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Always: Sunset on Third Street

Originaltitel: Always san-chôme no yûhi
  • 2005
  • 2 Std. 13 Min.
IMDb-BEWERTUNG
7,7/10
2585
IHRE BEWERTUNG
Always: Sunset on Third Street (2005)
Period DramaComedyDramaFamily

Füge eine Handlung in deiner Sprache hinzuTeenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postw... Alles lesenTeenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postwar Tokyo's evolution.Teenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postwar Tokyo's evolution.

  • Regie
    • Takashi Yamazaki
  • Drehbuch
    • Ryôhei Saigan
    • Takashi Yamazaki
    • Ryôta Kosawa
  • Hauptbesetzung
    • Maki Horikita
    • Hidetaka Yoshioka
    • Shin'ichi Tsutsumi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    2585
    IHRE BEWERTUNG
    • Regie
      • Takashi Yamazaki
    • Drehbuch
      • Ryôhei Saigan
      • Takashi Yamazaki
      • Ryôta Kosawa
    • Hauptbesetzung
      • Maki Horikita
      • Hidetaka Yoshioka
      • Shin'ichi Tsutsumi
    • 28Benutzerrezensionen
    • 10Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 30 Gewinne & 5 Nominierungen insgesamt

    Fotos3

    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung30

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    Maki Horikita
    Maki Horikita
    • Mutsuko Hoshino
    Hidetaka Yoshioka
    • Ryunosuke Chagawa
    Shin'ichi Tsutsumi
    Shin'ichi Tsutsumi
    • Norifumi Suzuki
    Koyuki
    Koyuki
    • Hiromi Ishizaki
    Hiroko Yakushimaru
    • Tomoe Suzuki
    Kazuki Koshimizu
    • Ippei Suzuki
    Kenta Suga
    • Junnosuke Furuyuki
    Masaya Takahashi
    • Saburo
    Kaga Mochimaru
    • Yûichirô
    Tôru Masuoka
    • The Theatre Manager
    Takashi Matsuo
    • The Realtor
    Hiroshi Kamido
    • The Postman
    Hiroshi Kanbe
    • The Postman
    Magy
    • The Butcher
    Yôichi Nukumizu
    • The Bicycle Shopkeeper
    Pierre Taki
    Pierre Taki
    • The Ice Seller
    • (as Piêru Taki)
    Kisuke Iida
    Kisuke Iida
    • The Policeman
    Motosuke Iida
    • The Policeman
    • Regie
      • Takashi Yamazaki
    • Drehbuch
      • Ryôhei Saigan
      • Takashi Yamazaki
      • Ryôta Kosawa
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen28

    7,72.5K
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    Empfohlene Bewertungen

    DansLeNoir

    Sincere feelings..

    The emotions I had while watching the movie warmed me up. Even though ordinary events happened, it was very nice that the movie told about it. I'm very excited about the manga and other movies in the serie. it was a great movie with its acting and artistry.
    10necesse-1

    Beautiful and simple

    Beautiful, simple and fantastic movie about everyday difficulties and joys. Saw it twice and wept as much the second time. Although over two hours long there was never a second of boredom. Extra cred for making Tokyo in 1958 so realistic, still without skyscrapers and metros! Characters was very well chosen. Even the kids are real professionals here!

    The main plot is about two stories waved together skillfully. A young "has-been" novelist meets a young boy who was abandoned and is been forced to take him in for the time being. A girl from the countryside takes a job in the big city, Tokyo, at what she thinks is a big automobile company (Suzuki auto). But nothing is what it seems! It's about love beyond family ties, but never the less easy.
    9poikkeus

    Nicely made story of the rebirth of Japan

    ALWAYS SAN CHOME NO YUHA is a warm-hearted, good intentioned story of Japan after the world war as a group of characters deal with the wonders and disappointments of the day. A young girl (Maki Horikita in one of her most winning roles) is good at bicycle repairs, but it seems she's been hired to fix autos; a struggling writer finds himself saddled with having to raise of orphaned boy who has few expectations or dreams; a bar hostess saddled with debts has an uncertain future;; and a doctor is haunted by memories from before the war, when his family was still alive.

    The children in the story seem to be the focus of the screenplay, a real-life symbol of the future Japan.

    The movie almost seems to glow from within, giving a feeling of optimism and warmth in spite of the small crises that appear from time to time. The film can feel a bit slick as the plot moves from one set-up to the next - but it's also carefully written and quite artfully composed. In the background, we periodically see vistas a Tokyo Tower being built in the background - a symbol for the growth of a new Japan- and its this hardy spirit of survival that animates the story.
    10django-27

    Technology and Nostalgia

    This movie is based on 2 things, technology and nostalgia.

    Computer graphics reappear the scenery of Tokyo 40 years before,it's so wonderful and filled with humanity.Current Tokyo city might be not so beautiful and humanity lost anywhere,so almost scenery evokes nostalgia.

    Although the story is not so rich, fine episodes are often planned. The character of the doctor who lost wife and a child in war is excellent.The figure of the Japanese who were gazing at the future being captured in the past for a while, calls sympathy.

    If you have never been to Tokyo City in 1960's,you can go now by seeing this movie.
    8briancham1994

    Compelling and nostalgic

    This film has a nostalgic feel even for those who have not lived in that time period, and at no time does it feel forced or unsympathetic. This film has a lot emotion - it will make you laugh, it will make you cry.

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    Handlung

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    • Wissenswertes
      The "Chagawa Ryunosuke" character is named after real-life author Akutagawa Ryunosuke. The Kanji characters of both names are nearly identical.
    • Patzer
      Just before opening title, Ippei spins the propeller of his toy plane clockwise. When he releases the plane, the propeller is spinning clockwise. The propeller was powered by an elastic band - releasing it would cause the propeller to spin counter-clockwise. The error was noticed in post production but couldn't be fixed without re-shooting the entire continuous one-shot or re-doing the CGI. They decided to leave it in hoping no one would notice (though they revealed the goof in the director's commentary).
    • Verbindungen
      Followed by Always zoku san-chôme no yûhi (2007)
    • Soundtracks
      ALWAYS
      Performed by D-51

      Lyrics by Yasuhide Yoshida

      Music and arrangement by IKUMA

      Strings arrangement by Naoki Ôtsubo

    Top-Auswahl

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    FAQ17

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    Details

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    • Erscheinungsdatum
      • 5. November 2005 (Japan)
    • Herkunftsland
      • Japan
    • Offizieller Standort
      • Official site (Japan)
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Mãi Mãi
    • Drehorte
      • Ueno Station, Ueno, Tokio, Japan
    • Produktionsfirmen
      • DENTSU Music And Entertainment
      • Imagica
      • Nippon Television Network (NTV)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 14.000.000 ¥ (geschätzt)
    • Weltweiter Bruttoertrag
      • 38.675.638 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 13 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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