Alive in Joburg

Good blend of CGI and journalism type hand-cam stuff. Most of the things we see look realistic, except the aliens themselves, since makeup is still very expensive compared to CGI. Seeing Independence Day style ships hover over Johannesburg was probably the coolest part.

In terms of plot feels very short and a little rushed, but nevertheless shows some promise for Neil as a special effects guy and possibly a director. The movie is an obvious jab at apartheid and the irony in humanity. Various black people who not two decades ago where themselves oppressed react with fear and suspicion towards the aliens.

It's available on the Internet, so you should check it out. It will be interesting to see what Neil can do with larger projects.

This impressive short takes a documentary form, but it's definitely no Christopher Guest style mockumentary. Instead it's got aliens—really realistic looking ones, with mech-style "bio-suits". Set in an imaginary South Africa where aliens have landed and taken up residence, Alive in Joburg poses as a documentary intent on examining how life has changed for residents there, interchanging interviews with realistic CG. The visuals are excellent and while the film's attempt to equate the aliens reception by locals with South Africa's Apartheid era are somewhat transparent, any attempt at social metaphor earns kudos from me.

The director, Neill Blomkamp, is celebrated for his advertising work, and won for himself— based largely on this short I would presume—the directing gig for the new Halo film. I must say, based on this film, it looks like a truly inspired choice.

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I saw this film online tonight and had no idea what it was. However, I was was quite impressed by this short movie due not only to its excellent use of a small budget (making it look pretty professional and expensive) but by the amazing plot. In this parallel world, there was no Black Aparteid in South Africa. Instead, aliens came to Earth looking for a home and the Aparteid system was created just for them. And also on this strange "bizarro" world, Blacks and Whites have much common ground, as they agree that the aliens are no good, lazy, smelly and worthless--just like the propaganda that was spouted for so long to excuse Apartheid in the REAL South Africa until only the last couple decades. The juxtaposition was great--especially when the viewers no doubt find themselves feeling terrible pity for these alien creatures--like more of us SHOULD have been feeling about Apartheid.

It is easy to see Neill Blomkamp's directorial skills in this short film, which runs kind of like a news broadcast documentary that gives a peek into the frightening situation in a South African town after some not so pleasant aliens have set up permanent residence there. It is a kind of journalistically objective look at how the lives of the local townspeople have been altered, mostly for the worse, by the arrival of the aliens. Visually, it is a stunningly effective film, especially with the mother ships floating just over the skyline, and the film is packed with one unsettling image after another. Having been signed on by Peter Jackson to film the highly anticipated screen adaptation of the wildly popular video game Halo, it is easy to see from this film why he was chosen despite having almost no directing experience at all to take on what will surely be a hugely popular film.

"We don't want to be here, this place doesn't want us... we have nothing, nothing."

I feel like Neil Blomkamp has been receiving a lot of criticism lately for Elysium and Chappie, but there is no doubt in my mind that much of that has to do with how much expectations we put on him after delivering one of the better sci-fi pics of the decade, District 9. His style hasn't changed much, but of course the social commentary from that film hasn't had the same impact in his most recent films. In 2005 Blomkamp made an interesting short that would later be the basis for his feature film District 9. In Alive in Joburg he already had the social commentary of the story worked out through this documentary style film making and even had Sharlto Copley play a small role in a film he would later star in (and which would change his career). The social commentary here is just as sharp as in District 9, and Neil actually incorporated interviews of many South Africans referring to Zimbabwean refugees in real life which in the short are made to be referring to the aliens that have invaded Johannesburg. It is a clear metaphor of racism and division of social classes (referring to South Africa's Apartheid era). It's also impressive to see some of the special effects here, which look great for a film shot on such a low budget. So impressive that it caught Peter Jackson's attention at the time who wanted Neil to direct the screenplay adaptation of Halo, but the project was later shelved. I'm glad Blomkamp was given the funds to expand this small film into a full feature length movie, because it turned out to be one of the best sci-fi movies of the decade: District 9.

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