Zwei Schwestern kämpfen um die Zuneigung von König Heinrich VIII.Zwei Schwestern kämpfen um die Zuneigung von König Heinrich VIII.Zwei Schwestern kämpfen um die Zuneigung von König Heinrich VIII.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Andrew Garfield
- Francis Weston
- (Nur genannt)
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If you want a good movie about Henry VIII and Anne Bolyen, rent Anne of the Thousand Days. That was a film that used history to tell a story about real people who had a love to change a nation.
In this version of the eponymous Phillipa Gregory novel, historical inaccuracies abound. Approximately fifteen years are compressed into two hours with no indication time has gone by except for various babies. None of the characters ever change or grow any older. The characters in this movie are completely one-sided. Anne is ambitious. Henry is a womanizer. Mary is simple. No one has any complexities. The sisterly rivalry plays out like an underdeveloped soap opera.
On the other hand, the film is engaging and the costumes lovely. Same with the gorgeous palace settings.
Eye candy it is. Truthful or realistic it isn't.
In this version of the eponymous Phillipa Gregory novel, historical inaccuracies abound. Approximately fifteen years are compressed into two hours with no indication time has gone by except for various babies. None of the characters ever change or grow any older. The characters in this movie are completely one-sided. Anne is ambitious. Henry is a womanizer. Mary is simple. No one has any complexities. The sisterly rivalry plays out like an underdeveloped soap opera.
On the other hand, the film is engaging and the costumes lovely. Same with the gorgeous palace settings.
Eye candy it is. Truthful or realistic it isn't.
A quick glimpse at the Tudor family line on Wikipedia will yield hundreds of years of made-for-movie material, but none quite as compelling as the story of Anne Boleyn. Pair a classic story with airy language, beautiful sets and costumes, and some A-list names and you have Oscar magic in the making. Right? Well, not always. We've seen it before and we're not necessarily impressed with royalty anymore. The Other Boleyn Girl offers new perspectives and dramatic angles on the saga of wives that is Henry VIII's legacy, but nearly drowns in melodrama.
And it's not entirely the movie's fault. Boleyn Girl follows the story of both Anne (Natalie Portman) and Mary (Scarlett Johansson) Boleyn and their relationship with the English court. King Henry VIII (Eric Bana) has trouble producing a male heir, so the Boleyn family offers their daughter Anne to bed. When Henry has a hunting accident due to Anne's carelessness, he is nursed and subsequently charmed by innocent Mary. But Mary is already married, so the King promotes her husband and sends the couple to court where he can meet with Mary whenever he pleases. Mary falls in love with Henry and becomes his mistress. Anne, the elder sister, is scorned by what she believes is her sister's ultimate betrayal, and plots revenge. The two continue on in these roles for some time, swapping places in bed with Henry and spurting out babies while their relatives egg them on. This isn't quite how things went down in reality, but the changes are minor and seem necessary to condense the timeline and create at least one sympathetic character.
The Other Boleyn Girl fares best when it's exploring the relationship between Anne and Mary. This isn't the first story of sister rivalry, but the dynamic between Anne and Mary is extraordinarily well-played. Their previous roles and their public images make Portman and Johansson perfect fits. We believe Portman to be intelligent and coy, and Johansson to be naive and desired. More - we believe these roles might be easily reversed. As sisters, their relationship is deeply disturbing: they love each other, they hate each other, they're unable to escape the expectations placed upon them by their family. As an older sister (with an admittedly not-as-screwed-up relationship), I found this portrayal very realistic - rich with emotion and complex meaning.
I wish I could say the rest of the movie was as artful. There's constant allusion and foreshadowing to the Boleyn demise through use of visual and editing metaphors. If some details were twisted, other details might have been cut out - too many tear-filled scenes means that this eventually feels like a soap opera. At one point in the movie, Anne is sent off to France and comes back wearing a very distracting "B" charm, which she sports until the end of the movie. When I finally finished inventing what else "B" might stand for (besides Boleyn, there are plenty of other fits), I wondered about Anne's character. She's now praised as being changed and thus back in play, but I don't see it - she was smart and ambitious before, and only gained a bit of wit during her trip to France - certainly not the drastic change everyone seemed to be making it out to be. There are some very poorly done scenes where supporting cast spell out the politics of the situation for you. This is a little condescending and probably unnecessary, if not repetitive. The costumes are beautiful, but the matching dresses become unbelievable and even plain in places. PETA must have a field day with this movie and its use of fur and meat. You won't get to see Scarlett Johansson naked in this movie, in case you were wondering - just lots of fuzzy sex montages, weirdly full of backlit hair and fur. Katherine of Aragon (Henry VIII's first wife) is given some of the most powerful lines in the movie, but they're delivered with such woodenness that my disappointment must be made known.
The Other Boleyn Girl could be so much more. As a hyper-dramatic costume flick, it does stand out. There's more than meets your eye, and the costarring performances are not to be missed. There's a lot of material to cover in this story, but a simplified script would have helped keep this film farther away from melodrama. Especially with a true story as wild as this, there's not a lot that needs to be changed or added to grip the viewer. Any embellishments verge on destroying believability and creating situations we can't relate to.
And it's not entirely the movie's fault. Boleyn Girl follows the story of both Anne (Natalie Portman) and Mary (Scarlett Johansson) Boleyn and their relationship with the English court. King Henry VIII (Eric Bana) has trouble producing a male heir, so the Boleyn family offers their daughter Anne to bed. When Henry has a hunting accident due to Anne's carelessness, he is nursed and subsequently charmed by innocent Mary. But Mary is already married, so the King promotes her husband and sends the couple to court where he can meet with Mary whenever he pleases. Mary falls in love with Henry and becomes his mistress. Anne, the elder sister, is scorned by what she believes is her sister's ultimate betrayal, and plots revenge. The two continue on in these roles for some time, swapping places in bed with Henry and spurting out babies while their relatives egg them on. This isn't quite how things went down in reality, but the changes are minor and seem necessary to condense the timeline and create at least one sympathetic character.
The Other Boleyn Girl fares best when it's exploring the relationship between Anne and Mary. This isn't the first story of sister rivalry, but the dynamic between Anne and Mary is extraordinarily well-played. Their previous roles and their public images make Portman and Johansson perfect fits. We believe Portman to be intelligent and coy, and Johansson to be naive and desired. More - we believe these roles might be easily reversed. As sisters, their relationship is deeply disturbing: they love each other, they hate each other, they're unable to escape the expectations placed upon them by their family. As an older sister (with an admittedly not-as-screwed-up relationship), I found this portrayal very realistic - rich with emotion and complex meaning.
I wish I could say the rest of the movie was as artful. There's constant allusion and foreshadowing to the Boleyn demise through use of visual and editing metaphors. If some details were twisted, other details might have been cut out - too many tear-filled scenes means that this eventually feels like a soap opera. At one point in the movie, Anne is sent off to France and comes back wearing a very distracting "B" charm, which she sports until the end of the movie. When I finally finished inventing what else "B" might stand for (besides Boleyn, there are plenty of other fits), I wondered about Anne's character. She's now praised as being changed and thus back in play, but I don't see it - she was smart and ambitious before, and only gained a bit of wit during her trip to France - certainly not the drastic change everyone seemed to be making it out to be. There are some very poorly done scenes where supporting cast spell out the politics of the situation for you. This is a little condescending and probably unnecessary, if not repetitive. The costumes are beautiful, but the matching dresses become unbelievable and even plain in places. PETA must have a field day with this movie and its use of fur and meat. You won't get to see Scarlett Johansson naked in this movie, in case you were wondering - just lots of fuzzy sex montages, weirdly full of backlit hair and fur. Katherine of Aragon (Henry VIII's first wife) is given some of the most powerful lines in the movie, but they're delivered with such woodenness that my disappointment must be made known.
The Other Boleyn Girl could be so much more. As a hyper-dramatic costume flick, it does stand out. There's more than meets your eye, and the costarring performances are not to be missed. There's a lot of material to cover in this story, but a simplified script would have helped keep this film farther away from melodrama. Especially with a true story as wild as this, there's not a lot that needs to be changed or added to grip the viewer. Any embellishments verge on destroying believability and creating situations we can't relate to.
interesting cast. and nothing else. desire to present an old story in easy form. and the strange result. all is childish, nothing convincing, a nice game with facts, legends and parts of truth. and, after so many travels in Tudors world, this is only a joke. not very inspiring. it is not a bad movie but it is far to be more than mediocre. and nobody is guilty. just the ambition to make history with actors in incorrect roles. because Eric Bana is not Henry (not more than ambiguous sketch ) , Natalie Portman is in wrong position and Scarlett Johassen - shadow of good intentions. no nuances, no roots. only a dark story with ridiculous accents. good actors and nice costumes are not enough.not in this case.
Put it this way, if you saw Anne of the Thousand Days, you probably felt sorry for Anne Boleyn. After seeing this film, while you might feel sorry for her - not so much.
The Other Boleyn Girl is a 2008 film starring Natalie Portman, Scarlett Johannson, Eric Bana, Kristen Scott-Thomas, Mark Rylance, David Morrissey, and Benedict Cumberbatch who at this writing is #2 on the IMDb Starmeter, so I'd say his fortunes have changed.
The story fills in what we don't actually know about the Boleyns and tells some of their story, though the writers had to leave out a lot of material.
Nevertheless, this is a great drama, beautifully costumed and filmed, with wonderful acting and, let's face it, two of the most stunning women in films today.
Natalie Portman plays Anne Boleyn, who is more or less pimped out by her father (Mark Rylance) hoping that she can give Henry VIII a son and, in so doing, increase the family's fortunes. It doesn't work out.
Instead, the King takes a fancy to the newly married Mary, Anne's sister, and both the young women are given a position at court. Henry, then married to Catherine of Aragon, then takes Mary as a lover. Mary later gives birth to a son.
Anne secretly marries someone who is betrothed to another, and as a punishment is sent to the court in France. When she returns, she captivates King Henry by refusing to become his mistress while he is still married, driving him to distraction.
He eventually gets the law changed so he can divorce Catherine and marry Anne. By now he is long finished with Mary, barely acknowledging his son.
One of the created scenes in the film occurs when Anne miscarries her child, a boy. She is desperate that Henry not find out and appeals to her brother to sleep with her. He can't do it.
In truth, one of the crimes Anne was charged with was incest, but these allegations were made up. Her brother George was executed because of it, however. In the film, someone sees them together and reports it.
I actually think the writers did an okay job with this story - in historical films one always has to combine events and characters or leave them out.
Natalie Portman is excellent as Anne, rather bratty, seductive, and emotional. Johannson has a less showy role but she's marvelous as well.
Eric Bana is an attractive Henry. The real Henry was a redhead, but the depiction of Henry as slender and attractive is certainly correct for the period in which the story takes place.
The film makes a great deal out of the relationship between Anne and Mary -- Anne is furious when Mary nabs the King, then Mary is furious when Anne makes her big move.
In fact, the two sisters weren't particularly close. And though in the film Anne is the older sister, historians today believe that Mary was the older one.
Mary actually had two children, but there isn't a lot of evidence to support that her second child was actually King Henry's. What isn't mentioned in the film itself is that after Mary's husband (Cumberbatch) died, she married a soldier secretly, a man way beneath her station, and was banished from court, never to return.
Her family also disowned her. Up until then, she was at court; when she was widowed, Anne arranged for her to have a pension and had Mary's second child, a boy, educated.
After Mary's and Anne's parents died, Mary inherited some property and she and her husband lived quietly and happily for the rest of their lives.
Very good film, well worth seeing.
The Other Boleyn Girl is a 2008 film starring Natalie Portman, Scarlett Johannson, Eric Bana, Kristen Scott-Thomas, Mark Rylance, David Morrissey, and Benedict Cumberbatch who at this writing is #2 on the IMDb Starmeter, so I'd say his fortunes have changed.
The story fills in what we don't actually know about the Boleyns and tells some of their story, though the writers had to leave out a lot of material.
Nevertheless, this is a great drama, beautifully costumed and filmed, with wonderful acting and, let's face it, two of the most stunning women in films today.
Natalie Portman plays Anne Boleyn, who is more or less pimped out by her father (Mark Rylance) hoping that she can give Henry VIII a son and, in so doing, increase the family's fortunes. It doesn't work out.
Instead, the King takes a fancy to the newly married Mary, Anne's sister, and both the young women are given a position at court. Henry, then married to Catherine of Aragon, then takes Mary as a lover. Mary later gives birth to a son.
Anne secretly marries someone who is betrothed to another, and as a punishment is sent to the court in France. When she returns, she captivates King Henry by refusing to become his mistress while he is still married, driving him to distraction.
He eventually gets the law changed so he can divorce Catherine and marry Anne. By now he is long finished with Mary, barely acknowledging his son.
One of the created scenes in the film occurs when Anne miscarries her child, a boy. She is desperate that Henry not find out and appeals to her brother to sleep with her. He can't do it.
In truth, one of the crimes Anne was charged with was incest, but these allegations were made up. Her brother George was executed because of it, however. In the film, someone sees them together and reports it.
I actually think the writers did an okay job with this story - in historical films one always has to combine events and characters or leave them out.
Natalie Portman is excellent as Anne, rather bratty, seductive, and emotional. Johannson has a less showy role but she's marvelous as well.
Eric Bana is an attractive Henry. The real Henry was a redhead, but the depiction of Henry as slender and attractive is certainly correct for the period in which the story takes place.
The film makes a great deal out of the relationship between Anne and Mary -- Anne is furious when Mary nabs the King, then Mary is furious when Anne makes her big move.
In fact, the two sisters weren't particularly close. And though in the film Anne is the older sister, historians today believe that Mary was the older one.
Mary actually had two children, but there isn't a lot of evidence to support that her second child was actually King Henry's. What isn't mentioned in the film itself is that after Mary's husband (Cumberbatch) died, she married a soldier secretly, a man way beneath her station, and was banished from court, never to return.
Her family also disowned her. Up until then, she was at court; when she was widowed, Anne arranged for her to have a pension and had Mary's second child, a boy, educated.
After Mary's and Anne's parents died, Mary inherited some property and she and her husband lived quietly and happily for the rest of their lives.
Very good film, well worth seeing.
When I first saw the trailer for The Other Boleyn Girl, I have to admit, it looked good, but like it wasn't accurate. I am a huge history buff, especially in the time of England's dark ages, I am fairly familiar with the Boleyn sisters and their affections for King Henry, Anne being the second wife to be executed for committing adultery and not birthing a son heir to the thrown, her life was absolutely horrific if you think about how hard it was to be a woman in this era. I was a little scared that they wouldn't portray her well in this film, but my mom and I saw The Other Boleyn Girl today and even though I'm not fully satisfied with the portrayal of Anne, the movie is still very good. The story has a Hollywood layer to give the story a little more "oomph" sort of speak, like most other pictures, but The Other Boleyn Girl is still a very decent movie.
The Boleyn has quite a family, a mother, father, a son, and two daughters. After failing at several attempts for Queen Catherine to have a son heir to King Henry's thrown, he wishes for a mistress. Sir Thomas Boleyn offers his daughter, Anne, but when King Henry sees Thomas's other daughter, Mary, he is smitten with her and wants her as his mistress. She gives birth to a son, but they are not married and she is looked down upon. Anne is given a second chance to come back after a marriage that was not granted and then annulled, but King Henry then falls for her and wishes her to give herself to him, but she puts up a fight and tells him not until she assumes the crown and to be his wife. But she fails to give him a son, her life depends on it as well sadly.
The true story of Anne Boleyn is very sad, but extremely interesting, I wouldn't recommend the book, just go for a regular history book when it comes to this story. But for the movie, The Other Boleyn Girl, I liked it, it had good acting, beautiful costumes and sets, and a very good story. If you are looking for a history lesson, this is not the film for you, but if you are looking for a good movie, then watch it. Just like the film "Elizabeth", they make the story a little more juicy, it's for the sake of some audience members who don't understand why England has the system it does, but it still makes for good drama.
7/10
The Boleyn has quite a family, a mother, father, a son, and two daughters. After failing at several attempts for Queen Catherine to have a son heir to King Henry's thrown, he wishes for a mistress. Sir Thomas Boleyn offers his daughter, Anne, but when King Henry sees Thomas's other daughter, Mary, he is smitten with her and wants her as his mistress. She gives birth to a son, but they are not married and she is looked down upon. Anne is given a second chance to come back after a marriage that was not granted and then annulled, but King Henry then falls for her and wishes her to give herself to him, but she puts up a fight and tells him not until she assumes the crown and to be his wife. But she fails to give him a son, her life depends on it as well sadly.
The true story of Anne Boleyn is very sad, but extremely interesting, I wouldn't recommend the book, just go for a regular history book when it comes to this story. But for the movie, The Other Boleyn Girl, I liked it, it had good acting, beautiful costumes and sets, and a very good story. If you are looking for a history lesson, this is not the film for you, but if you are looking for a good movie, then watch it. Just like the film "Elizabeth", they make the story a little more juicy, it's for the sake of some audience members who don't understand why England has the system it does, but it still makes for good drama.
7/10
Wusstest du schon
- WissenswertesAnne was originally sentenced to be "beheaded or burned at the king's pleasure," but was thought to have been allowed the easier death in exchange for signing away the legitimacy of her marriage and child. While her brother George was executed by an axe, Anne was given the favor of beheading by an expert swordsman brought in from France. Future queens sentenced to death would not be so lucky.
- PatzerThe film implies that Mary raised her niece Elizabeth. As royalty, Elizabeth had her own household. Margaret Bryon cared for her until she was four, then Kat Ashley took over her upbringing and education.
- Zitate
King Henry VIII: [Before the hunt] With no man to hold onto, how do you propose to stay on the horse?
Anne Boleyn: As you do, Your Grace - with my thighs.
- SoundtracksWestron Wynde
Traditional
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- La otra reina
- Drehorte
- Haddon Hall, Bakewell, Derbyshire, England, Vereinigtes Königreich(interiors: Hever Castle)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 26.814.957 $
- Eröffnungswochenende in den USA und in Kanada
- 8.203.061 $
- 2. März 2008
- Weltweiter Bruttoertrag
- 78.201.830 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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