Eine junge Frau, die an Parkinson leidet, freundet sich mit einem Drogenvertreter an, der in den 90er Jahren in Pittsburgh für Pfizer arbeitete.Eine junge Frau, die an Parkinson leidet, freundet sich mit einem Drogenvertreter an, der in den 90er Jahren in Pittsburgh für Pfizer arbeitete.Eine junge Frau, die an Parkinson leidet, freundet sich mit einem Drogenvertreter an, der in den 90er Jahren in Pittsburgh für Pfizer arbeitete.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Empfohlene Bewertungen
The backdrop of pharmaceutical sales may not be the best for a comedy. There are attempts at jokes especially some Viagra montages, but it's more eye opening than funny. Jake Gyllenhaal is a great actor who is trying to give humanity to this relatively unlikeable guy. Anne Hathaway adds on a layer of cynicism and anger. It's not an easy silly rom-com. Although I try to like this movie, the tone changes are just too difficult to take.
The movie can be divided into two halves: the first is a typical rom-com, complete with witty banter and charming flirtations between Jamie and Maggie. However, midway through the film, the tone takes a dramatic shift as the focus shifts to Maggie's struggles with her illness. The movie becomes intimate and shockingly raw as Jamie tries to cope with the future struggles he and Maggie will face together, while simultaneously portraying Maggie's struggle to let someone in and take care of her. This story really works and brought tears to my eyes near the end.
While the direction is pretty bland and lacks any real sense of style, the performances are strong. Both Hathaway and Gyllenhaal have excellent chemistry and play off each other perfectly. However, the real standout performance comes from Josh Gad, whose comedic timing is brilliant and whose scenes had me laughing out loud.
One aspect of the movie that detracts from its overall impact is the excessive use of nudity. Hathaway is shown topless in almost every scene, to the point where it feels quite predatory. While I am not sure if the choice to include this excessive nudity was made by the director or writing team, its frequency detracts from the intimacy of the characters' interactions and feels quite gratuitous.
Overall, Love & Other Drugs is a solid romantic comedy that attempts to do something a little different, which I can definitely appreciate. Its exploration of illness and its effects on relationships adds a layer of depth and emotion that the typical rom-com formula usually lacks.
Score: 70% 👍 Verdict: Good.
There's a lot to like about the relationship between Jamie and Maggie. They have a raw intensity and passion for each other that was a bit much for some viewers, but in my opinion it was there to show how connected they were both physically and mentally. I thought their banter and teasing nature was cute. Nobody got wounded or sulked when teased but just laughed and teased back. The initial attraction between them started as an understanding of each other's loneliness and vulnerability that allowed them to feel like someone else finally got them after easily charming others with nothing more than a fascade. Their relationship had passion, love, and a roller-coaster of emotions.
There was a scene midway through the movie where Maggie tells Jamie that even though she may have many other moments like the ones that she shared with him that it will never be as special or mean as much to her and my heart wanted to swell because I knew exactly what she meant and what it is like to love someone that much.
As they grew together, both characters changed and let go of their issues with commitment and love. They tore down the walls they'd built to protect themselves and just let themselves fall. It was beautiful to me and I really enjoyed Love & Other Drugs.
Wusstest du schon
- WissenswertesAt one point, director Edward Zwick jumped into bed with Anne Hathaway and Jake Gyllenhaal naked for a group shot to make them feel more comfortable. This shot was used for the film's poster, with Zwick digitally removed.
- PatzerJamie and Maggie are in Chicago. In the scene where they walk across the street after the unConvention, the street sign clearly shows "Seventh Avenue." There is no Seventh Avenue in Chicago.
- Zitate
Jamie Randall: Hey, Lisa.
Bruce Winston: Her name's not Lisa.
Jamie Randall: I know. I know. But, if everytime I say "Hey, Lisa", then eventually she'll come up to me and she'll be like, you know, "My name's not Lisa it's... Jennifer"... whatever, and I'll do a big apology and I'll say, "I thought you were the Lisa who was mad at me for not calling". And, from then on Jennifer, or whatever her name is, will think that I dated a girl who looked just like her... who I rejected. She'll develop this unconscious need to win my approval and from then on, it's cake.
Bruce Winston: Damn!
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #19.28 (2010)
- SoundtracksTwo Princes
Written by Chris Barron (as Christopher Gross), Eric Schenkman, Mark White,
and Aaron Comess
Performed by Spin Doctors (as Spin Doctors)
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Love & Other Drugs
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 32.367.005 $
- Eröffnungswochenende in den USA und in Kanada
- 9.739.161 $
- 28. Nov. 2010
- Weltweiter Bruttoertrag
- 102.820.008 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1