Eine Besatzung afroamerikanischer Piloten des Tuskegee-Trainingsprogramms, die während des Zweiten Weltkriegs mit der Rassentrennung konfrontiert war, wird unter der Leitung von Colonel A.J.... Alles lesenEine Besatzung afroamerikanischer Piloten des Tuskegee-Trainingsprogramms, die während des Zweiten Weltkriegs mit der Rassentrennung konfrontiert war, wird unter der Leitung von Colonel A.J. Bullard zum Dienst gerufen.Eine Besatzung afroamerikanischer Piloten des Tuskegee-Trainingsprogramms, die während des Zweiten Weltkriegs mit der Rassentrennung konfrontiert war, wird unter der Leitung von Colonel A.J. Bullard zum Dienst gerufen.
- Auszeichnungen
- 2 Gewinne & 9 Nominierungen insgesamt
- Ray 'Junior' Gannon
- (as Tristan Wilds)
- Sticks
- (as Cliff Smith)
Empfohlene Bewertungen
The acting, with the notable exceptions of Oyelowo, who tried SO hard to carry the film, Gooding Jnr & Howard who given their heavy-weight were woefully under-utilised but still shone in every scene (especially Howard) but who has Terence Howard in a film and only give him about four scenes? Who!? David Oyelowo's maverick-type character "Lightening" was the only character with depth, but even he struggled with the ridiculously poor script and naive plot formation as the film was a staccato of - largely predictable - events. Of course the dogfights and flying scenes were key but there was so much potential that was glossed over. insubordination, alcoholism, unlikely romance, fear and righteous rage at a government scorning them because of the colour of their skin! It could have been mindblowing... it should have been edge of the seat tense but nothing about this hit the nail on the head. It missed on every point. Direction, score, script, acting etc and even the aerial combat scenes were poor. It had no passion, or realism. There were a few good aerial moves but it was without emotional response, consequence or discipline!
For telling a true story, or at least based on true events and the Tuskegee Training program, these airmen were fighting to prove wrong (!) a Government edict that stated that Black people weren't smart, coordinated, skilled, brave or loyal enough to fly a plane in battle and would chicken out, as they were gutless. What a story to take part in!! Woefully disappointing. The moments of bravery, sentient, beauty, faith and camaraderie were glossed over, not enough made of them, and it felt like it dragged; I was convinced it was a three hour film as whilst things happened, they didn't *HAPPEN.* Overall it was too ... vanilla. This film shouldn't have been a 12A. It should have been real and raw and visceral. Oh what a waste.
I don't feel any connection to the characters in this film. Live or die, who knows or cares.
Contrasting that with the Tuskegee Airman, when people died in that film, you felt it. You cared about each single character and were emotionally invested with them.
So my saying, wait for DVD, and if you want a much better film, buy the Tuskegee Airman. You wont be disappointed.
The film was produced by George Lucas and it has some top notch CGI with the aerial battle scenes. The script is rather corny and flat as well as being fictionalised.
The four main characters are Marty 'Easy' Julian (Nate Parker) who likes to drink a lot. His best friend, Joe 'Lightning' Little (David Oyelowo) a hotshot pilot who is having a romance with a local Italian woman. Samuel 'Joker' George (Elijah Kelley) is good for laughs. Ray 'Junior' Gannon (Tristan Wilds) is the baby of the group.
The film is too uninspired, cheesy and cliched. It manages to get glorified cameos from Terrence Howard and Cuba Gooding Jr.
Wusstest du schon
- WissenswertesCuba Gooding Jr. is not new to the subject of the film. He has previously been in Die Ehre zu fliegen - Tuskegee Airmen (1995).
- PatzerIn the opening scene, the German flight leader is not wearing his oxygen mask throughout the entire battle. B-17 missions were routinely at altitudes of 25,000 feet (all the American characters are wearing masks). Without the oxygen mask, the German commander would have passed out in a matter of minutes.
- Zitate
Andrew 'Smokey' Salem: When you get upset, when you get mad, you turn red, right? When you get envious, or sick, you turn green. When you become cowardly, you turn yellow; and ya'll got the nerve to call us colored?
- VerbindungenFeatured in Maltin on Movies: Haywire (2012)
- SoundtracksIt's Been a Long, Long Time
Written by Sammy Cahn and Jule Styne
Performed by Harry James and His Orchestra (as Harry James & His Orchestra)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Top-Auswahl
Details
Box Office
- Budget
- 58.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 49.876.377 $
- Eröffnungswochenende in den USA und in Kanada
- 18.782.154 $
- 22. Jan. 2012
- Weltweiter Bruttoertrag
- 50.365.498 $
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1