IMDb-BEWERTUNG
5,5/10
65.089
IHRE BEWERTUNG
Ein amerikanischer Beamter erkennt, dass sein junger Sohn buchstäblich der inkarnierte Teufel sein könnte.Ein amerikanischer Beamter erkennt, dass sein junger Sohn buchstäblich der inkarnierte Teufel sein könnte.Ein amerikanischer Beamter erkennt, dass sein junger Sohn buchstäblich der inkarnierte Teufel sein könnte.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 7 Nominierungen insgesamt
Predrag Bjelac
- Vatican Observatory Priest
- (as Pedja Bjelac)
Tomas Wooler
- Damien - 2 Years Old
- (as Tomas Wooller)
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A re-make of the original horror classic of 1976, this film offers nothing more than the original film has already given us, besides some admittedly impressive death scenes. This re-make is far below the standard set by the original film. The acting is stiff and stilted, with Liev Schreiber (as Robert Thorne) giving a thoroughly one-noted performance which proved to be quite frustrating to watch for over two hours. Even when he finds out about the incredibly terrible events that consistently occur throughout the film, Schreiber keeps an indifferent expression on his face. This undoubtedly makes many problems arise; how can the audience get involved in a movie if the actors are unconvincing in their roles? Julia Stiles does well, but she doesn't work in her role as Robert Thorne's wife, but Mia Farrow as Mrs. Baylock gives the film a bit of a spark in an otherwise dull film. The main thing is, is it scary? Damien is creepy enough, and there are some OK dream sequences that offer a couple of good jump scares. But this is all it offers in scares. The film is basically just a re-shooting of the original scenes, except they lack the energy and tension. There is no sense of foreboding, and it's almost as if the film makers and actors were just bored and wanting to get it over and done with; it's as if they hardly cared about making a good film. What was meant to be a gripping, horrific and intense viewing experience right up to the stunning climax becomes a boring and plodding time, and you just about lose interest in the whole story, and the characters. Overall, a very disappointing re-make, which begs the question: Why did they re-make it in the first place?
In a nutshell, if you've never heard of the original or are unaware of the storyline, the average horror film lover will enjoy this flick. If however you saw/liked the original, you'll likely still enjoy it..but you'll know exactly what's coming next because it is very faithful to the original. In fact, in most scenes, it's a line-by-line remake, and many camera shots are virtually identical to the 1976 version. What has changed is that Damien's parents are younger, and it's been updated to reflect a contemporary world of today. Also, the screenwriter decided to throw in 9/11 and recent disasters as indicators that the Armageddon is on it's way via Damien Thorne. (SPOILERS FOLLOW) There are elements of "Final Destination", but the original Omen was in fact the first to play with this type of death scene(s), where things mysteriously happen to people through strange accidents,etc. Having said that, these scenes are a little different from the original (most of them anyway) and again, as a horror fan, you'll enjoy the fact that they don't pull any punches graphically.
Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.
Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).
So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.
Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.
Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).
So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.
Movie was good, better than expected, don't know why but it reminded me a lot to stigmata, anyways, picture is pretty good all over the movie, characters were chosen fine, i think Julia Stiles is still too young for her character, the kid was amazing, of course never like Harvey Spethens but still, the new Demian's smile was one of the best things on the movie, priests were fine as usual, and the nanny wasn't scary as i expected. The deaths were probably he highlights of the movie, absolutely well done, i think i jumped off the chair like 5 times. Now the worst thing, THE MUSIC, something so necessary in this kind of movies, it felt many times that appropriate music was being missed. so, an overall of 6 out of 10, great movie to have a good time, not one to remember. Happy 6/6/6 to everyone
Virtual scene-for-scene remake of the 1976 Omen film with the 21st century music video gloss that passes for cinematography now. That this was made by the same director who would later do the awful Max Payne and A Good Day to Die Hard should come as no surprise. John Moore is a director more focused on making a film look good than actually be good.
Did The Omen need to be remade? Of course not but such is the nature of the business. Before I start going on a diatribe about that, I'd better get back to this film and what's good or bad about it. What's good: some nicely staged scenes, but nothing particularly creative or original. For a director so obsessed with visuals, Moore offers little to improve upon the original's film's creative death set pieces. He just copies them. How creatively bankrupt is this man? As for the bad: the movie is plodding, unoriginal, often boring with no suspense or scares worth mentioning. Will viewers unfamiliar with the original film feel the same way? I think so unless these viewers are just generally unfamiliar with movies altogether. The cast is nothing to write home about. Julia Stiles tries and Liev Schrieber is dull as mud. Mia Farrow does fine with a performance that, judging by some of the praise I've seen, is a tad overrated.
Overall, it's yet another misfire remake of a superior film. Do yourself a favor and see the original instead. If you already have seen the original, watch something else. Something new or something old you haven't seen before. Just not another crappy horror remake.
Did The Omen need to be remade? Of course not but such is the nature of the business. Before I start going on a diatribe about that, I'd better get back to this film and what's good or bad about it. What's good: some nicely staged scenes, but nothing particularly creative or original. For a director so obsessed with visuals, Moore offers little to improve upon the original's film's creative death set pieces. He just copies them. How creatively bankrupt is this man? As for the bad: the movie is plodding, unoriginal, often boring with no suspense or scares worth mentioning. Will viewers unfamiliar with the original film feel the same way? I think so unless these viewers are just generally unfamiliar with movies altogether. The cast is nothing to write home about. Julia Stiles tries and Liev Schrieber is dull as mud. Mia Farrow does fine with a performance that, judging by some of the praise I've seen, is a tad overrated.
Overall, it's yet another misfire remake of a superior film. Do yourself a favor and see the original instead. If you already have seen the original, watch something else. Something new or something old you haven't seen before. Just not another crappy horror remake.
This remake is like listening to a cover version of a Beatles song. You like it but really want to hear the original again. The original Omen is such a terrific film, convincing, beautifully cast and with a great, raw Brit Gothic feel to it. The remake is a slightly glossier affair which is enjoyable enough but doesn't really take the story in any new directions, although it hints that it will. Opening images of 9/11 and the Asian tsunami promise a new take on the tale, but with the exception of the very final scene, this doesn't really happen. The set pieces of the original were beautifully done - here they're well done but don't seem to last long enough; they don't feel 'special' enough. The cast is good but, again, it lacks the gravitas of the original. This ambassador is no Gregory Peck. Overall, this isn't a bad way to spend two hours in the cinema - it's a hundred times better and more cinematic than The Da Vinci Code for instance - but could have been a lot more than it is.
WUSSTEST DU SCHON:
- Wissenswertes(at around 19 mins) Harvey Stephens, who portrayed Damien in Das Omen (1976), appeared in this remake as the tabloid reporter who asks Robert Thorn (Liev Schreiber) if the deceased nanny "was on drugs".
- Patzer(at around 18 mins) When the nanny jumps off the balcony at Damien's birthday party, the distance to the ground and the rope are way too long - her head would rip off.
- Zitate
Father Brennan: When the Jews return to Zion, and a comet fills the sky, and the holy Roman Empire rises, then you and I must die. From the eternal sea he rises, creating armies on either shore, turning man against his brother, until man exists no more.
- Crazy CreditsNames of crew in main title are animated, so some of their letters become crosses or "6".
- SoundtracksOld Comrades
Written by Andrew C. Pilmer (as Andrew Pilmer)
Original melody by Carl Teike (uncredited)
Courtesy of Associated Production Music, LLC.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- The Omen
- Drehorte
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Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.607.383 $
- Eröffnungswochenende in den USA und in Kanada
- 16.026.496 $
- 11. Juni 2006
- Weltweiter Bruttoertrag
- 119.975.084 $
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