Day Zero

There seems to be a continuing trend(?) to produce (promising) movies these days with (B) Unfinished scripts...where they makeup the last half as they go along to get a 'finished movie'. (B) Lame scripts (that somebody's brother-in-law wrote) and then get embellished to get a 'finished movie'. (C) Indy scripts that get edited (down to the quick) to save time and money and get passed off as a 'finished movie'...

Day Zero...Is a small movie that could have been much more...I left unsatisfied when the movie 'just ended'...I don't expect or need a 'Rings Trilogy' to be satisfied, but would have enjoyed the effort 'a great deal more' with only 'a bit more story'....Otherwise, I'd say 'Zero' is well-written, cast, art directed, shot, etc, etc. But - considering the magnitude of the questions it raises, a bit more storyline would have made this a much better movie effort. The large selection of Vietnam movies from the eighties run the gamut of poor efforts to great movies, but the main difference is that storyline(s) are generally 'more complete'...This movie would have been much better had the storyline (A) been more in-depth concerning the 30 days and the 3 friends...or (B) been more in-depth concerning where and what takes place - after the 30 days...It would also have been much more satisfying from a storyline point of view...Either way, the result we are left with has an incomplete feel and leaves one wanting to see the rest of the story...Possibly there might be a trilogy in the works (or at least a chapter-2)...Sir Vertual

It's 30 days before DAY ZERO, when three friends are to be drafted into the army during the raging war in Iraq. They react to the news and somehow come to terms with reality. On this simple (even thin) premise, Brian Cole crafts a well balanced 90 minutes, which manages to cloud a specific or biased point-of-view. Sure, there's anti-war clambering and patriotic posturing. There's plenty of flag waving and flag burning, but this film is not about the draft or serving one's country. As a reviewer who has already been drafted to face a war (in Viet-nam) and had to grapple with decisions that would ultimately shape the remainder of my life, I know this film is about "the inner self"—the draft being the catalyst and the reactions mere symptoms to the rumbling of the human spirit or the lack there of.

The three stars carry the film a long way and beyond. Chris Klein as George Rifkin represents the majority view, that the draft is a life interrupter. One never gets the impression that George is a coward. He just wants to continue his law practice, enjoy his family and wife; and ultimately, his anti-draft stance festers from resentment to anger. Jon Bernthal as James Dixon represents the patriotic view, that "it had to happen sooner or later," and everyone should stand up and fight terrorism. He is a violent and disturbed man, short fused and drives a taxi for a living, quite a contrast from George. He imprints his views on his friends without hesitation, but when he meets a girl, his views are somewhat tempered. Elijah Wood, in his best performance on screen to date (yes, even better than Mr. Baggins), plays Aaron Feller, a naïve, fragile man, who has just published his first novel and is working on the second. He is thrown into a panic by the draft notice. He looks for help in all the right places, and doesn't find it. He then looks in all the wrong places, and does. He manages to face his inner demon and takes the appropriate corrective action.

The three friends interact with great chemistry. While Wood carries the film's main theme and presents it with pathos and comedy, the more political and preachy messages come from Klein and Bernthal. Bernthal's raging approach to life is engaging. He is always there for his friends, but not without cost. He chews up the scenery. Klein, on the other hand, gets the more conventional row to hoe, with everything from draft dodger to conscientious objector. He whines and bleats and tears his hair out (figuratively. Wood loses his, literally). Between Bernthal and Klein, we have Macbeth and King Lear, so it is up to Wood to bring the real interest. He crafts his character from thin air, as his scenes are mostly interspersed vignettes that are visually appealing and pathetically comic. In fact, Wood's sense of comedic timing matches the great stars of cinema, like Chaplin. He takes us from entertaining comic relief to riveting drama as Aaron takes a roller coaster ride from naïve to psychosis in 30 days to Day Zero.

This film has only been screened at the Tribeca Film Festival, where I am sure it will win awards and be picked up by a distributor (if not, the film industry is blind). It demonstrates that in the hands of a thinking director, three strong actors can create storms in tea cups. It also provides the viewing audience with Elijah Wood's best of many great performances on celluloid, and for an actor nearing his 40th film, it is a landmark. A

Edward C. Patterson

First of all, I was made aware of this movie by friends. And while I was quite an Elijah Wood fan some years ago, I must admit my expectations weren't really that high.

But then I started reading something about the plot and thought, "Hmmm, this *could* be a film worth watching." So, I got myself tickets for the Monday screening at the Tribeca Film Festival. And I don't regret it a bit! So many questions that I have asked myself many, many times were picked up by this movie. Is the war the world is fighting just? Will it help us? Will it make things worse? Why do we feel we must (not) fight? How to justify that? And by having very controversial characters as the main players, you have no problem at all seeing things from both (or rather multiple) sides. Plus, no answers are forced down your throat.

Naturally, there still is a message, but, at least to me, it wasn't, "That's not worth fighting for." but, and that's a message hardly heard, "Suffering doesn't only come from being hurt, but also from (possibly) having to hurt." All in all, I can but recommend this film. A wonderful starting point for having a discussion with your friends (and, even more so, with those you consider do *not* share your opinion on this matter!) So, 10 out of 10 is really what this movie deserves.

I was fortunate enough to be a the 4-29-07 NYC premiere screening of Day Zero, starring Elijah Wood, Jon Bernthal and Chris Klein. The story is about the turmoil created in the lives of these men after they receive a draft notice.

Wood is Aaron Feller, a sensitive, troubled, young writer, frightened by life's challenges, who decides he needs to explore more of what life has to offer but ends up, instead, releasing some inner demons. Klein is George Rifkin, a married, successful attorney with a politically connected father, who might get his notice quashed. Unfortunately, Rifkin misdirects his rage and lashes out at the wrong persons. Bernthal is Dixon, a take charge kind of guy whether he's being a Prince Charming to a pubescent neighbor or Savior to his friends. You get the sense he's always been totally in control of his life but surprisingly finds himself falling in love and for the first time must struggle with his choices.

I didn't know what to expect going in but I enjoyed the movie quite a lot and felt all three actors had good chemistry as well as some great scenes together. There were some light moments but this is a serious and compelling drama.

I saw "Day Zero" twice during its run at the Tribeca Film Festival and would have welcomed a third viewing. From seeing the trailer at the film's website (http://www.dayzerothemovie.com/) I knew the story dealt with future reinstatement of the military draft in the United States and how three friends spent the thirty days between receiving draft notices and reporting for duty. I was immediately drawn into the film and the lives of these men; I cared about them and what they were going through. The film is character driven and director Bryan Gunnar Cole succeeds brilliantly in getting inspired performances from the talented, but mostly not well-known (to me, at least) cast.

Chris Klein very convincingly plays George, an upwardly mobile New Yorker, who at a young age, has recently made partner in a prestigious law firm. He does not want to jeopardize his career, does not support the war still playing out in the Mideast and diligently searches for ways to dodge the draft. He considers everything from seeking the help of his influential father to self-mutilation – an edge-of your-seat scene. Nor does he want to leave his wife (Ginnifer Goodwin) who has just been declared cancer-free after a five-year battle.

Jon Bernthal is excellent as Dixon, a street-smart cab driver who willingly defends his friends with his fists, but is the solid, caring anchor in the life of a young girl in his building who prefers spending time with him to dealing with her drug addled mother. Sofia Vassilieva is marvelous as the young Mara and I fully expect to see more great work from her in the future. Dixon is eager to serve, which causes friction with his friends' opposing beliefs, but falling in love (Elizabeth Moss) suddenly complicates his life.

The very talented Elijah Wood (and best-known cast member) once again displays the amazing versatility we've seen in all his post-"Lord of the Rings" films. His character, Aaron, is the most interesting and complex. He's a young writer with a successful book who is working against a deadline on his second book. He's clueless, out of shape, bewildered, estranged from his family and in his seventh year of sessions with an apathetic, inept psychiatrist (well done by Ally Sheedy.) He's also certain his draft notice is a death sentence. As Aaron attempts to toughen up and complete his 10-item "to do" list before going off to war, Wood provides some wonderful moments of comedy, which appear in all the right places.

"Day Zero" is ensemble acting at its best and cinematographer Matthew Clark's extensive use of a hand-held camera is perfect for creating a you-are-there empathy with the characters. This is a terrific film that pulls you in and makes you wonder, "What would I do?" It is not a political film; it's a perfectly cast people film and you will love these people. I hope it gets a distributor and the wide release it deserves.