Kalter Morgen der Vergeltung

I finally got the CD (original) and watched it. What a great movie. Too bad that it didn't get much audience. Now a days movies which can throw in money for publicity makes a lot of money whether they are junk or not (for eg. Kabhi alvida na kehna).

Inspired by real life incidents, the movie depicts the story of Ajay Kumar (Arshad Warshi), new SSP of Lucknow who wants to eliminate crime from Uttar Pradesh. At the same time (which is 1997), Gajraj Singh (Sushant Singh) the new age criminal leader is evolving. He eliminates the old dons one by one and becomes the leader. Organized crime gets at its pick.

The new SSP has a bunch of brave,honest police officers under him. When criminals started using cell phones, he takes the help of Pankaj Kapoor, a professor of telecommunications. The battle between the police officers and the criminals goes on through the whole movie.

Briliiantly portrayed, the characters are as real as they can be. The nexus between railway contracts with builders, politician and criminals are shown in very real times.

The performance is brilliant. Arshad Warshi surprises everyone with his strong and controlled performance. Sushant Singh is brilliant as the mastermind criminal. Mahima Choudhary gives a sweet performance as Ajay's love interest.

Overall a great movie. If you get the chance, don't miss it.

This film by director Kabeer Kaushik, deals with organized crime in the northern Indian state of Uttar Pradesh (UP). But it tackles this from a decidedly different perspective -- that of law enforcement.

The story involves an honest-to-death police officer who convinces his seniors that the only way to combat the mafia on their turf was to step outside the box, so to speak. The film depicts LE in a positive light, and successful in its strategy, despite usual political opposition. And in yet another departure, a good looking guy is cast as villain. He is effective except one doesn't quite feel like throttling him for all his misdeeds. Plot unfolds in a no-nonsense format and while the climax is not all that unexpected, its again different from convention.

Some of the positive points include a low-key soundtrack as compared to the Blare Fare of typical Bollyfilms. Good acting on the part of Pankaj Kapur and Arshad Warsi in a leading role. The pace could have tightened up a bit had there been fewer scenes involving the mother and the wife-to-be. Only a couple of songs serve as background to the score.

No need to keep pressing the >FF> button on the remote.

One of the fundamental problems with a lot of Bollywood movies is that they try to convey more than one story at a time. This movie steers clear of that trap (though there are some distractions) and delivers a clear and crisp story. I don't think the story is exceptional (though being from the law enforcement perspective is unique) but the delivery is what makes it engaging.

The actors are believable and the casting is quite well done. I think going for Pankaj Kapoor in his role was very sharp. Other picks were excellent too.

I hope there are more movies from Kabeer Kaushik in the near future.

Another remarkable cop drama in the line of -Ardha satya/ Shool/ Sarfarosh and Ab Tak Chhappan. Though hard-hitting and realistic, it is definitely different in the sense that here more than protagonist waging a war against system or dealing with the rampant corruption or getting into a jingoistic, heavy dialog baazi he rather gets into the nitty-gritty of nabbing an underworld Don of UP. Also it exposes the nexus between politicians, administrators, businessmen, mafia and the police quite effortlessly. To don both the caps of writer and director is nonetheless a rare feat for a débutant and ad filmmaker turned film director Kabir Kaushik comes out with flying colors. The cinematography (R.A.Krishnaa), editing (Amitabh Shukla), art direction (Narendra Rahurikar), locales, the dialogs, sound design (Biswadeep Chatterji), stunt sequences (Parveiz Fazal Khan), music (Daniel B. George) all deserve a special mention in giving film a required rawness and creating a tense environment. The film manages to strike a fine balance between realistic cinema and mainstream cinema, which is an uphill task, and come across as an intelligent film. Though it has some flaws too like the overall tone of the film is far too serious than is required and tempo drops at places. It is sad to see honest cops dying one by one. Even the end is depressing. Among performances, Arshad Warsi is fabulous in his underplayed mannerisms (his best till date). Portrayal of Villain (Sushant Singh) as a cool headed guy who does not loose his temper in worst of situations, matches rightly up to him. Others are equally competent though Mahima Chaudhary's styling needs to be toned down a bit. Thankfully there are no forced songs in the way of narration. This film adds to the list of new cinema emerged in past few months which is a welcome relief from the tried and tested path and will definitely be remembered as one of the best films released this year.

It is one of the best movie i have seen in Hindi cinema. It throws light on the deep functionality of organized crime in India, formation of STF (Special task force), handling of early days of mobile technology by crime world. Best ever performances by Arshad Warsi and Pankaj Kapoor. It exposes how the nexus between local city police and under world criminals work, generation of funds using the real estate builders and tenders issued by local and central government, involvement of politician in encouraging the crimes. I recommend this movie as

"Must Watch" for all who are fed up with the system corrupted by politicians.