IMDb-BEWERTUNG
6,0/10
89.744
IHRE BEWERTUNG
Zwei Polizeibeamte der Hafenbehörde werden unter den Trümmern des World Trade Center verschüttet.Zwei Polizeibeamte der Hafenbehörde werden unter den Trümmern des World Trade Center verschüttet.Zwei Polizeibeamte der Hafenbehörde werden unter den Trümmern des World Trade Center verschüttet.
- Auszeichnungen
- 4 Gewinne & 12 Nominierungen insgesamt
William Jimeno
- Port Authority Officer
- (as Will Jimeno)
Empfohlene Bewertungen
This film is a mostly compelling story of the 9/11 attacks but the problem is that it's too drawn out. There is a lot of the time when nothing much is really happening. It tries to focus on the lives of particular individuals who are portrayed as heroes but this also means that there is not much material to work with.
Stone cold, that's what I call the new Oliver Stone film, World Trade Center. Taking the story of two Port Authority Police who survived, Stone manages to make the singular event of the last decade a boring made-for-TV story of two cops buried and waiting rescue, by the Marines no less. There are marks of an auteur to be sure such as the set design, just as authentic looking as when I visited ground zero after the attack. But the mark of the real Stone, one that carries the heft of his personal opinion about an event (Platoon) or his off-center look at history (JFK), is absent.
Let's face it: Two cops, John McLoughlin (Cage) and Will Jimeno (Michael Pena), buried beneath rubble with small talk to keep themselves alive is neither great drama nor riveting suspense when you know ahead of time they are 2 of the 20 to be saved and their dialog doesn't come close to the bite of WWII film foxhole repartee. Cutting as often as he can to the dull families in New Jersey waiting for word about their lost loved ones, Stone still fails to make even this horrific event interesting.
As a matter of fact, he fails to put the event into its larger context of a world crisis that changes the way we live forever. It's a challenge to do so if you choose only a small part of the event, but a great director should be able to as Stone did, for instance, with Wall Street, where the shenanigans of one broker clearly represented a corrupt generation of self-centered consumers.
It's as if Oliver Stone promised Hollywood after his disastrous Alexander (which I liked) that he'd be a good boy and not editorialize about 9/11. Heck, point of view is Stone: Remember the conspiracy theory of JFK? Google "Loose Change" to get an introduction to 9/11 conspiracy theory and wonder why Oliver Stone couldn't have gone there rather than the straight way. Or at least part of the way.
"While you here do snoring lie, Open-eyed conspiracy His time doth take. If of life you keep a care, Shake off slumber, and beware: Awake, awake!" Shakespeare, the Tempest
Let's face it: Two cops, John McLoughlin (Cage) and Will Jimeno (Michael Pena), buried beneath rubble with small talk to keep themselves alive is neither great drama nor riveting suspense when you know ahead of time they are 2 of the 20 to be saved and their dialog doesn't come close to the bite of WWII film foxhole repartee. Cutting as often as he can to the dull families in New Jersey waiting for word about their lost loved ones, Stone still fails to make even this horrific event interesting.
As a matter of fact, he fails to put the event into its larger context of a world crisis that changes the way we live forever. It's a challenge to do so if you choose only a small part of the event, but a great director should be able to as Stone did, for instance, with Wall Street, where the shenanigans of one broker clearly represented a corrupt generation of self-centered consumers.
It's as if Oliver Stone promised Hollywood after his disastrous Alexander (which I liked) that he'd be a good boy and not editorialize about 9/11. Heck, point of view is Stone: Remember the conspiracy theory of JFK? Google "Loose Change" to get an introduction to 9/11 conspiracy theory and wonder why Oliver Stone couldn't have gone there rather than the straight way. Or at least part of the way.
"While you here do snoring lie, Open-eyed conspiracy His time doth take. If of life you keep a care, Shake off slumber, and beware: Awake, awake!" Shakespeare, the Tempest
I saw an advanced screening of World Trade Center last night, and I was very impressed. I went into it unbiased, deciding that I would indeed like to hear the story of what happened to the two officers this movie is about, and I would take it for what it is, regardless of whether or not people think it's still too soon.
This is a very moving and intense look at the story of the officers' ordeal as well as what their families had to go through. Of course, the viewer is reminded of a lot that happened on that day, and it is disturbing, sad, and angering just as the real events were. However, the movie makes no attempt at all to explain what happened or give some great message to the world about terrorism, government, or war. It's more of a character study and simply a look at a terrible event from several perspectives.
The acting is superb, and I have more respect for Nicholas Cage after this movie than I did going into it. There are some very intense moments, and moments that, as I've said, are angering and disturbing, but not to make the viewer want to walk away, but simply to be angry that these events had to occur in the first place.
Thankfully, there are several moments of humor throughout the movie, to give the viewer a break perhaps, but they work well.
I gave this movie a 7 out of 10 because the writing at times was not all that it could have been, especially some of the dialogue. Overall, the acting is great and the characters feel real, but in some scenes you may feel like the sentimentality is being forced and doesn't feel genuine.
I will recommend this movie to people who are not dead set against it, or someone who is just looking for exactly what it is: a movie made for entertainment and as a tribute to those that died.
This is a very moving and intense look at the story of the officers' ordeal as well as what their families had to go through. Of course, the viewer is reminded of a lot that happened on that day, and it is disturbing, sad, and angering just as the real events were. However, the movie makes no attempt at all to explain what happened or give some great message to the world about terrorism, government, or war. It's more of a character study and simply a look at a terrible event from several perspectives.
The acting is superb, and I have more respect for Nicholas Cage after this movie than I did going into it. There are some very intense moments, and moments that, as I've said, are angering and disturbing, but not to make the viewer want to walk away, but simply to be angry that these events had to occur in the first place.
Thankfully, there are several moments of humor throughout the movie, to give the viewer a break perhaps, but they work well.
I gave this movie a 7 out of 10 because the writing at times was not all that it could have been, especially some of the dialogue. Overall, the acting is great and the characters feel real, but in some scenes you may feel like the sentimentality is being forced and doesn't feel genuine.
I will recommend this movie to people who are not dead set against it, or someone who is just looking for exactly what it is: a movie made for entertainment and as a tribute to those that died.
This is an excellent film on a very touchy subject. World Trade Center makes an excellent companion piece to United 93. The films have different styles and they present diverse perspectives of a day that has limitless faces. Both are thoughtful, intelligent, and emotionally potent. They provoke and challenge, asking us not only to face our memories but to question our future. By being less political than he has ever been, Stone offers a movie that can be embraced by movie-goers who sit on the left side of the theater, in the center, or on the right. It's an achievement, and it makes one hope that future feature films about 9/11 will exhibit the same mix of dramatic force and tasteful restraint.
I went into this film without expectations. I saw Flight 93 and enjoyed it and I am very interested in all events surrounding September 11th, so this film appealed to me. Now, I must say that I am not an Oliver Stone fan, however, upon hearing this movie was nothing like an Oliver Stone film I decided to check it out.
The storyline for the film, as stated, was based on the stories of a few Port Authority police who survived the collapse of the building while being trapped for hours in the rubble. At the beginning we are introduced to each of the characters and their families. It's enough to get us involved with each of them but leaves enough room to elaborate as the film unfolds. The film moves rather nicely without going too fast or slow. The vast amount of the film takes place after the towers collapse while the men are trapped in the rubble. The story is told through the trapped police officers current situation as well as what their families are going through at the same time.
I felt this story to be very natural and not Hollywood-ized, something I had been worried would happen. All the events seemed plausible, they didn't throw anything in for added drama. All of the characters were completely believable and you ended up loving all of them by the end. I will caution you though, there are some intense scenes in this movie so if you are unable to deal with some of the events from that day you may not want to see the film.
The cinematography and sound really aided this film. All of the filming was crisp and clean, the special effects were great and you could hardly tell this had been filmed after the towers were gone (the shots containing the towers that is). There were some great scenes from life in new york; shots of the skyline and the subway as well as some breathtaking aerials. The sound was spot on, you could feel the building collapse as the scenes unfolded on the screen. It was a great job all around.
Overall I was pleasantly surprised at how good this was, it lived up to Flight 93, although it has an entirely different feel to it. This film is not ground-breaking work, but it wasn't meant to be. It was meant to tell the story of a few brave men and their families and their experiences during September 11th, and it accomplished this very well.
The storyline for the film, as stated, was based on the stories of a few Port Authority police who survived the collapse of the building while being trapped for hours in the rubble. At the beginning we are introduced to each of the characters and their families. It's enough to get us involved with each of them but leaves enough room to elaborate as the film unfolds. The film moves rather nicely without going too fast or slow. The vast amount of the film takes place after the towers collapse while the men are trapped in the rubble. The story is told through the trapped police officers current situation as well as what their families are going through at the same time.
I felt this story to be very natural and not Hollywood-ized, something I had been worried would happen. All the events seemed plausible, they didn't throw anything in for added drama. All of the characters were completely believable and you ended up loving all of them by the end. I will caution you though, there are some intense scenes in this movie so if you are unable to deal with some of the events from that day you may not want to see the film.
The cinematography and sound really aided this film. All of the filming was crisp and clean, the special effects were great and you could hardly tell this had been filmed after the towers were gone (the shots containing the towers that is). There were some great scenes from life in new york; shots of the skyline and the subway as well as some breathtaking aerials. The sound was spot on, you could feel the building collapse as the scenes unfolded on the screen. It was a great job all around.
Overall I was pleasantly surprised at how good this was, it lived up to Flight 93, although it has an entirely different feel to it. This film is not ground-breaking work, but it wasn't meant to be. It was meant to tell the story of a few brave men and their families and their experiences during September 11th, and it accomplished this very well.
Wusstest du schon
- WissenswertesThe city of New York absolutely prohibited the recreation of 9/11 destruction or chaos on location. The filmmakers were not even allowed to film actors looking upward toward where the towers would be. The drive of the officers up to the site was permitted to be filmed, but all scenes depicting events at or near the WTC were filmed in Los Angeles.
- Patzer(at around 35 mins) There is a brief scene set in Hong Kong, where locals are stunned by what they see happening in New York on TV. The background clearly shows that it is daytime. However, when the 9/11 events occurred, it was night time in Hong Kong.
- Zitate
Will Jimeno: Where did that wind come from all the sudden, Sarge?
John McLoughlin: I don't know.
Will Jimeno: The fire just goes out like that, Sarge! Why is that?
John McLoughlin: I don't know!
Will Jimeno: You're not a big talker, are you?
John McLoughlin: No!
Will Jimeno: Well gee, you gotta talk to me 'cause...
John McLoughlin: Aaaahhhh! Aaaahhhh! Aaaahhhh! Aah! I can't 'cause my knees are crushed again! That's why I can't fucking talk!
- SoundtracksOnly in America
by Kix Brooks, Don Cook & Randall Rogers
Performed by Brooks & Dunn
Courtesy of Arista Records
By Arrangement with SONY BMG Music Entertainment
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Las torres gemelas
- Drehorte
- Marina del Rey, Kalifornien, USA(World Trade Center set)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 65.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 70.278.893 $
- Eröffnungswochenende in den USA und in Kanada
- 18.730.762 $
- 13. Aug. 2006
- Weltweiter Bruttoertrag
- 163.247.198 $
- Laufzeit2 Stunden 9 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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