Ultraman

I recently attended the Ultramania Film Festival here in San Francisco, CA, where the Bay Area premiere of Ultraman (a.k.a Ultraman: The Next) took place. Quite simply, this is an extremely entertaining movie for hardcore and casual fans of the character or anyone looking to spend 90 minutes witnessing pure, albeit silly, celluloid joy. The new movie is certainly more "mature" in it's telling compared to the original series and such beloved updates as Ultraman Tiga. There is a good amount of character development and some actual drama to be found. The action sequences are handled remarkably well and the final confrontation between Ultraman and his nemesis is a wonder to behold. The CG is quite good and blends real well with the more practical visual effects. The only real nitpick I had with the film is the theme sounded a bit too much like the "Top Gun" theme and "Top Gun" is not one of my favorite films. I heartily recommend Ultraman! Seek it out at all costs!

This movie is amazing it has decent writing, awesome soundtrack, and awesome redesign the only downside of this movie is the CG i know this movie is a 2004 movie but still it could have been handled better

with all of its flaws it still a great toku movie for me, it's kinda sad that this movie didn't do well because of it's darker tone and serious story.

Don't listen to that idiot.

'Ultraman' (or 'Ultraman the Next'), is a great movie and takes on a darker and more adult version of the much beloved Japanese hero.

The new Ultraman look is a sleek, silver and red armoured suit. The main villain, The First, is an animal absorbing monstrosity. He is a very cool beast.

The CGI effects are very good and are from the same dude that did Godzilla against Mechagodzilla in 2002.

Overall, a great and enjoyable superhero flick. I finish saying what I started with:

Don't believe that last reviewer.

ULTRAMAN THE NEXT [2004] was created as part of Tsuburaya Production's "Ultra N Project", which also consisted of the TV series ULTRAMAN NEXUS [2004-2005] and live stage shows involving the character "Noa".

The film follows the middle-aged Shinichi Maki - a father and pilot with an increasingly ill son. During a drill one evening to track an unidentified object over Japanese air space, Maki's jet crashes into a large glowing meteor, where he meets a mysterious figure. Unlike the more recent Heisei era Ultraman shows - such as the amazingly childish ULTRAMAN COSMOS [2001] - the film takes a more serious family-entertainment tone, as with Tsuburaya's classic shows such as ULTRA SEVEN (1967).

The special effects lead by Yuichi Kikuchi (GODZILLA AGAINST MECHAGODZILLA [2002]) are well polished, looking far better than GODZILLA FINAL WARS [2004], yet ironically costing about a third less to produce. The same goes for the soundtrack - composed by Japanese rock artist Tak Matsumoto - which is far nicer to the ear than the "rock n' roll" music Keith Emerson produced for Godzilla. The storyline is quite simple, yet touching and meaningful at the same time.

It's an overall solid production, and one I would certainly recommend.

As I was watching the midair climax of the movie (which is a lot of fun, by the way), I couldn't help but think that the music sounded very familiar. It was starting to remind me very much of Anton Bruckner's 8th Symphony in c-minor. No sooner had I made this inner note to myself when the soundtrack actually started *quoting* the 8th, note-for-note! OK, OK, I know this has nothing to do with the movie, which is probably my favorite Ultraman so far... but I like commenting on musical trivia like this. (Another odd Bruckner quote comes in the opening credits of Victor Halperin's "Supernatural" from 1933, which uses a few bars of the Third Symphony in d-minor.)