Invisible Waves

i watched this movie before i read its script (which came out not so long after the movie released in the theater in Thailand ) and i can say that this movie is so great even though the story is not so catchy so people who cannot sit and stare at something not so fun may feel extremely bored. i think asano didn't understand the meaning of the character for this story. he seems to act too relax which is none sense if you were kyoji., you killed , cut a woman, you still can walk normally? no way. but even though his acting for this movie is not as good as last life in the universe but still we can aim the meaning of the story to a different direction not as prabda(the script writer)'s imagination.

who gonna love this movie or not is not important but what i think is they are so team. they should make more movies together and i hope later movies will be more surprisingly good!

Invisible Waves is a movie about gangsters, loyalty, murder and revenge. Gangster movies are typically action packed with chases, fights and confrontations. Invisible Waves is a courageous film in that it only uses these traditional action elements to punctuate its mesmerizing and hypnotic pace. Depending on your perspective, this is either brilliant or boring.

Kyoji is a talented chef in Hong Kong who makes two big mistakes. First he has an affair with his boss's wife and then he murders her. Though his boss is a likable gangster with a big heart, he is a dangerous man when he has been betrayed. So Kyoji is in big trouble. He is also "the stupidest smart guy" and so naively entrusts his escape from Hong Kong to Lizard, someone he has never met, and climbs aboard a clapped out old cruise ship heading for Phuket. Before the ship has left the dock, we (though not optimistic Kyoji) begin to suspect that he has been set up.

Though Kyoji does not inspire confidence, blundering his escape and dawdling into disaster, we did find Invisible Waves intriguing and atmospheric. Unfortunately there are just too many irrelevant scenes; long, low or off centre camera shots; and lengthy silent pauses to make this film riveting. It also suffers from multiple random characters who seem as if they could be significant, but never amount to anything and so must be purposely pointless.

This is definitely a film that will divide audiences. Between those people who appreciate that art requires risks that may not always be successful and can still enjoy the attempt and intention; and others who abhor pretentiousness and are fed up with having expert cinematography compensate for poor construction and storyline. So whichever group you identify with, please conclude our verdict for Invisible Waves accordingly.

I just want to add the interesting parallels to Pan-Ek's film "Last Life in the Universe." Most of these are probably quite obvious, and I suspect there are more subtle comparisons.

1) The lead character is or was involved with a Yakuza gang. 2) The similarity of the lead character's name Kyoji to Kenji (Last Life). 3) The name Noi and Nid used in both films 4) The reference to Lizard. 5) The atmosphere and music very similar. 6) The theme of death.

This is the type of film that would require a deeper analysis to uncover its finer details and meanings. I would agree that overall, it's not as strong a film as Last Life in the Universe. However, the mood created on the ship to Phuket was in itself, masterful, surreal, other-worldly. In fact, at one point I had thought that Kyoji had already entered hell, and had departed this world.

What do I mean by that? Two things come to mind (although I'll let, better yet encourage you to interpret it in any way or fashion you like):

1) This movie (waves) does have a slow pace ... is this bad? I don't think so, but if you're used to mainstream movies and want some big bangs every other minute you are definitely wrong here!

2) This movie is also not supposed to be as entertaining as a mainstream movie (that's why you can't ride it). It's gritty and raw (not as a documentary, of course) and the camera let's you inside. You won't get pretty pictures, but you will get shots that feed the mood of our main characters.

You will also get a man on his journey (literally and philosophical). A great ending, that some might not like (too quiet), but there could not be any other ending ... imo!

There's a lot to like here, though judging from the reviews there is not enough to please everyone.

The main character is unforgettable. The more see of him, the more there is to like or relate to. Each scene is a gem--tight, edgy, emotional in some way or another. And there a lot of variety to the scenes--the action moves around to very different places, always offering a lot for us to take in.

Yet even with something big going on in front of the camera, this is pretty much the antithesis of an action film. The director gives us lots to watch, but what we're most drawn to is on the inside--brooding, fear, struggling to get by, not knowing how things will work out.

To me the film succeeded both as storytelling and as a character study. It's one of those films I didn't want to have end, because the plot and the technique were both so absorbing. seeing.