Füge eine Handlung in deiner Sprache hinzuFirst Lieutenant Shun'ichi Maki of the Japan Air Self-Defense Force is a prestigious F-15 Eagle jet pilot. A lifelong fan of flying since he was a child, being a pilot is his ultimate dream.... Alles lesenFirst Lieutenant Shun'ichi Maki of the Japan Air Self-Defense Force is a prestigious F-15 Eagle jet pilot. A lifelong fan of flying since he was a child, being a pilot is his ultimate dream. Unfortunately, his duties distance himself from his wife, Yoko, who always ends up being ... Alles lesenFirst Lieutenant Shun'ichi Maki of the Japan Air Self-Defense Force is a prestigious F-15 Eagle jet pilot. A lifelong fan of flying since he was a child, being a pilot is his ultimate dream. Unfortunately, his duties distance himself from his wife, Yoko, who always ends up being neglected, and his son, Tsugumu, who has a congenital blood disease and has a high risk of... Alles lesen
- Takafumi Aritomo
- (as Ken'ya Ôsumi)
- …
- Beast The One
- (Synchronisation)
- Restaurant Owner
- (as Yoichi Okamura)
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There's some lovely direction by series veteran Kazuya Konaka, particularly in its Top Gun-inspired opening. Great character work and performances, especially from Tetsuya Bessho and Kenya Ousumi, plus a banging soundtrack from rock artist Tak Matsumoto who provides brilliant updates to the classic themes. I do like Ultraman's new design despite it being a bit out there due to how radically different it is from the original but the updated Bemular is a truly frightening creation and more than worthy of praise.
Where I'm not particularly sold is the rather iffy use of CGI, especially considering how good the model work and suitmation are, and the cheesy dialogue at points that feels like it's trying to appeal to kids despite the tone of the movie is very much skewed towards adults with some pretty horrifying imagery to boot.
Regardless, The Next captures the heart of what makes Ultraman, well, Ultraman. His relentless pursuit of providing hope for humanity in the face of its destruction; while mixing in with the inner turmoil of its host who has more than his fair share of skin in the game. It offers up some extremely entertaining and well-executed monster fights and hits the right stride for those wanting a slightly more mature tone for the series. It's just a shame that the Ultra N Project failed because what we got here is a great basis for a newer take on the character.
The film follows the middle-aged Shinichi Maki - a father and pilot with an increasingly ill son. During a drill one evening to track an unidentified object over Japanese air space, Maki's jet crashes into a large glowing meteor, where he meets a mysterious figure. Unlike the more recent Heisei era Ultraman shows - such as the amazingly childish ULTRAMAN COSMOS [2001] - the film takes a more serious family-entertainment tone, as with Tsuburaya's classic shows such as ULTRA SEVEN (1967).
The special effects lead by Yuichi Kikuchi (GODZILLA AGAINST MECHAGODZILLA [2002]) are well polished, looking far better than GODZILLA FINAL WARS [2004], yet ironically costing about a third less to produce. The same goes for the soundtrack - composed by Japanese rock artist Tak Matsumoto - which is far nicer to the ear than the "rock n' roll" music Keith Emerson produced for Godzilla. The storyline is quite simple, yet touching and meaningful at the same time.
It's an overall solid production, and one I would certainly recommend.
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- VerbindungenFollowed by Urutoraman Makkusu (2005)
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- Ultraman: The Next
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- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1