Die Vorahnung

Despite the rather thorough drubbing it suffered at the hands of some of the nation's most prestigious critics, "Premonition" is actually a pretty well-thought-out and tightly wound thriller, given emotion and heart by its star, Sandra Bullock. It's not a movie I would be wiling to go to the mat for, but as throwaway thrillers go, this one is really not half bad.

Bullock plays Linda Quinn Hanson, a suburban mother of two, who receives the shattering news that her husband has been killed in an auto accident. However, when she wakes up the next morning, she finds him, strangely, sitting in the kitchen, suddenly alive and well, benignly sipping coffee before heading off to work. The question quickly arises, did she dream the story of his death, is she dreaming now, or is she undergoing some sort of mental crisis precipitated by the shock of her loss? Or is she caught in some sort of bizarre time warp that allows her to jump back and forth between the periods before and after his "death," and, if so, might she be able to step in and alter the course of events to prevent the accident from happening in the first place?

In both concept and form, "Premonition" is pretty much an assembly-line thriller designed to tweak the audience's brain cells for a couple of hours before sending everyone home with not a whole heck of a lot left to think about once it's over. Still, it's intriguing enough while it lasts and only the true nitpickers among us will feel compelled to put its twists and turns in logic under the scrutiny of a critical microscope. Despite a few weak moments in her performance, Bullock actually makes us care about the character and the very strange thing that is happening to her.

"The Premonition" is by no means a classic - or even first rate - chiller, but those with a few spare hours on their hands and a penchant for brain-puzzlers could do worse than check it out.

I just saw this in the cinema last night with my girlfriend. First of all, this movie was not even close to as bad as pretty much every review has said. This was a very interesting movie and worked upon an original idea and executed it in an above average manner. The only gripes I had with it were that the priest in the end and Dr. Roth were casted very poorly and detracted from the punch in the end. Speaking of the ending, it wasn't nearly as a let down as people say on here either. Not quite a movie I'd see more than once, but it kept me interested and entertained until the end- what more could you ask for? The scenery and cinematography were excellent and the whole movie seemed like it took place either at sunrise or at sunset, which added a serene and quiet backdrop to it, which I noticed right away. The soundtrack was fantastic and right up there with the Sixth Sense in terms of effectiveness; none of it got in the way of the action.

I highly recommend this movie to families and couples- it's a great way to forget about the outside world for an hour or so! Grade: B-

"Premonition" had all the elements for being a great thriller, but it ended up as a somewhat mediocre mess. The jumping around days part was interesting, but it was ultimately the director who killed the potential of "Premonition".

Normally I do like the performances in movies by Sandra Bullock, but she was way off in "Premonition". I didn't buy into her performance as a woman who had just lost her husband and the father of their daughters. It was like she wasn't fully there mentally, and that absent performance weighed down on the movie in overall. Julian McMahon did a good enough job as the husband and father.

I was disappointed with the mediocrity of the movie, because I must admit that I had expected much more from a movie with Bullock and McMahon in the lead roles.

The movie was also a bit shallow. The part with the affair in the making was just brought up briefly and then brushed well clear off the table. The characters could have used a bit more depth and background.

All in all, not an overly impressive or memorable thriller. This is not a movie at the top of the recommendation list if you want to watch a good thriller.

Relative newcomers, writer Bill Kelly and director Mennan Yapo, have concocted a testy little conundrum of a movie titled PREMONITION: whether the audience decides to step into their little nightmare or reject the premise that powerful emotions can drive the brain to peculiar directions of functioning will be the divisive break in acceptance of the film's premise. It is a fairly well done, thought provoking experience and is carried by some better than average performances by a strong cast.

The Hanson family is introduced as the husband Jim (Julian McMahon) and wife Linda (Sandra Bullock) buy their new home. Jump forward after the credits to a family that now includes two young schoolgirls (Shyann McClure and Courtney Taylor Burness), a seemingly mildly depressed Linda and a workaholic Jim. Abruptly, Linda is informed by a police officer that Jim has died in an auto accident and her close friend (Nia Long) and mother (Irene Ziegler) help Linda through the early moments of the tragedy. Yet Linda continues to 'relive' moments: one day Jim is dead the next he is alive, and all of the pieces of the puzzle that erode Linda's mind become clues to investigate information she doesn't want to know. She encounters a warped psychiatrist (Peter Stormare) and a possible 'other woman' in Jim's life (Amber Valletta), and as she attempts to mold the puzzle pieces to make sense, she learns about the possible 'why' of the mental state in which she is trapped.

The film has problems holding credibility, but then the premise is a novel enough to allow such missteps. Sandra Bullock takes over this role completely, gains our empathy, and in the end the film works because of her. She is becoming an actress who is learning the value of understatement and that aspect of her craft serves her well. No, this is not a great movie, but it is a well-produced little mystery that asks the audience to engage both mind and imagination, and that is a good thing! Grady Harp

Time travel, eh? What a tricky old subject it is. Never seem to get it quite right, do they, these filmmakers? They always seem to drop a clanger that's caught not only by those film geeks who can spot obscure meaningless anachronisms that nobody else cares about, but even those who are paying only passing attention (eg. the older daughter doesn't have scars when she should). On top of this, the character caught up in this time-hopping conundrum resolutely fails to do the one thing every ordinary person would do in the same situation: try to break the chain of events. If the reasoning of this film is to be followed the outcome would be the same, but at least there would be a little logic involved.

Sandra Bullock plays the depressed housewife who, for no apparent reason, finds herself batted back and forth in time like a ball of wool between a kitten's paws. Every time she wakes up she finds herself one side or the other of her husband's death and very slowly pieces together the pieces of the puzzle. For the most part her predicament is surprisingly uninvolving, possibly because the writers neglected to give her any sort of character whatsoever, just a set of predictable responses to fantastic situations. Only at one brief moment, when Bullock asks her screen mother, 'If I let Jim die, is that the same thing as killing him?' does the film even remotely look as if it is going to go off in some interesting direction. Unfortunately, that idea is dropped as quickly as it is suggested, and the film lumbers toward one of those predictable conclusions that used to be a twist when Rod Serling wrote it in the 50s.

The film isn't boring, but it isn't particularly interesting either. Bullock does what she's paid to do, but she's a lightweight actress at the best of times so, really, you should know what to expect when you see that she's appearing in this type of film.