IMDb-BEWERTUNG
6,3/10
11.581
IHRE BEWERTUNG
Eine Amerikanerin ist in Tokio gestrandet, nachdem sie sich von ihrem Freund getrennt hat. Auf der Suche nach Orientierung im Leben lässt sie sich unter einem tyrannischen japanischen Meiste... Alles lesenEine Amerikanerin ist in Tokio gestrandet, nachdem sie sich von ihrem Freund getrennt hat. Auf der Suche nach Orientierung im Leben lässt sie sich unter einem tyrannischen japanischen Meister zur Ramen-Köchin ausbilden.Eine Amerikanerin ist in Tokio gestrandet, nachdem sie sich von ihrem Freund getrennt hat. Auf der Suche nach Orientierung im Leben lässt sie sich unter einem tyrannischen japanischen Meister zur Ramen-Köchin ausbilden.
- Regie
- Drehbuch
- Hauptbesetzung
Soji Arai
- Toshi Iwamoto
- (as Sohee Park)
Yûya Ogawa
- College Student
- (as Yuya Ogawa)
Empfohlene Bewertungen
I think a large part of the negative reaction comes from expectations about what the film is or should be.
First of all, this is not a remake of Tampopo, nor is it about food. It actually borrows more from "Like Water for Chocolate" than Tampopo, but the food subplot is an afterthought and a bit of a distraction.
It isn't really a rom-com though there is a romantic interest in there. Nor is it really a East meets West type of thing either though that certainly is an element.
It is a story about a young girl, who like many young people have wandered aimlessly expecting that life will just happen for them. The Japanese expectation that a big company will take care of them for life is not that much different from the American expectations. Our ramen girl discovers that such a lack of passion and spirit, even when the ingredients are there and all the right steps are followed will lead to a bland soup. A simple metaphor but done fairly well.
Brittany Murphy is surprisingly good as the ramen girl and her interactions with the gruff ramen-nazi (wonderfully played by Toshiyuki Nishida) are hilarious. The development of the relationship between the two of them was very well done.
I quite enjoyed this film and recommend it as a light pleasant diversion that brings a smile to your face - like a good bowl of ramen should...
First of all, this is not a remake of Tampopo, nor is it about food. It actually borrows more from "Like Water for Chocolate" than Tampopo, but the food subplot is an afterthought and a bit of a distraction.
It isn't really a rom-com though there is a romantic interest in there. Nor is it really a East meets West type of thing either though that certainly is an element.
It is a story about a young girl, who like many young people have wandered aimlessly expecting that life will just happen for them. The Japanese expectation that a big company will take care of them for life is not that much different from the American expectations. Our ramen girl discovers that such a lack of passion and spirit, even when the ingredients are there and all the right steps are followed will lead to a bland soup. A simple metaphor but done fairly well.
Brittany Murphy is surprisingly good as the ramen girl and her interactions with the gruff ramen-nazi (wonderfully played by Toshiyuki Nishida) are hilarious. The development of the relationship between the two of them was very well done.
I quite enjoyed this film and recommend it as a light pleasant diversion that brings a smile to your face - like a good bowl of ramen should...
Watching Brittany Murphy's films posthumously makes you realize that although many of her movies weren't that great, SHE was a REAL shining star. She was the Marilyn Monroe of her era - bright-eyed, innocent, full of life and wonder. Her childlike hunger to learn is most evident in The Ramen Girl and this part was made for her. Too bad the supporting actors weren't as good... too bad the script was mediocre. It was a terrific idea and Brittany's acting makes it worth watching. She will charm you and, like other coming of age movies, you'll be inspired to want to change your life somehow or do your best at what you're doing now. Watch Brittany and take in her many-faceted soul in this and her other films and you'll be enchanted.
Strange thing about this movie is that it has a lot of things wrong with it, but it is still a good movie, because it has a lot of "charm". Not the kind of charm in a movie that is overly contrived, but an actual sincere charm - which is hard to find. Most credit goes to Brittany Murphy for the charm, because she is such a naturally, sweet girl that she just delivers that quality to the whole film. The first problem I would love to address is the Cover of the DVD/Poster/Ad, because it is really awful. It has a "reverse stereotype" of Brittany Murphy in a Kimono with hands clasped. This would be okay for a film that one would think is about a soft-porn, submissive female on Cinemax, but it is not - it's more in the line of Karate Kid, and Shall we Dance. The People who watch expecting to see some White girl in Japan in hot, sexy escapades will be disappointed, and the People who usually watch more cultural, art films would avoid it thinking it's just soft-porn, so this "Cover" just disappoints everyone. The Marketing Dept. should learn from the people who market Fast & the Furious, because those movies sucks big, but always pulls in the audience because people know what to expect.
I gave this movie a fair 7/10. I would ignore the nonsensical 1/10 and 10/10 ratings and give it a fair shake if you're into Japanese food and culture. I was pretty surprised at how they portrayed Japanese culture...not totally accurate, but not a travesty either. I also wouldn't consider this to be a remake of Tampopo -- totally different characters and story lines. But it was fun seeing the main cowboy hat-wearing guy from Tampopo doing a small role as the ramen grand master. His expressions and eating reactions were hilarious! The filmmakers obviously have a love of japan and its culture, and I can feel their sincerity in sharing this joy through this movie. This movie isn't perfect by a longshot (the whole subplot with the British guy and the southern girl was useless and irritating), but there were some genuinely fun and funny moments. Keep your expectations in check and just enjoy the movie for what it is.
As one who has lived in Japan and has eaten REAL Ramen, I enjoyed this movie just from that perspective. However, I was touched on other levels as well.
There is a depth to this movie that sadly many viewers simply will not be able to comprehend. This is a movie that goes beyond the technicality or "head thinking" aspect of a craft and addresses the heart or "spirit" of doing something.
This is clearly a movie about redemption. It is a movie about relationships. And, it is a movie about cross-cultural understanding and communication.
Ramen Girl touched my heart, and I hope it will touch yours as well.
There is a depth to this movie that sadly many viewers simply will not be able to comprehend. This is a movie that goes beyond the technicality or "head thinking" aspect of a craft and addresses the heart or "spirit" of doing something.
This is clearly a movie about redemption. It is a movie about relationships. And, it is a movie about cross-cultural understanding and communication.
Ramen Girl touched my heart, and I hope it will touch yours as well.
Wusstest du schon
- WissenswertesOn the set of the film, Brittany Murphy nervously told director Robert Allan Ackerman that she had only ever been cast to be "either cute or crazy" and would not be able to deliver anything else. In response, they developed a code where he would say either "C1" or "C2." "C1" was "cute" and "C2" was "crazy," and Ackerman would say to her, "Too much C2, too much C1."
- PatzerIn Japan, taxi's doors are operated exclusively by the driver. Passengers do not open nor close them.
- Alternative VersionenThe version shown on U.S. streaming services has had "obscenities" dubbed over ("shit" becomes "shucks" or "crap," etc.).
- VerbindungenReferenced in Anthony Bourdain - Eine Frage des Geschmacks: Japan: Hokkaido (2011)
- SoundtracksLights Go Out
Written by Kate Holmes, Sarah Nicole Blackwood and Martin Glover
Performed by Client
Courtesy of Loser Friendly Records
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Cô Gái Mì Khô
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 32.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 179.590 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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