Während sich ein tödliches Virus weltweit ausbreitet, suchen vier Freunde einen vermeintlich seuchenfreien Zufluchtsort. Doch während sie die Infizierten meiden, wenden sich die Reisenden ge... Alles lesenWährend sich ein tödliches Virus weltweit ausbreitet, suchen vier Freunde einen vermeintlich seuchenfreien Zufluchtsort. Doch während sie die Infizierten meiden, wenden sich die Reisenden gegeneinander.Während sich ein tödliches Virus weltweit ausbreitet, suchen vier Freunde einen vermeintlich seuchenfreien Zufluchtsort. Doch während sie die Infizierten meiden, wenden sich die Reisenden gegeneinander.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Christopher Meloni
- Frank
- (as Chris Meloni)
Ron McClary
- Preacher
- (Synchronisation)
Tim D. Janis
- Survivalist
- (as Tim Janis)
Mary Peterson
- Laura Merkin
- (Synchronisation)
Sequoyah Adams-Rice
- Sick Child
- (Nicht genannt)
Brighid Fleming
- Sick child
- (Nicht genannt)
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To all intents and purposes, Carriers really isn't that much of a horror film, it's more a survivalist, character based, road movie. After an infectious virus has decimated the Earth, two brothers (Chris Pine/Lou Taylor Pucci) and their two lady companions (Piper Perabo/Emily VanCamp) are heading to Turtle Beach in the hope that in isolation there they can ride out the epidemic and start afresh.
What follows is that they encounter a man on the road with his sick daughter, and their plans then go astray. The moral dilemmas build up, the character dynamics unfurling in a whirl of human emotions, disappointments and heart aching decisions are evident as the search for sanity and gasoline goes on. Naturally the virus isn't the only thing to be fearful of, there's the other virus, that of the human condition in survival situations...
Having sat on the shelf for three years, Carriers came a bit late in the day to make a telling mark in a sub-genre of horror that has tapped into our new age fear of the virus. In a way that is a shame, because David and Alex Pastor's (writers/directors) film is very well made. With good performances, astute photography and a humanistic narrative that is not without merit. Yet even for 2009 it feels old hat, like a lukewarm sci-fi schlocker without the monsters or apocalyptic peril.
It's well worth a watch because there is nothing irritating here, but anyone expecting some infected/zombie infused apocalypto will be very disappointed. 6/10
What follows is that they encounter a man on the road with his sick daughter, and their plans then go astray. The moral dilemmas build up, the character dynamics unfurling in a whirl of human emotions, disappointments and heart aching decisions are evident as the search for sanity and gasoline goes on. Naturally the virus isn't the only thing to be fearful of, there's the other virus, that of the human condition in survival situations...
Having sat on the shelf for three years, Carriers came a bit late in the day to make a telling mark in a sub-genre of horror that has tapped into our new age fear of the virus. In a way that is a shame, because David and Alex Pastor's (writers/directors) film is very well made. With good performances, astute photography and a humanistic narrative that is not without merit. Yet even for 2009 it feels old hat, like a lukewarm sci-fi schlocker without the monsters or apocalyptic peril.
It's well worth a watch because there is nothing irritating here, but anyone expecting some infected/zombie infused apocalypto will be very disappointed. 6/10
The movie revolves around the fate of 4 unpleasant millennials mid-way through an apocalypse caused by a gruesome virus. They've instituted rules that are meant to keep them from getting infected. Some of these seem rational, like "disinfect stuff touched by decaying people."
Too bad they didn't include rules like "let's avoid acting like the cast of Jackass." I don't want to spoil their clever pranks, so I'll compare them to the geniuses who tried to drive blindfolded using only the GPS, like Sandra Bullock in Birdbox.
There are predictable lessons about karma, a few mild jump scares, and plenty of times to take bathroom breaks.
Too bad they didn't include rules like "let's avoid acting like the cast of Jackass." I don't want to spoil their clever pranks, so I'll compare them to the geniuses who tried to drive blindfolded using only the GPS, like Sandra Bullock in Birdbox.
There are predictable lessons about karma, a few mild jump scares, and plenty of times to take bathroom breaks.
While the premise of this movie is very relevant to the current state of the world, (Covid-19)the actions by the major players is at best lame and often reaches the point of stupid. An extremely deadly virus has been unleashed on the world and it is almost universally fatal. Two young men and two young women are in a car traveling to a seaside resort where the two boys spent a considerable amount of time in their youth. It takes a bit of time before these facts are clear to the viewer.
The four of them have masks and a lot of bleach and are very cautious about contact with anything that could possible be contagious. At first, they seem very knowledgeable about their situation and what they need to do to survive. The two men are brothers, but the exact situation regarding the two women is unclear.
It does not take long before the intelligence declines and the stupidity rises. When their car is irretrievably broken, the older brother (the leader) takes out his pistol and does some target practice on a political campaign sign. No one with any real sense of their situation would have wasted precious ammunition like that.
Some of their actions appear incredibly foolish once it becomes clear just how deadly the virus is. They arrive at a Center for Disease Control base only to find little more than death and a sense of futility. Almost no one is left alive. Yet, they engage in absurd behaviors where they could suffer broken bones or be in an auto accident.
As disaster movies based on a virulence go, this one had a lot of potential, but it is hard to take a movie based on such actions in response seriously.
But still very good. Chris Pine (you might have seen him in a little movie called "Star Trek" by J.J. Abrams) & Piper Perabo star in a very low key Horror movie, that doesn't even try to make you believe it has any big action scenes in it. It's more about the characters and how they react to certain situations.
Quite a few people were appalled by the fact, that there is not that much happening in the movie, but I liked it, because it was slow moving, because it took it's sweet time. Another criticism is that the movie is predictable. Again it's not so much about where it's going, but how it gets there (the "road" so to speak, even literally in this case).
Quite a few people were appalled by the fact, that there is not that much happening in the movie, but I liked it, because it was slow moving, because it took it's sweet time. Another criticism is that the movie is predictable. Again it's not so much about where it's going, but how it gets there (the "road" so to speak, even literally in this case).
It's hard for me to precisely categorize this movie. Drama? Sure. Thriller? For sure. Horror? Mmm, I don't think so. It's funny, because it's hard not to label the movie horror, seeing as how it deals with a grotesque infection, that spreads worldwide terror and brings civilization to its knees. However, the infected aren't the antagonists here. Once you've been infected, you're basically already dead.
Ultimately I thoroughly enjoyed the movie. After reading other comments here, it seems the general consensus is that the pace is too sluggish. I'd have to agree that it was a long 90 minutes, but as someone who is prone to falling asleep during movies, especially after an 8 hour shift, my interest was effortlessly sustained throughout the movie.
The production values here are top notch. I was never bothered by bad acting (or at least too bad). The cast fit my tastes, maybe only falling short with Piper Perabo, but that would only be nit-picking. The photography wasn't jaw-dropping, or even slightly innovative, but it was still more than adequate.
What actually impressed me most was the writing. There are some real gems in there, but mentioning them would be spoiling some great scenes. I seemed to sense some anti-religious or religious undertones, however I honestly can't decide which. I suppose that's what I liked so much about it, the morality was left quite vague.
Anyway, a solid effort. It's possibly lacking some more gore, and action, but that also could have just made it tasteless. I would recommend this to anyone who's a fan of biological horror, but I'd say ultimately you should see it for the story, and not the action.
Ultimately I thoroughly enjoyed the movie. After reading other comments here, it seems the general consensus is that the pace is too sluggish. I'd have to agree that it was a long 90 minutes, but as someone who is prone to falling asleep during movies, especially after an 8 hour shift, my interest was effortlessly sustained throughout the movie.
The production values here are top notch. I was never bothered by bad acting (or at least too bad). The cast fit my tastes, maybe only falling short with Piper Perabo, but that would only be nit-picking. The photography wasn't jaw-dropping, or even slightly innovative, but it was still more than adequate.
What actually impressed me most was the writing. There are some real gems in there, but mentioning them would be spoiling some great scenes. I seemed to sense some anti-religious or religious undertones, however I honestly can't decide which. I suppose that's what I liked so much about it, the morality was left quite vague.
Anyway, a solid effort. It's possibly lacking some more gore, and action, but that also could have just made it tasteless. I would recommend this to anyone who's a fan of biological horror, but I'd say ultimately you should see it for the story, and not the action.
Wusstest du schon
- WissenswertesThough filmed in late 2006, Carriers was not released by Paramount until September 2009, following the success of Chris Pine's appearance in Star Trek (2009), released earlier in 2009.
- PatzerAt the golf resort, characters cock their shotguns, indicating they've been walking around with unloaded weapons. Then they keep cocking them. No live rounds are heard hitting the floor, so evidently they're all carrying empty weapons.
- Alternative VersionenThe German Blu-ray and DVD release contains hard language and more bloody violence than the PG-13 Rated U.S. version.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Carriers - Flucht vor der tödlichen Seuche
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 104.352 $
- Eröffnungswochenende in den USA und in Kanada
- 76.857 $
- 6. Sept. 2009
- Weltweiter Bruttoertrag
- 5.805.279 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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