IMDb-BEWERTUNG
5,8/10
128.014
IHRE BEWERTUNG
Verflechtung von Paaren und Singles in Los Angeles Trennung und Make-up basierend auf dem Druck und den Erwartungen des Valentinstags.Verflechtung von Paaren und Singles in Los Angeles Trennung und Make-up basierend auf dem Druck und den Erwartungen des Valentinstags.Verflechtung von Paaren und Singles in Los Angeles Trennung und Make-up basierend auf dem Druck und den Erwartungen des Valentinstags.
- Auszeichnungen
- 7 Gewinne & 12 Nominierungen insgesamt
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Cluttered, sloppy romantic comedy would have benefited from the elimination of a few of its many stories. Mixed bag of performances, both Julia and Emma Roberts, Cooper, Dane are charismatic and do what they can to flesh out thin characters. Anne Hathaway and Topher Grace have a great chemistry and really could have supported their own independent romantic comedy. MacLaine and Elizondo are wasted in a throwaway story that does contain a nice twist. Several of the quality performers, like Queen Latifah and Kathy Bates are shoved in small parts strictly for marquee value. Most of the others range from adequate to vapid. Taylor Swift stands out for giving the most annoying performance. Let's hope that this is the beginning and the end of her acting career. One last thought, with all the talent available they chose to focus the largest portion of the film's story on someone as bland as Kutcher? Bad idea.
You don't know what awful is until you've seen this film. I wasn't looking for a profound commentary on the human experience - I watched "Valentine's Day" expecting 100 minutes worth of harmless and fun escapism. To say that I was disappointed is a bit of an understatement.
To begin with, the film is WAY too long - or perhaps it just seems like an eternity. Minute after minute, it is sickeningly sappy and sweet, without any depth of character or plot to justify its duration. The acting is for the most part atrocious - or, at best, mediocre. Taylor Swift, in a nightmarish "comic relief" role, and the annoying little boy, in particular, stand out as paragons of annoying incompetence. However, the writing is so awful, even the greatest of thespians could not make this movie bearable. I honestly felt rather embarrassed for the actors, most of whom I'm sure are quite capable if given a half-decent script. Perhaps worst of all, "Valentine's Day" acts like it is an eye-opening and touching study of human relationships, while it's really drivel.
If there's anything I'd like the reader to learn from this review it's to avoid this film at all costs. It isn't good, it isn't even so-bad-it's-good - it's just plain dreadful.
To begin with, the film is WAY too long - or perhaps it just seems like an eternity. Minute after minute, it is sickeningly sappy and sweet, without any depth of character or plot to justify its duration. The acting is for the most part atrocious - or, at best, mediocre. Taylor Swift, in a nightmarish "comic relief" role, and the annoying little boy, in particular, stand out as paragons of annoying incompetence. However, the writing is so awful, even the greatest of thespians could not make this movie bearable. I honestly felt rather embarrassed for the actors, most of whom I'm sure are quite capable if given a half-decent script. Perhaps worst of all, "Valentine's Day" acts like it is an eye-opening and touching study of human relationships, while it's really drivel.
If there's anything I'd like the reader to learn from this review it's to avoid this film at all costs. It isn't good, it isn't even so-bad-it's-good - it's just plain dreadful.
Did you read that cast list? Gives the term 'star-studded' a new meaning. Imagine what kind of film you could make with all that talent. Well, Valentine's Day is not that film. Far from it in fact. This who's who of a cast hampers any chance of real emotion due to the need to share screen time among them all. When you start getting interested in a character you'll most likely not see them again for another 45 minutes, pretty annoying when there are so few likable characters in the first place.
What is perhaps the scariest is that despite a plethora of plots, subplots and sub-subplots – all intertwining somehow – there isn't a shred of originality. Sure, you might be surprised who Bradley Cooper hooks up with at the end, but one small unforeseen twist barely counts. Bulge and fluff replace characterization and narrative development whilst the corny dialogue comes off as cutesy more than cute. It all goes back to the bloated cast: with over 20 stars that need their quota of jokes, sobs and happy endings filled, it's majorly difficult to dedicate any real time to exploring the unique intricacies of love and loss. See the far superior Love Actually for how it's done.
Saving it from complete dreadfulness is a handful of these big names – probably not the ones you would suspect – who manage to squeeze a laugh from their one-dimensional roles. The two Taylor's, Lautner and Swift, play their love-struck high school couple with a cheerful amount of tongue-in-cheek; Kutcher proves his charisma can go a long way as a heartbroken florist; and Cooper and Roberts (Julia, that is) are intriguing as plane passengers who don't know each other. Biel should hang her head in shame though, her standout woeful performance surely an early front runner for this year's Razzies.
Save your money and revisit its British counterpart on DVD instead.
1.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
What is perhaps the scariest is that despite a plethora of plots, subplots and sub-subplots – all intertwining somehow – there isn't a shred of originality. Sure, you might be surprised who Bradley Cooper hooks up with at the end, but one small unforeseen twist barely counts. Bulge and fluff replace characterization and narrative development whilst the corny dialogue comes off as cutesy more than cute. It all goes back to the bloated cast: with over 20 stars that need their quota of jokes, sobs and happy endings filled, it's majorly difficult to dedicate any real time to exploring the unique intricacies of love and loss. See the far superior Love Actually for how it's done.
Saving it from complete dreadfulness is a handful of these big names – probably not the ones you would suspect – who manage to squeeze a laugh from their one-dimensional roles. The two Taylor's, Lautner and Swift, play their love-struck high school couple with a cheerful amount of tongue-in-cheek; Kutcher proves his charisma can go a long way as a heartbroken florist; and Cooper and Roberts (Julia, that is) are intriguing as plane passengers who don't know each other. Biel should hang her head in shame though, her standout woeful performance surely an early front runner for this year's Razzies.
Save your money and revisit its British counterpart on DVD instead.
1.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
In the Los Angeles area, a multitude of people (all played by big names) have their lives intersect on Valentine's Day. A soldier, a football player, high school kids, a teacher, a florist and a doctor... among others. From daybreak to sundown, we follow each of them on their misadventures.
This film is getting trashed in the reviews with critics taking a collective dump on this film's face. But, you know what, I loved it. A film from the director of "Beaches" and "Pretty Woman" (Garry Marshall), with Julia Roberts and Ashton Kutcher... it should be crap. Especially since it's a romantic comedy. But this one is legitimately funny, and both Kutcher and Roberts give great performances. Even Topher Grace gives his best job yet.
You have to understand that this film is a romantic comedy, and as such isn't going to be as deep as other films. But it's very sweet, and well-written. It has been compared (rightly) to "Love Actually", but this is a strong film on its own. The way all the plots criss-cross and end up paying off so perfectly, it recalls the glory years of the 1980s, where so much could happen in one day. And there's a dance sequence towards the end! Taylor Swift has received a lot of criticism for her acting in this one. And I'm not a fan of Swift, but I have to defend her. She was playing a dumb blond and came across as a dumb blond. Some of her scenes were the funniest in the picture. If people missed that, they missed a lot. Is she a bad actress? Maybe. I don't know... but I do know she worked out well here and left a memorable impression.
Ebert, among others, slammed this film, and went so far as to say if your date likes this film, don't continue dating them. Boy, do I strongly disagree. The theater seemed to enjoy this on, and I cannot blame any girl (or guy) for thinking this a fun film. Sure, it's not high art... but it's fun and fluffy in the best way.
This film is getting trashed in the reviews with critics taking a collective dump on this film's face. But, you know what, I loved it. A film from the director of "Beaches" and "Pretty Woman" (Garry Marshall), with Julia Roberts and Ashton Kutcher... it should be crap. Especially since it's a romantic comedy. But this one is legitimately funny, and both Kutcher and Roberts give great performances. Even Topher Grace gives his best job yet.
You have to understand that this film is a romantic comedy, and as such isn't going to be as deep as other films. But it's very sweet, and well-written. It has been compared (rightly) to "Love Actually", but this is a strong film on its own. The way all the plots criss-cross and end up paying off so perfectly, it recalls the glory years of the 1980s, where so much could happen in one day. And there's a dance sequence towards the end! Taylor Swift has received a lot of criticism for her acting in this one. And I'm not a fan of Swift, but I have to defend her. She was playing a dumb blond and came across as a dumb blond. Some of her scenes were the funniest in the picture. If people missed that, they missed a lot. Is she a bad actress? Maybe. I don't know... but I do know she worked out well here and left a memorable impression.
Ebert, among others, slammed this film, and went so far as to say if your date likes this film, don't continue dating them. Boy, do I strongly disagree. The theater seemed to enjoy this on, and I cannot blame any girl (or guy) for thinking this a fun film. Sure, it's not high art... but it's fun and fluffy in the best way.
I went into this movie thinking it was just a juggernaut of a cast brought together purely to throw together a film to capitalize on V-day but i ate my words after watching it.
The movie is lovey-dubby to say the least but keeps track of each story arch very well and the twists that weave them all together are a lot better than you'd expect. The ensemble cast really shines in this light romantic movie, especially Ashton Kutcher, whose been absent from the limelight for a bit, makes a pleasant return as the florist who is as much of romantic as they come, and George Lopez is also great in his role of the family man with all the right views on love.
This review would go on forever if I broke down the whole cast but they all play their parts very well and portray the many types of love you see, young love, mature love, new relationships, and the also the type of love for someone you didn't realize you had. Love story as it may be its very entertaining and greatly portrays the randomness of love and how in its truest form is more important than anything else.
I don't make a habit of seeing chick flicks and had this movie shot down before I even saw it and was joking the whole time before how it would be awful, but here Im willing to say I judged to soon. I give the movie 3 out of four stars
The movie is lovey-dubby to say the least but keeps track of each story arch very well and the twists that weave them all together are a lot better than you'd expect. The ensemble cast really shines in this light romantic movie, especially Ashton Kutcher, whose been absent from the limelight for a bit, makes a pleasant return as the florist who is as much of romantic as they come, and George Lopez is also great in his role of the family man with all the right views on love.
This review would go on forever if I broke down the whole cast but they all play their parts very well and portray the many types of love you see, young love, mature love, new relationships, and the also the type of love for someone you didn't realize you had. Love story as it may be its very entertaining and greatly portrays the randomness of love and how in its truest form is more important than anything else.
I don't make a habit of seeing chick flicks and had this movie shot down before I even saw it and was joking the whole time before how it would be awful, but here Im willing to say I judged to soon. I give the movie 3 out of four stars
Wusstest du schon
- WissenswertesSandra Bullock turned down Julia Roberts' role in this movie.
- PatzerJulia never left to go to San Francisco. This can be heard when she calls Kara on the phone and says that she is still in LA.
- Crazy CreditsGag reel during the closing credits, and at the end of the closing credits cheerleaders form a heart on the football field.
- SoundtracksSay Hey (I Love You)
Written by Michael Franti and Carl Young
Performed by Spearhead (as Michael Franti & Spearhead)
Courtesy of Anti/Universal Republic Records
Under license from Universal Music Enterprises
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Día de los enamorados
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 52.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 110.528.528 $
- Eröffnungswochenende in den USA und in Kanada
- 56.260.707 $
- 14. Feb. 2010
- Weltweiter Bruttoertrag
- 216.528.528 $
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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