Sin-de-rel-la

This movie gets to be underrated because it is a different kind of horror. Asian horror films have a unique way of making a film out of every fear the human mind could comprehend. This of course makes it the best, and worst, type of horror film. With this particular movie, one must step outside their usual routine and look at the situation presented to them. After you are out of your box you have to step into this film's twisted mind and distorted reality. This movie is really a mindf$#@ but it is certainly worth the ride. As for some of the underlying tones, they are also what makes Asian horror films so unique. This film is no exception, however it definitely is not the most underlying Asian film I have seen. Try Marebito. Excellent film. Sorry for speaking so vague and talking about Asian films in general, but I think it is necessary because this film deserves to be watched.

When her friends start mysteriously dying, a young woman finds a disturbing secret for their strange behavior when she learns the incidents occur following an operation each one received from her mother and races to stop her friends from killing themselves before more of her friends are injured.

There was some good stuff to this one from time-to-time. One of the best features is that when it starts to get going there are some great plays on the nature of beauty. With each of the girls shown to be vain about their appearance to fit into accepted society going through the unnecessary surgery, this one enhances the idea that those who decide to get surgery are the ones who get attacked in several good scenes. One of the best here is the rather fun and entertaining birthday party scenes, which have some creepy images once it utilizes them, from the lit birthday-cake moving through the darkened room to the rather bizarre freak-outs when the power goes out which is a pretty entertaining scene. Coupled with the different visions in the mirrors featuring the distorted face, either with severe scalpel marks or burn wounds is an overall great scene. Another really fun scene is the fantastic scene in art class, which starts with the hand appearing in the paint before dragging the victim head-first into it, only when returning to it later on showing no signs of anything having happened. With that comes the enjoyable film-long plus here in the kills, which are pretty graphic and brutal. Several faces are sliced up with knives, a burnt victim, a stabbing in the arm and more, which while it doesn't sound like a lot definitely has its moments. Moreover, once it becomes quite clear what's happening, this one picks up considerably. The backstory to this is quite important to that as it helps to identify the causes of what's going on with there being two great parts that come from it. Firstly is the awesome twist that's revealed, which isn't seen coming and is definitely something that comes as a shock but also highlights her obsession with plastic surgery towards her daughters' friends as well being a rather inventive way of finding out about it. The need for hiding the secret from others with the work she does is a fine way of showing the obsession needed to carry it off while also showing off the grisly underside of the desire for physical perfection. As this ties nicely into the fun attack scenes where the victims are tortured based on the surgery performed, placing the theme of their misguided quest for beauty squarely at the forefront for a rather interesting storyline. These here are what works for the film. There were a couple of problems with this one that holds it down somewhat. One of the film's biggest flaws is that this makes utterly no sense at all. From the revelation angle that's done at the very end that's just so confusingly done that nothing here is given anything close to a definitive answer to the film's incessant problem of skipping around in time so much that there's hardly any way of knowing where anyone is at in a certain point in time, this one becomes all the more frustrating without giving clear answers as it goes on. The film gradually gets irritating since it goes from the present time to the flashback that explains everything to see what happened with the friends without any change to explain that it's skipping around in time. It all looks the same, from the wardrobe to the outfits and appearance as well, and this just ends up not really doing the film any favors in clarifying issues at all. The fact that the film just sort of ends without really doing anything else is a big part of that. This one doesn't have a real clear-cut way of ending, just featuring scenes that make it impossible to tell what's going on, and it's a very problematic issue. The last flaw is that there's not a whole lot in the middle that are really enjoyable, which manages to come across so dull they rarely match up with any kind of excitement or momentum. All in all, these all take this one down.

Rated Unrated/R: Graphic Violence and Language.

Mommy's little girl Hyeon Su is a normal 17-year old student,beautiful enough to disregard her friends latest obsession:plastic surgery.Or maybe the lack of interest is due to the fact her gentle mother Yong Hee is a plastic surgeon.When one of her friends decides to go under the knife for a little skin revision,Yong Hee gives her more than a pretty new face.The result is blood all over the place.Seeing so many of her friends die,Hyeon Su finds comfort in her friend Seung Eun,but then she discovers a creepy secret of her mother...Some reviewers compared this film to masterful "A Tale of Two Sisters",but it's clearly not as good and memorable.In fact it's pretty dull and offers almost zero scares."Cinderella" looks slick,the acting is fine and Korean girls are jaw-droppingly beautiful,unfortunately the action moves at the snail's pace.Skip this one.5 out of 10.

To start, I want to mention something: I have a list of "Top Ten Scariest Asian Movies". This may have been the weakest in my original list (though the 'weakest' still made the list for almost a year as a Top Ten scary-as-Hell Asian horror flick). Since I created the list, I saw the blood-curdling, cleverly-scripted 'Coming Soon' and decided it had earned a place over 'Cinderella'. I removed it, but that doesn't mean I don't want to give this creepy Korean thriller its props here.

First of all, if you love K-Horror, this deserves a look. Yes, it has one or two elements that appear in other Asian horror. I should point out that except in some extreme cases, I actually like the formula and the common images (black hair covering a face, usually with one ghostly dead eye peeking out, and the horrifying, creepy reveals of what is almost always referred to in the movie's promo materials/synopsis as 'the Dark Secret behind it all'. Usually in the last act, the 'horrifying buried past' is usually so brutal and disturbing you have sympathy for the 'Onyro' (lf you're familiar with Asian horror enough to have done a little research, you know the meaning--if not, this is a great time you to look it up) along with the fear. When handled right, the true back-story is so horrible that you kinda decide the ghost/Onryo out for revenge has every reason to come back and try to cause serious damage.

I gave Cinderella seven stars rather than the 9-10 I give to perfect, close-to-soiling- yourself in utter terror Asian horror such as Shutter and Ju-on. I took three stars off based mainly on my opinion that some parts, especially the first act, are slower than I thought they needed to be, dragging down the film and viewer a bit. The movie could have stand to lose 10-15 minutes for a tighter edit. HOWEVER… get ready for the last act of Cinderella--it pounces right at you out of the dark.

This is one of those last acts, and with a back story that stuck with me. There's a couple hints, but it turns out to be way uglier (no pun intended-if you've seen the movie you'll get the pun) than anyone imagined. I also actually started talking back to the flat screen TV a couple times (if I'd seen it in a theater and said the same things at that volume, I would have been asked by an usher to calm down) and at least once hearing myself urgently and loudly giving a character advice ("oh no, no, NO, don't, DO NOT go in there, Oh God, RUN!"). I do that frequently during really addictive, well-made, fun TV shows (True Blood, Breaking Bad, and Spartacus for example), but it's rare when I watch a movie. Yet another movie on this list where a movie-watching exception was made. Funny thing, it's usually Korean chillers like "Cinderella" or Korean crime-revenge "I Saw the Devil" and "Memories of Murder" that get me so hooked in that (more than once) almost blew off a deadline because I HAD to know what happened.

I saw that many reviewers cited the movie for being 'too melodramatic' and 'more like some soap opera'. I can see a base argument for 'melodramatic' ; fair enough,I suppose (though I personally don't agree). However, a SOAP? Jesus, really? If so, I'd like to ask what the hell kind of fu(ked-up soaps have YOU been watching? The only thing on TV right now that is a 'horror-drama' and would even come close to this claim is American Horror Story. Note: if you're a big fan of the show AHS --like I am--you'll probably enjoy this movie.

Yeah, Cinderella is no Shutter or Two Sisters (then again, nothing put on film is) but if you're looking for some Oynro-genre scares and a twist or two you didn't see coming, watch it now. There's much worse ways (and MUCH worse Asian horror movies to watch, trust me) to spend 100 minutes. As long as you weren't really planning on sleeping that night anyway….

First off,Cinderella isn't about a pair of glass slippers, a Kindly Prince, or a Fairy God-Mother. What Cinderella is about, is Women's obsessions with their appearance and the terrifying lengths some women will go to keep their appearance beautiful.

Cinderella tells the story of Hyunsu, a typical 17-year old girl, whose mother just happens to be a plastic surgeon. Hyunsu's friends frequently go to her mother for plastic surgeries, but then after wards the friends become obsessed with their faces, and eventually end up dead.

I'm torn on this movie. While I do think it was a well-done piece of social commentary about women and their conceptions of beauty, the horror element wasn't really scary, the plot is jumbled, the editing needs some serious work, and the ending is all over the place.

That being said, there are things I did like about this movie. The Score was great! It features a lot of great classical music, specifically, one of my favorite composers, Antonio Vivaldi. The cinematography was well-done, and I thought the characters were well-drawn out and the acting was good. Another thing that I liked, is that the film does a good job of pacing (I don't think I looked at my watch once!).

The film itself, while failing to be a true horror movie, turns into more of a melodramatic film with supernatural overtones (kind of like Memento Mori). However, this may be the fault of overly ambitious packaging than what the director intended the film to be. The only thing that's really scary about this film is the motivations of the characters in their pursuit of beauty. And if you watch this film with that in mind, you probably won't feel as let down as I was.

Also, if one of the reasons why you watch watch Asian Horror is for the gore/shock factor, than you probably won't like Cinderella. The packaging suggests a lot of gory face-slashing scenes, and while the film does have a few of these scenes, they are rather tame compared with what is typical of the genre. Cinderella's focus is not shocking scenes of facial mutilation, but melodrama centering on a Mother-Daughter relationship, and women's self-destructive pursuit of beauty.