Regarding Billy

Jeff London (The Last Year, And Then Came Summer) is a writer and director who takes on some tough subject matter about the ordinary men in gay life and fashions simple stories that, while not earth shattering, are delicate reminders of the non-sensational aspects of coming to grips with sexuality. In REGARDING BILLY, his best film to date, he has assembled a small cast of fine young actors (only three), and offers a film that for a $20,000. budget and two weeks of shooting time shows how sensitive little movies can be.

Opening inside a tent on a camping trip, we meet Billy (Ronnie Kerr) and Dean (Jason Van Eman) who have been best friends since childhood. Dean announces he has joined the military to address his life stance (his parents are long gone) and will be going to Iraq. Billy is obviously sad and both young men begin to tell each other something...'but it can wait until morning'. In the next scene Billy is seen with his mentally challenged sweet kid brother Johnny (Jack Sway) as they have returned from the funeral of their parents who have died in an accident. Billy comforts Johnny and moves back to the home he had left to care for his brother. While Dean is in Iraq he writes Billy and Billy fantasizes about Dean's returning home. When indeed Dean does come back from his tour of duty, injured irreparably in the war, Billy insists that Dean move in with the brothers. Despite the obvious new happiness of the three young men living together, there remains an underlying tension between Billy and Dean, a tension broken only by a moment of confession regarding feelings that is one of the more tender 'coming out' scenes yet filmed. The film ends as quietly as it begins with the power of love and extended family as the theme.

All three of the actors perform well despite a script that calls for excessive crying. Kerr and Van Eman are understated hunks that make the attraction and resolution of the plot completely credible. Yes, there are some awkward lines and shaky moments in the film, but the overall effect is one of a loving product that dares to be sentimental in the face of criticism because the creators obviously believe in the story. REGARDING BILLY is a refreshing change from the usual over the top gay films, a film more about core people than the peripheral characters usually in focus. Recommended. Grady Harp, February 06

This is one of those films that make you feel it might have been best suited for daytime television. Unfortunately, this film could probably not be shown on daytime television just yet. The film deals honestly with a developing longtime friendship between Billy & Dean; and it is as sweet as a movie can be. However, what comes next in every scene is all too predictable; and all the characters are just a little too emotional every minute of every day. Life just isn't like that. Even those of us who are emotional most of the time try to hide it now and then. You grow to love every one of these characters and want to hold them near. However, in the end, they just don't seem real.

It's a well intentioned film, probably about making the best of bad situations. However, I just can't recommend buying it. Certainly it's worth the hour and a half viewing investment when you are in the mood to feel good about your fellow man ... every minute while watching the film.

I applaud Jeff London for trying to make a film about gay men who are actually human beings with feelings above the waist. The premise of this small-town story is quite good. People's lives are affected by economics, death, family needs and so on. The characters are real people with real, if not mundane, lives. I also make allowances for a low budget, which seems evident. However, the budget does not totally absolve bad dialogue, worse pacing, horrible music, bad lighting, poor set design, uninspired cinematography, poor casting and high-school-quality acting. It seemed to me that the story challenged the cast and crew beyond their capabilities. Having said all that, this film may some day be shown to church youth groups after bean suppers on Saturday nights in Wyoming. While they may scream at the kissing they will not be tempted into evil by the sexuality, which is entirely lacking.

I'm a bit confounded as to why this movie has such high ratings on Netflix. Yes, it is intelligently acted by an attractive and watchable cast, but that's where my recommendation ends. The script is a slobbering sentimental mess from the first five minutes till the very end. Don't get me wrong, I don't mind seeing grown men cry - but this is ridiculous! This film is like a 'very special episode' of a gay "Party of Five" (or is that an oxymoron?). Unrequited love, mentally retardation, dead parents, war injuries, blindness - no tear is left un-shed. In the end, the characters come off as a bit naive, despite the fine performances. The plot lines are under-developed with details omitted if they didn't contribute to the bawling. There's a chaste kiss or two but little display of affection between the two characters. After all that time pining for one another, you'd think they'd do more than hold hands (they don't). This film is like a homo Hallmark Card, all sentiment, no substance.

Not really sure how much more needs to be said here. Since there are only a grand total of three characters in this entire film, it's pretty much a given the two love interests (who are 30 years older than the roles they are playing) will eventually hook up...you just have to wait through monologue after monologue and pointless build-up. Imagine two very boring friends come over to visit in your living room and spend 90 minutes talking about a game of checkers they played 30 years ago. That pretty much sums this up.