IMDb-BEWERTUNG
6,9/10
7103
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe French intelligence service alerts the U.S. about a Soviet spy operation during the height of the Cold War, which sets off an unfortunate chain of events.The French intelligence service alerts the U.S. about a Soviet spy operation during the height of the Cold War, which sets off an unfortunate chain of events.The French intelligence service alerts the U.S. about a Soviet spy operation during the height of the Cold War, which sets off an unfortunate chain of events.
- Regie
- Drehbuch
- Hauptbesetzung
Aleksey Gorbunov
- Choukhov
- (as Oleksii Gorbunov)
Evgeniy Kharlanov
- Igor
- (as Yevgeni Kharlanov)
Timothé Riquet
- Damien
- (as Timothe Riquet)
Vsevolod Shilovskiy
- Gorbachev
- (as Vsevolod Shilovsky)
Vladimir Tolstoy
- Chef du KGB
- (as Vladimir Tolsty)
Empfohlene Bewertungen
It's 1981 in Moscow. Pierre Froment (Guillaume Canet) is low level French diplomat who meets Soviet colonel Sergei Gregoriev (Emir Kusturica). Sergei is dismissive of the young diplomat at first. He has a rebellious son at home. He wants to change the world, change the USSR, and sees himself as a patriot. He has an affair with a colleague. Mitterrand keeps the information closely guarded using the information as currency with American president Reagan. Sergei is given the code name 'Farewell'.
Based on a book, this has the sound of truth and that's what so compelling. It's not a Bond movie or even a gritty convoluted spy thriller. The meetings are so mundane and so easy. It's not a movie high in tension except for the ending. This is a spy movie with the feel of the real world. It's about a flawed human being but he's never inhuman. There are many changes to the real story. All I know is that it has a sense of the real world.
Based on a book, this has the sound of truth and that's what so compelling. It's not a Bond movie or even a gritty convoluted spy thriller. The meetings are so mundane and so easy. It's not a movie high in tension except for the ending. This is a spy movie with the feel of the real world. It's about a flawed human being but he's never inhuman. There are many changes to the real story. All I know is that it has a sense of the real world.
I had some previous knowledge of the Farewell-affair, so i came in knowing pretty much what to expect. On the whole they seemed to pull it off pretty well. The one thing that did grate me though were the scenes with Ronald Reagan in them. The acting and dialogue in those are way under par for the movie and seriously impacted my enjoyment of the rest of it.
But yeah. If you want the reverse Snowden then this is the movie for you. The pacing is all right. It is not horribly complicated, as far as spy thrillers go.
A tense dropoff here, an escape here, some exposition of character motivation, some family drama, a whiff of secrecy and an outcome which is never in doubt.
But yeah. If you want the reverse Snowden then this is the movie for you. The pacing is all right. It is not horribly complicated, as far as spy thrillers go.
A tense dropoff here, an escape here, some exposition of character motivation, some family drama, a whiff of secrecy and an outcome which is never in doubt.
My film group and I saw "Farewell" at Rendez-Vous with French Cinema at Lincoln Center in New York. We all loved it. I do hope it will have a commercial release soon so more people can see it. The acting was superb, the screenplay riveting. We did not know the story so we were kept on the edges of our seats. I gained a lot of insights into what was going on in the cold war and emerged with a very different take on what had happened and increased appreciation for the leaders of France and the U. S. and appreciation for the brave Russian agent and what he did for the world. I am looking forward to reading the book on which the film was based. The opening and closing were so beautiful and meaningful -- the meaning only grasped at the end. I will never forget them.
Farewell is a spy drama set in Moscow/Russia in the early 1980's. It stars Guillaume Canet and Emir Custarica, both noted directors in their own rights.It is based on real events with the basic story correct though the nature of the two leading characters and a few events are somewhat changed or omitted.
The plot centres around the leaking of Russian intelligence to the French government. Sergei (Canet) works for the Russian secret service but has been recruited by (or volunteered to) the French government to pass intelligence data from his office. Sergei is doing this for purely moral reasons arguing that it will one day bring the system down and give his son a better future. His contact is a French engineer working in Moscow, Pierre, coerced in to helping by the French government and operating as Sergei's dropping point. The story develops around the personal relationship between Sergei and Pierre and also that of their families. Sergei is confident and casual but ultimately a little careless. While Pierre becomes paranoid and with his young family in tow begins to feel the stress.
The data turns out to industrial espionage on everything from the Space Shuttle to the US defence strategy and even secret communication codes. When the American are shown the information by the French (in a neat piece of one-upmanship) it is only a matter of time before action has to be taken and lives are in danger.
The pace is slow and constant and never flat. Tantalisingly delicate, a very light brush from the director allows the actors to communicate in manner rarely seen in Hollywood films. Similar with the cinematography which is used sparingly and always to accentuate the story. Watch out for the early scene where they first meet which simply says 'spies'. Then the scenes of northern Russia in winter.
This is a very smart film with excellent understated performances from all the cast. Watch out for several more famous actors in cameo and small roles. Fred Ward playing Ronald Reagan looks positively weird though they get away with it.
If you arrived here before viewing be sure, it is well worth watching. Spy Game plus.
The plot centres around the leaking of Russian intelligence to the French government. Sergei (Canet) works for the Russian secret service but has been recruited by (or volunteered to) the French government to pass intelligence data from his office. Sergei is doing this for purely moral reasons arguing that it will one day bring the system down and give his son a better future. His contact is a French engineer working in Moscow, Pierre, coerced in to helping by the French government and operating as Sergei's dropping point. The story develops around the personal relationship between Sergei and Pierre and also that of their families. Sergei is confident and casual but ultimately a little careless. While Pierre becomes paranoid and with his young family in tow begins to feel the stress.
The data turns out to industrial espionage on everything from the Space Shuttle to the US defence strategy and even secret communication codes. When the American are shown the information by the French (in a neat piece of one-upmanship) it is only a matter of time before action has to be taken and lives are in danger.
The pace is slow and constant and never flat. Tantalisingly delicate, a very light brush from the director allows the actors to communicate in manner rarely seen in Hollywood films. Similar with the cinematography which is used sparingly and always to accentuate the story. Watch out for the early scene where they first meet which simply says 'spies'. Then the scenes of northern Russia in winter.
This is a very smart film with excellent understated performances from all the cast. Watch out for several more famous actors in cameo and small roles. Fred Ward playing Ronald Reagan looks positively weird though they get away with it.
If you arrived here before viewing be sure, it is well worth watching. Spy Game plus.
We just returned from seeing this film as part of the Annual French Film Festival at Boston's Museum of Fine Arts, 7/10/10. In the U.S., we have an expression sometimes used to express one's admiration for a certain talented actor/actress who is riveting to watch on screen.I will use this expression here w/ regards to the lead actor, " I could watch Emir Kusturica read the phone book". It is his performance more than any other single factor, that causes me to think very highly of this film.It is a rare thing to watch a film about a real life hero without seeing a film that is also maudlin, clichéd or too simplistic.
But in "Farewell" I felt that the story was compelling,and the screenplay was well written,economical, completely believable and well acted.There were no unnecessary scenes and the whole thing mostly made sense, as sad as that sense was.The cinematography was crummy, but you can't have everything.Besides,I was so mesmerized by K's performance that I didn't really care that much about the cinematography, because my eyes were always focused in on him.As I exited the theater I felt like I had just been hit by a truck, and I am still feeling this film.
But in "Farewell" I felt that the story was compelling,and the screenplay was well written,economical, completely believable and well acted.There were no unnecessary scenes and the whole thing mostly made sense, as sad as that sense was.The cinematography was crummy, but you can't have everything.Besides,I was so mesmerized by K's performance that I didn't really care that much about the cinematography, because my eyes were always focused in on him.As I exited the theater I felt like I had just been hit by a truck, and I am still feeling this film.
Wusstest du schon
- WissenswertesAlexander Avdeev (Russian ambassador in France who became Russian Culture Minister and who had been expelled from France in 1983 because of Farewell) blocked most Russian actors to play in this movie, including Sergey Makovetskiy and Nikita Mikhalkov, because he did not want to back a movie about a Russian traitor. He also blocked authorizations to film in Moscow, while most of the plot takes place in Moscow. Christian Carion had to pretend to film a Coca Cola advertisement for the few images of the city.
- PatzerIn the Soviet Union, motorists would typically keep their windscreen wipers in their glove compartments for fear of having them stolen, as they were hard to come by. Yet in the movie, every single car has its wipers attached.
- VerbindungenFeatured in En bonne intelligence (2010)
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- Farewell
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- Budget
- 17.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 7.406.706 $
- Laufzeit1 Stunde 53 Minuten
- Farbe
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- 1.85 : 1
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By what name was L'affaire Farewell (2009) officially released in Canada in English?
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