2/10
1550
IHRE BEWERTUNG
Jesus Moises Rodriguez in Los bastardos (2008)
CrimeDramaThriller

Füge eine Handlung in deiner Sprache hinzuJesus and Fausto, two low-paid Mexican laborers working illegally across the border in LA, are offered big money and a sawn-off shotgun to break into the home of a drug addicted single mothe... Alles lesenJesus and Fausto, two low-paid Mexican laborers working illegally across the border in LA, are offered big money and a sawn-off shotgun to break into the home of a drug addicted single mother and take her hostage.Jesus and Fausto, two low-paid Mexican laborers working illegally across the border in LA, are offered big money and a sawn-off shotgun to break into the home of a drug addicted single mother and take her hostage.

  • Regie
    • Amat Escalante
  • Drehbuch
    • Amat Escalante
    • Martín Escalante
  • Hauptbesetzung
    • Jesus Moises Rodriguez
    • Rubén Sosa
    • Nina Zavarin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,2/10
    1550
    IHRE BEWERTUNG
    • Regie
      • Amat Escalante
    • Drehbuch
      • Amat Escalante
      • Martín Escalante
    • Hauptbesetzung
      • Jesus Moises Rodriguez
      • Rubén Sosa
      • Nina Zavarin
    • 9Benutzerrezensionen
    • 25Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 Gewinne & 6 Nominierungen insgesamt

    Fotos7

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    Topbesetzung48

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    Jesus Moises Rodriguez
    • Jesús
    Rubén Sosa
    • Fausto
    Nina Zavarin
    Nina Zavarin
    • Karen
    Kenny Johnston
    Kenny Johnston
    • Construction Boss
    David Albaca
    Teri Booker
    Aron Briggs
    • Racist BBQ kid
    Terra Glen Campbell
    • Trevor
    • (as Trevor Glen Campbell)
    Rodolfo Carreon
    Darren Collins
    Antonio De La Torre
    Helena De Lang
    Irana De Lang
    Michael De Lang
    Erik Deckard
    Eric Fettes
    Abelardo Gadarrama
    Samuel Garcia
    • Regie
      • Amat Escalante
    • Drehbuch
      • Amat Escalante
      • Martín Escalante
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen9

    6,21.5K
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    Empfohlene Bewertungen

    9KnatLouie

    The Bastards... actually not that bad

    Brief summary: Two Mexican immigrants do odd jobs for random sleazy Americans, and usually hang around with their fellow Mexicans at a drop-off spot waiting for something new to pop up. It can be anything from construction-working and strawberry-picking to muscle-for-hire goons, just as long as there's enough money in it for them. Meanwhile, an American mother has trouble communicating with her lackadaisical teenage son, and fails to draw his attention in every way. The boy doesn't treat her very well, and leaves the house without even saying goodbye. On that same evening, the four lives will be forever changed, which is the story that this movie tells.

    The film is beautifully shot, and also has a fantastic soundtrack (very raw, hardcore music), which goes along perfectly to the style and theme of the plot of the movie. The two leading Mexican actors have apparently never done any movies before this one, but still manage to come across perfectly as these everyday-Mexicans, just trying to get by in a hard world, even if it may require doing things they don't appreciate very much.

    Anyway, this movie moves along very slowly, until it abruptly comes to a halt at the ending, which will probably shock most audiences, and may turn off a few people as well. Still, I found it to be a very unique and moving picture, which I would definitely recommend to those that are looking for something untraditional and out of the ordinary.

    9/10 - a slow but effective action/drama/thriller, that will haunt the audience for a long time afterward.
    4Siamois

    Stretched

    Los Bastardos offers a sharp view of some of the realities of America and its "lower class citizens". Director/writer Amat Escalante certainly has things to say but unfortunately, his narrative is stretched and the pace becomes contemplative and somewhat aimless.

    We sense a lot of sincerity in the movie, particularly the first half as we follow Jesús and Fausto and their lives as illegal workers. But even then, the viewer will have to sustain interest throughout long, static scenes and few lines of scripts. Most of the actors seem to somewhat improvise their lines, adding to a sense of documentary. There's no sense that these are Oscar-material actors but rather real people, which breathes a sense of reality.

    What was already an overly stretched movie takes a turn for the worse in the second half, where the slow pace halts to a crawl. Most people will have already mentioned the famous "shocking scene", which I do not find that shocking, just gruesome. You get the feeling much of the interest/acclaim for this film was drawn from that scene which I find unfortunate.

    Amat Escalante is a name to remember for the sincerity put in this movie, the visceral nature of this work but I can't help but think he's a better director than writer and that shooting other people's script might be the way to go for him.

    Los Bastardos may be worthwhile if the synopsis drew your interest and if you are an attentive viewers but do not expect a masterpiece. This is a below average movie that needed a more fleshed out story.
    9alex-2261

    a kind of masterpiece

    I get why a lot of people don't like this film. I get why lots think its a bad script. I think its difficult in the same way Dryer is difficult, or Bresson or Dumont. Its slow, but its not elegiac, or full of "beauty".....nor is it sociological in its depiction of crime and exploitation. Its simply a dark dark existential sort of nightmare. It contains a social critique to be sure, but thats not the focus. Escalante is a director to keep an eye on. This a disturbing and singular film. Its also a film that will haunt you.....probably even if you didn't think it as good as I thought it was. Its a film experience you wont forget. I saw it in norway, at a festival and at 11pm. People left the theatre in shocked silence.
    9jorgejackass

    Mexican Art-house cinema done right

    Los Bastardos is a film about two very lonely Mexican immigrants in Los Angeles, who are forced to spend the evening with an even lonelier American woman, under extreme circumstances. Enter Jesús and Fausto, in the first shot they are seen walking for over four minutes, Fausto, the youngest is playing with a soccer ball which he leaves behind at the end of the shot, this could represent the fact that he's leaving behind his innocence for on that day they have been hired to kill someone. The plot always makes people think this is a fast paced thriller, or a "Funny Games" type ordeal, but no. The film plays like a Carlos Reygadas movie, once there is an action there is no reaction, but contemplation of the moment. This gives the spectator time to ponder and let the feelings sink in, particularly about the life-style of Mexican day-laborers which is something very depressing to watch. The story is taken at a very slow pace, and every turn leads to something unexpected, and the use of non-actors makes the situations feel very authentic and even logical, as though they could in fact happen in that order. The amount of realism is accentuated by scenery of Los Angeles, beautifully photographed. So yes, this is a deliberately slow film but it builds emotion with its pace only to destroy one's emotions at the end. The camera language speaks to the audience, this is a very well directed film. In the end, I thought this was the kind of cinema I needed at the time, and I could see it again to analyze the amazing photography and the fascinating pace. Its a very peculiar type of cinema, but its so well made and has such profound emotion that if it falls short of masterpiece its because we are not used to a film being so determined to be so casually profound.
    8vivalanathan

    Raw, powerful, and deliberately slow

    If the purpose of a film is to simply elicit an emotional response from the audience, Los Bastardos succeeds in spectacular fashion. Ultra- realistic and unflinching, it tells the story of two illegal immigrant brothers and their struggle to make enough money to support ailing family back in Mexico when they are hired to kill a single suburban mother. The long takes, no soundtrack, and use of non-actors create the feeling one might get from watching a documentary. The pace is achingly slow, with very little dialogue and minimal plot. Yet, the sense of dread and uneasiness reach a level very few films are able to achieve. Watching this film is about as enjoyable as getting dental work done, but the emotional impact one is left with after the credits roll is undeniable. It will stick with you and maybe even haunt you for a considerable amount of time after. For the patient viewer not expecting your typical Hollywood blockbuster or rom-com, Los Bastardos is a very unique, devastating, and powerful film. I highly recommend this film be watched, but with an open mind as it is unconventional.

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    Handlung

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      Alle Einträge enthalten Spoiler
    • Verbindungen
      Referenced in Aliens: Zone of Silence (2017)

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    FAQ16

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    Details

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    • Erscheinungsdatum
      • 28. Januar 2009 (Frankreich)
    • Herkunftsländer
      • Mexiko
      • Frankreich
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official site
      • Official site (France)
    • Sprachen
      • Spanisch
      • Englisch
    • Auch bekannt als
      • The Bastards
    • Drehorte
      • Kalifornien, USA
    • Produktionsfirmen
      • Mantarraya Producciones
      • Tres Tunas
      • No Dream Cinema
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    Box Office

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    • Budget
      • 1.000.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 52.940 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 30 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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