Prince of Persia: Der Sand der Zeit
Ein junger flüchtiger Prinz und eine junge Prinzessin müssen einen Bösewicht aufhalten, der unwissentlich droht, die Welt mit einem speziellen Dolch zu zerstören, der es dem magischen Sand i... Alles lesenEin junger flüchtiger Prinz und eine junge Prinzessin müssen einen Bösewicht aufhalten, der unwissentlich droht, die Welt mit einem speziellen Dolch zu zerstören, der es dem magischen Sand im Inneren ermöglicht, die Zeit umzukehren.Ein junger flüchtiger Prinz und eine junge Prinzessin müssen einen Bösewicht aufhalten, der unwissentlich droht, die Welt mit einem speziellen Dolch zu zerstören, der es dem magischen Sand im Inneren ermöglicht, die Zeit umzukehren.
- Auszeichnungen
- 1 Gewinn & 11 Nominierungen insgesamt
- Hassansin Double-Bladed Halberd
- (as Domonkos Pardanyi)
- Hassansin Long Razor
- (as Massimilano Ubaldi)
- Hassansin Grenade Man
- (as Furdik Vladimir)
Empfohlene Bewertungen
Overall I enjoyed myself and I believe if you go open minded you will enjoy yourself too.
It has flaws, though there's enough to like about 'Prince of Persia: The Sands of Time'. I rate Jake Gyllenhaal as an actor, while I don't think he's perfect for this role I did enjoy his performance all in all. The special effects are neat, especially for the dagger. The support cast are satisfactory, Alfred Molina being the standout behind Gyllenhaal.
The premise is a pretty fascinating one, but I don't feel there is enough there for a near 2hr production. It felt, a number of times, that the story was going round in circles and overextending itself in order to fill the run time, there are many times where 'A' runs from 'B', 'B' finds 'A' instantly, 'A' gets away. In many different guises, but it kept happening.
Could've been far greater, but I still come away from viewing this fairly positively.
It's not perfect, but it is far superior to many other efforts that came before it. Even those that promised much like Hit-man failed to deliver on the hype beforehand, so with a trailer that had me questioning how good this really was (in hindsight it held back a lot of story reveals and the better scenes, which was quite a gamble) I went in not sure what I would get.
And what I got was a film made by people who seemed to understand what was required to entertain. The flow was perfect, and the story seemed to run cohesively. The story itself wasn't groundbreaking and at times could be a little predictable, but it was enjoyable and not over complicated or patchy.
Jake Gyllenhaal is an indie movie mainstay, so to see him in a role like this was interesting. He certainly looked the part and didn't do a bad job on the English accent, but the acting ability of the guy in general made him believable. Gemma Arteton has at time felt a little wooden in films I have seen her in, but this role of the feisty princess worked well for her and her chemistry with Gyllenhaal made the characters more believable.
The supporting cast were solid too, and the comedy turn from Molina's Amar was a very welcome addition.
But then a film like this will also live or die on the action, and this is an area that may divide people. The film wasn't packed out with it, but what action scenes there were came at perfect moments in the story, and some had genuine class to them. The nod to the earlier prince of Persia games too will not be lost on some of the older audience, like the leaping from one roof to another and climbing and running across strategic poles stuck out of walls. It offered a return to the swashbuckling sword fighting that looks very impressive and doesn't require a CGI monster to enhance it in any way.
To summarise this movie I would offer a comparison to another Disney film that was born of a different media, Pirates of the Caribbean, a ride that became a successful film franchise. Prince of Persia soars towards that level of quality, and is only really let down by a lack of a scene stealer of Captain Jack Sparrow's genius.
But it certainly has made a claim for the best video game adaptation of them all.
Wusstest du schon
- WissenswertesIn this movie, characters are prominently seen handling apples and pomegranates. Pomegranates were considered the "original" apples, and were symbols of strength to the Persian armies.
- PatzerHashshashins/Assasins (Hassasins in the movie) order was established in Islamic Persia at around 1100 AD. The world in the movie is not yet aware of Islam.
- Zitate
[last lines]
Tamina: How can I trust the man who breached the walls of my city?
Prince Dastan: Well, I'm starting to think I'm no longer the same man who breached those walls.
Tamina: That's a short time for a man to change so much.
Prince Dastan: Perhaps.
Tamina: It sounds as if you've discovered something here.
Prince Dastan: And what might that be?
Tamina: A new spiritual awareness.
Prince Dastan: Destiny.
Tamina: Yes, exactly.
Prince Dastan: I believe we make our own destiny, Princess.
Tamina: You have an unfortunate lack of curiosity.
Prince Dastan: No doubt one of my many flaws.
Tamina: Please don't mock me, Prince.
Prince Dastan: Oh, I hardly think we know each other well enough for that, Princess, but I look forward to the day that we do.
- SoundtracksI Remain
Written by Alanis Morissette and Mike Elizondo
Strings Arranged by Bruce Fowler
Produced by Mike Elizondo
Performed by Alanis Morissette
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- El príncipe de Persia - Las arenas del tiempo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 200.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 90.759.676 $
- Eröffnungswochenende in den USA und in Kanada
- 30.095.259 $
- 30. Mai 2010
- Weltweiter Bruttoertrag
- 336.365.676 $
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1