21

21 is a movie about game, money and greed and also about how someone can lose his self control when it's all about making "easy money"…

In the materialistic world we live nowadays money is the center of many things, even those which were supposed to have nothing to do with it, like love or friendship; so making "easy money" is a real temptation even if you have to lie, forget your old friends or to do schemes to achieve it! The main character of this movie can tell it very well…

It's a nice movie about this subject and it shows us the frightening world of Las Vegas casinos'. The plot is quite interesting and appealing and the cast is also good. I score it 7/10.

21 is worth seeing on a restless Friday or Saturday night with friends, but it isn't anything more than that. The film features nice performances from actors Kevin Spacey and Laurence Fishburne, as well as nice entries from the lesser known ensemble.

However, it doesn't take a film expert to notice some of the more...awful lines. "That's is impressive software."...come on, seriously? Just bad writing.

And the flow of the plot is painfully cliché, up until the end where things are admittedly pretty unpredictable. The ending was unexpected, but it worked and made up for earlier plot points that were predictable.

"21" is entertaining, that's it. Nothing more, nothing less.

After Reading Ben Mezrich's "Bringing Down the House", upon which this movie is based, I was excited to the movie. I am usually let down by movies that are based on books, but that was not the case this time.

Although there were a handful of cliché parts of the movie, all in all it was excellently done. The visual effects were well done, and the acting on the part of Jim Sturgess, Kevin Spacey, and Kate Bosworth, was exemplary. Some people may criticize Spacey for his 'gusto', but I believe his portrayal of Mickey was stellar.

The movie had suspense, a solid plot line, scattered funny scenes, and a good ending. The people I went with, none of whom had read the book, found it an even better movie than I did. If you like the movie enough, I recommend reading the book for a more complete story.

Considering the risky pleasure generally associated with gambling and the seductive thrill of watching a heist or scam unfold, it should come as no surprise that 21, a film which combines the two aforementioned premises should excel at being enjoyable. And while the film may be very familiar ground to anyone with in any experience with Ocean's Eleven style crime capers, and the majority of the film's plot points verge on being almost laughably predictable, it is executed with enough exuberant flair to make it worthwhile in the midst of its formula.

A slow start gives the necessary exposition as to how a thoroughly ethical young MIT student (Sturgess)'s desperate need for money to attend Harvard medical school leads him to join a team of mathematical geniuses trained in blackjack card counting who routinely rip off Las Vegas casinos during weekends between class. However, this opening proves overlong, overly predictable, and largely unnecessary, dragging far too much before plunging into the film's real fun as Sturgess and his team are engulfed by the seductive glamour of Vegas and the thrill of the huge monetary takes. Some judicious editing, clearing away such unnecessary subplots (such as a robotics competition with Sturgess' tiresomely stereotypical nerdy friends) could have resulted in a far more streamlined and faster paced film.

Some viewers may take offence to the "Hollywoodizing" of the MIT team, with team members of different ethnicity largely shoved to the background in favour of the typically gorgeous Caucasian leads, a disconcertingly common practice in modern day cinema. However, the flashy MTV style cinematography and editing ably capture the engrossing spectacle of Vegas, and once the film gets going, it would be difficult to deny the sheer enjoyment of being swept up in the heady rush of quick wealth and all of its hedonistic trappings.

The film's quality cast add credulity to the frequently underwritten characters they portray. Jim Sturgess once again impresses as the ethical math prodigy slowly corrupted by a world of superficial glamour, his endearing charm putting an intriguing enough take on the "troubled but well meaning hero" archetype. As one might expect, Kevin Spacey effortlessly steals the show as the charismatic but ruthless professor managing the MIT card counting team, and Spacey's easygoing yet commanding presence is a profound boost to the film. Kate Bosworth contributes a typically flat performance, but given her token 'inevitable love interest' role, she fails to detract much from the film's overall quality. Lawrence Fishburne adds class, much needed dramatic weight and moments of grim humour to his antagonistic burly head of casino security, gradually catching on to the MIT team's scamming.

While the age old adage of 'style over substance' certainly holds true here, 21 may essentially epitomize the modern Hollywood crime caper film, but the formula hasn't quite run dry enough to overly detract from the enjoyment factor. The film's snappy visuals and strong casting are mostly enough to make up for a largely uninspired and frequently weak script. However, fans of similar works will not be disappointed, and for those willing to forgive the film's frequent delving into the wells of convention and accept entertainment over profundity, 21 should prove an ideal watch.

-7/10

This film screened at the SXSW Film Festival in Austin, TX. It is a reasonable well-made based-on-a-true-story film that tells the story of a group of MIT students who attempt to make a fortune counting cards in Vegas. The screenplay apparently plays pretty fast-and-loose with the version told in the book. Never-the-less, the acting is excellent - especially Jim Sturgess in the role of the lead student. Honestly, his accent was so good that I didn't realize - until he came on stage afterward - that he was British. He does a great job with the mannerisms to give you a real sense of the character's evolution. Kevin Spacey and Laurence Fishburne are solid - although Fishburne's role is fairly small. The minor characters are not as well-developed as they could have been. The cinematography of both Boston and Las Vegas is quite good, especially on the big screen. It's an interesting story, but they could have edited down a bit to make it move a little quicker. This is a good film, but it probably could have been a lot better.