Füge eine Handlung in deiner Sprache hinzuA man, taken and locked up for 14 years without any sane reason, is suddenly released, and has 4 days to figure out why this was done to him.A man, taken and locked up for 14 years without any sane reason, is suddenly released, and has 4 days to figure out why this was done to him.A man, taken and locked up for 14 years without any sane reason, is suddenly released, and has 4 days to figure out why this was done to him.
- Auszeichnungen
- 5 Nominierungen insgesamt
- Reema B. Roy
- (as Rushita Singh)
Empfohlene Bewertungen
I think the most tickling moment is when they tried to re enact the "hammer" fight scene with a hugely inflated Sanjay Dutt - it was like seeing a hippo on speed - the original was one of the most memorable fight scenes ever choreographed but this was like a terrible outtake.
I hope the actors and director of this nonsense look back at it and cringe with embarrassment because I certainly did.
Hollywood have their crack at Oldboy released some time this year, I hope and pray it's not as bad as Zinda - one thing this film is not is Zinda for sure - its DEAD from the opening scene !!!
Sanjay Gupta must be one of the least talented directors these days. None of his work is original and all of his movies are cheap copies. this is the same, he saw a movie. Liked it, but just didn't understand it. it doesn't even come close to the original. Everything is just worse as the original oldboy. Camera work, story (that doesn't work out anymore) de fighting is lame, making it not offending for the Indian audience by cutting out the incest totally destroyed the story. The actor had to be a pretty face, too bad he didn't have acting skills with it. This untalented director shouldn't even be allowed to sell pop-corn in a cinema. Too bad mom and dad had money.
Its a direct insult to the real oldboy, and Sanjay didn't even pay for the rights to rip it. Please don't watch it, get oldboy instead. This one will only make you vomit
Some will claim that Zinda is a 'tribute' or a 'remake' of the Oldboy. To them I ask one question: "What kind of filmmakers make remakes of a movie when the original came out two years ago and has been selling DVDs very well internationally?" It seems that this particular brand of Indian cinema has decided that it is quite content making money off of other people idea for free. And though it is impossible for the original filmmakers to sue the filmmakers of Zinda (on the account that Indian copyright laws does not allow for such suit), Zinda should be remembered as a true stain on the development of Indian Cinema.
Because it has photocopied a great movie, Zinda avoids being an absolute terror of a movie. However, this does not excuse Sanjay Gupta and the section of 'Bollywood' that has involved itself in Zinda's production. Because of the blatant plagiarism, and the Zinda's makers absolutely refusing to apologize and reimburse the original filmmakers, I must say Zinda deserves 1 star, if not 0.
Sanjay Gupta and Sanjay Dutt as White Feather Films make a formidable team. Since rediscovering himself as a 'remake' film-maker, Gupta has been Indianising movies quite well. Somehow, they have always managed to entertain the testosterone audience. But here Gupta sets himself too high a target. Oldboy, the Korean film that Zinda is a remake of, is a masterpiece in film-making. The movie cannot and should not be tinkered with in its story and characters. All Gupta wants to do is pick the stylization from Oldboy and fit it into a movie he has imagined he can make. Yes, style has sold film before, but a minimalist interest in the script only works to negate any effect that the sleek-look may have. To give credit where due, Sanjay Gupta does make an attempt towards a movie like nothing we have 'seen' before. But a failed attempt does not a good movie make. Sanjay Gupta has always been a master technician of his movies, but this movie falters at a more basic level - it's writing. The theme of the movie is Revenge. But is Sanjay Dutt's Bala interested in revenge at all? Yes, to begin with: when he tries to discover the place where he was held captive. But thereafter all he is interested in is staring, walking, staring, running. With such a strong motive behind a well established character, where is the pay-off? Dutt himself gives a good performance. But with no backbone. This is not an act where even if the movie collapses all around him, his performance will emerge from the rubble as a saving grace (as it was in Pitaah). We have seen Mr Dutt do a lot better than this before, and in contrast, his Bala is too mediocre. John Abraham also does a good job - but unfortunately, the consistency and fierceness of his character does a 180 at the end, thanks again to the writing. He takes the entire movie to prepare this wonderfully evil character and ends it by adding a teaspoon-full of sugar. Lara Dutta does her best to look babe (she succeeds), but fails to convince us as a Punjabi or a cab-driver. Another White-Feather alumnus Sameera Reddy could have been a better choice. Mahesh Manjrekar is a lost cause.
Sanjay Gupta and his cinematographer Sanjay F. Gupta (Oh, the number of Sanjays!) work well to mood the film right - but while the color-grading worked well in Musafir, and in Sanjay F Gupta's Karam, here the entire movie ends up with a grainy look. That, my dear Guptas, is definitely a not. The lack of dance-numbers and only background tracks is a positive, and Vishal-Shekhar with Strings add to a wonderful soundtrack. Down the years, maybe that's all this movie might be remembered for. And a somewhat decent, but copied, hammer-sequence.
My Rating --> 2/5
Please watch Oldboy - you will not waste your time. I really don't understand this Bollywood "Hype", bad actors, bad cinematography and a copied or other well known story - it's always the same. Finally I only recommend you to spend this 116 minutes of your valueable life with other things than watching this movie!
Wusstest du schon
- WissenswertesThe film faced problem when makers of Korean film Oldboy sent a legal notice for copying the film without consent.
- PatzerThe knife in Balajeet's back changes positions from the center to top left.
- Zitate
Balajeet Roy: I'll kill you, Rohit
Rohit Chopra: If you kill me, who will tell you your daughter's whereabouts?
Balajeet Roy: Tell me her whereabouts, Rohit
Rohit Chopra: Your daughter is being plundered in this very whorehouse.
Rohit Chopra: She is getting fucked!
Balajeet Roy: [screaming] No!
- Alternative VersionenThe film was edited for television premiere. The age rating was changed from A (adults only) to U (universal) after a few violent and sexual scenes were removed.
- VerbindungenReferenced in Woodstock Villa (2008)
- SoundtracksYeh Hai Meri Kahaani, Khamosh Zindagani
Written by Virag Mishra
Composed by Faisal Kapadia and Bilal Maqsood
Performed by Faisal Kapadia, Bilal Maqsood, Sanjay Dutt and John Abraham
Courtesy of Super Cassettes Industries Limited (T-Series)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 332.491 $
- Eröffnungswochenende in den USA und in Kanada
- 167.246 $
- 16. Jan. 2006
- Weltweiter Bruttoertrag
- 3.474.820 $
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1