Inside Hollywood

I just got back from an AFI screening of Barry Levinson's satirical comedy, "What Just Happened?", an inside look into the movie business and big studio politics. Robert De Niro was in attendance along with director Barry Levinson and screenwriter Art Linson. Although I tried to get a photo of De Niro, sadly, I was never close enough to get a good shot.

Based on producer Art Linson's book, "What Just Happened? Bitter Hollywood Tales from the Front Line", the film version tells the story of a successful Hollywood producer, Ben, played by Robert Deniro, as he juggles his personal and professional crises. This film has an impressive cast including Robin Wright Penn as Ben's second wife, Kelly; John Turturro as Dick, the stereotypical shifty agent; Stanley Tucci as Scott, the blocked screenplay writer; Michael Wincott as Jeremy, the temperamental director; Catherine Keener, as Lou, the hardcore studio exec; Bruce Willis as the demanding movie star; and Sean Penn as himself.

This mildly funny expose of modern-day Hollywood, was entertaining, but a little disappointing. The message is supposed to shock and outrage the viewer about how the film industry ruins art by turning it into pure commerce. But there have been plenty of Hollywood satires like "The Player" that have done this genre better. Although the source of the material is authentic and despite an outstanding cast (who all give great performances), "What Just Happened?" ultimately has nothing new to say besides the fact that Hollywood is a devious place to work. As a gimmicky farce, it works, but as a satire it was a limp and familiar insider's movie that lacked sharp irony, humor and novel characters.

This film won't appeal to everyone, but it does have some good one liners and funny moments. However, the combination of these actors working together in a comedy may be worth the cost of admission alone.

Art Linson's memoirs are a reminder of what a sad place Hollywood really is. We got closer and more original glimpses in films that go from Wilder's "Sunset Boulevard" to Altman's "The Player". Bernard Rose's "Ivansextc" also comes to mind not to mention Blake Edwards's SOB. Here the prototypes are well known even by people who have nothing to do with the film industry so one gets a bit impatient waiting for this fresh look from a prominent, still active, Hollywood producer. No such luck but there are other elements that make the film fun to watch if nothing else. To see Robert De Niro play "a character" that it's not in any way a semi parody of the films that made him famous is a welcome surprise in itself. Barry Levinson shows that he's as sharp as ever and the rhythms that he finds to tell the story keeps the tired tale not only alive but almost gripping.

I can applaud the effort here, it really wants to say something, I'm just not certain that the director had the balls or the producer the guts to give it both barrels! Which I suppose is ironic given the subject matter! (Though I don't think intentional) Robert De Nero plays an ailing producer on the decline in the business, he has two ex wives and stress from egotistical stars and their demands, whether it be high maintenance directors or attention seeking actors.

The core of the problem I have with the film is that the main character is completely unsympathetic.

You'll hate him, he's shallow, selfish, egotistical and devoid of any passion. Whilst this may be the point of the character, and I think it is, it doesn't make for a good film! I went away from the film thinking that they were trying to tell me that Hollywood is full of artists, but that the system breaks them down into nothing more that monkeys who turn out dross films that appeal to the mass market because focus groups tell them too.

Well if the artists are going to produce films like this then maybe there should be some editorial control, away from the hands of the artists because this missed, in my opinion, on just about every level.

The film that this will be compared to most is The Player by Robert Altman, a much better film and I highly recommend, the main difference between these two films however is in The Player everyone is in on the joke, Altman never speaks down to the audience and has fun with the story.

Tim Robbins (in The Player) is just as much of a shallow and hollow character and you'll dislike him as much as De Nero in this but because you are included in the joke, because you can see how distanced from reality he has become, by being a part of the Hollywood system, you can feel sorry for him.

Sadly for De Nero in this I couldn't.

I can't recommend this title to anyone but the dedicated film fan who will see a lot of the in jokes about Hollywood, everyone else should give it a miss.

The film is certainly enjoyable, and has several laugh-out-loud moments. However, like the film within the film, What Just Happened? feels too long. As a filmmaker myself, I really enjoyed this film, but I am afraid that much of the appeal will be missing in a general audience. A producer trying to change Bruce Willis' mind is pretty funny, but how funny is it to a non-producer or a non-Bruce-Willis? The performances, are, of course, outstanding. The entire cast is composed of nearly uncriticizable actors who are superb in any role they attempt. If you have an interest in how films come to be, this is a fun little flick. If you don't care about the behind-the-scenes, you may want to sit this one out.

What Just Happened (2008)

** (out of 4)

Disappointing adaptation of Art Linson's book about a major Hollywood producer (Robert DeNiro) who finds his world both personally and professionally falling apart in the matter of one week. His latest finished film has the director butting heads with the studio over the ending and his upcoming picture is on the rocks because its star Bruce Willis wants to have a beard. The producer then finds out that his ex-wife (Robin Wright Penn) might be having an affair with his screenwriter (Stanley Tucci). You know, if you're going to make a satire about Hollywood then it might be a good idea to put in some humor. If you're going to make a hard edged film about Hollywood then it might be a good idea to put in some edge. This film comes off as a major disappointment considering the source material, the director and the all-star cast they lined up to do the film. Not only do we get DeNiro turning in a very good performance but we get a fun cameo by Sean Penn as well as nice supporting work by Tucci, Penn and John Turturro. The main reason for folks to see this picture would be for the performance by DeNiro who after years of so-so work actually manages to pull off a pretty good comeback. It's just a shame to see it wasted in such a bland movie. I think every bit of the blame has to be thrown at Levinson and the screenplay. It's clear the director and writer had something to say about Hollywood but they rarely ever say anything. I was really shocked at how few laughs the movie had and it wasn't because they went for them and missed but instead they simply didn't go for them. We really don't get any major incites into Hollywood that we haven't seen before and the movie never really takes any punches either. There's the whole subplot about a director having his vision taken away by the studio yet the movie isn't critical of the studio. This movie really isn't critical about anything so in the end you have to wonder what the whole point was to begin with.