Inside Hollywood

Strange feeling for a French person to sit at a Hollywood movie theater to watch a movie about Hollywood. People around me laughed more than me because, presumably, the joke touches a lot of local nerves. The story is introduced by a score resembling the Nino Rota of "La Dolce Vita" but the similarities with "La Dolce Vita" end there. There is nothing new here other than Robert De Niro's performance, the first in a long time in which there is a notable commitment. I found the characters tiresome and far too familiar. I couldn't care less about any of them. The predicament of De Niro's Ben (a thinly veiled producer, writer Art Linson) left me cold. Living the times we're living, to concern myself with this was too much to ask.

What Just Happened (2008)

** (out of 4)

Disappointing adaptation of Art Linson's book about a major Hollywood producer (Robert DeNiro) who finds his world both personally and professionally falling apart in the matter of one week. His latest finished film has the director butting heads with the studio over the ending and his upcoming picture is on the rocks because its star Bruce Willis wants to have a beard. The producer then finds out that his ex-wife (Robin Wright Penn) might be having an affair with his screenwriter (Stanley Tucci). You know, if you're going to make a satire about Hollywood then it might be a good idea to put in some humor. If you're going to make a hard edged film about Hollywood then it might be a good idea to put in some edge. This film comes off as a major disappointment considering the source material, the director and the all-star cast they lined up to do the film. Not only do we get DeNiro turning in a very good performance but we get a fun cameo by Sean Penn as well as nice supporting work by Tucci, Penn and John Turturro. The main reason for folks to see this picture would be for the performance by DeNiro who after years of so-so work actually manages to pull off a pretty good comeback. It's just a shame to see it wasted in such a bland movie. I think every bit of the blame has to be thrown at Levinson and the screenplay. It's clear the director and writer had something to say about Hollywood but they rarely ever say anything. I was really shocked at how few laughs the movie had and it wasn't because they went for them and missed but instead they simply didn't go for them. We really don't get any major incites into Hollywood that we haven't seen before and the movie never really takes any punches either. There's the whole subplot about a director having his vision taken away by the studio yet the movie isn't critical of the studio. This movie really isn't critical about anything so in the end you have to wonder what the whole point was to begin with.

The film is certainly enjoyable, and has several laugh-out-loud moments. However, like the film within the film, What Just Happened? feels too long. As a filmmaker myself, I really enjoyed this film, but I am afraid that much of the appeal will be missing in a general audience. A producer trying to change Bruce Willis' mind is pretty funny, but how funny is it to a non-producer or a non-Bruce-Willis? The performances, are, of course, outstanding. The entire cast is composed of nearly uncriticizable actors who are superb in any role they attempt. If you have an interest in how films come to be, this is a fun little flick. If you don't care about the behind-the-scenes, you may want to sit this one out.

Ben (Robert De Niro) is a Hollywood producer struggling to stay on top. His film Fiercely has a horrendous test screening with an ending of the villains shooting the dog in the head. Director Jeremy Brunell (Michael Wincott) insists on keeping it but studio exec Lou Tarnow (Catherine Keener) forces him to cut it or she pulls it from Cannes. Ben's latest movie is threatened with a shutdown unless he can get Bruce Willis to shave his beard. He has two ex-wives. He's jealous of the recent ex-wife Kelly (Robin Wright) who may have a new lover. Zoe (Kristen Stewart) is the daughter from his first marriage.

Robert De Niro is being too serious. There are times when the story has good satire. It either doesn't take it far enough or De Niro gives it too much gravitas. It becomes a series of tired ugly unfunny situations. This is probably funnier on the page than on the screen.

Art Linson's memoirs are a reminder of what a sad place Hollywood really is. We got closer and more original glimpses in films that go from Wilder's "Sunset Boulevard" to Altman's "The Player". Bernard Rose's "Ivansextc" also comes to mind not to mention Blake Edwards's SOB. Here the prototypes are well known even by people who have nothing to do with the film industry so one gets a bit impatient waiting for this fresh look from a prominent, still active, Hollywood producer. No such luck but there are other elements that make the film fun to watch if nothing else. To see Robert De Niro play "a character" that it's not in any way a semi parody of the films that made him famous is a welcome surprise in itself. Barry Levinson shows that he's as sharp as ever and the rhythms that he finds to tell the story keeps the tired tale not only alive but almost gripping.