Das Omen

I really liked the original Omen. It didn't need to be re-made. There is nothing that modern film-making has brought to this film to make it stand out against the original. It's not as scary, not as honest or raw. The original film is genuinely disturbing -- from the dogs, to the nanny, to Damien... this modern remake just isn't as convincing. It has it's moments, and isn't that terrible, but there's an annoying distance, or separation between the subject matter and the film. It's too clean, too polished... it just isn't evil enough.

The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning.

The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.

This remake fundamentally centres on the rebirth of the anti-Christ, it's a creepy story where occurs gruesome deaths concerning Satan's son. American diplomat's family (Liev Schreiber, Julia Stiles in the roles previously starred by Gregory Peck and Lee Remick) adopts a baby ,he's named Damien and has the devil mark : 666 . One time grown-up , young boy possessed with mysterious demonic powers causing wreak havoc and bizarre killings wherever he goes . The parents hire a nanny (Mia Farrow in the role of Billie Whitelaw) schemes that delightful child anti-Christ can have him carry out all her evil plans . The little boy seems to be around when inexplicable deaths happen including rid of several interfering adults with the aim for world domination . Damien is poised for ruling devil over earth . Meanwhile the father is warned by a priest named Brennan (Pete Postlethwaite in the role of Patrick Thoughton) and a photographer (David Thewlis in the role of David Warner).

After the Exorcist , Richard Donner's Omen was one of the most famous films of all time and the major possession movie of the 70s and created an authentic sensation , originating even various sequels: Damien: Omen 2 , The final conflict and Omen 4 . The inevitable comparison between Liev Schreiber and Gregory Peck reveals that Liev is just too cool for this role in spite of Peck is an immortal star . The chief excitement lies in seeing what new and amazing victim can be dreamt by the believable FX technicians . Meantime Damien seems to dispatch new bizarre killing every few minutes of the movie . Atmospheric score by Marco Beltrani,however I miss impressive score by Jerry Goldsmith , deservedly winner one Academy Award . It's all frightening amusing , if predictable but we have seen the previous classic movie but also its predictability is redeemed in part by the charismatic performance of excellent protagonists and all around . Although redundant to original film is a fitting description of the director John Moore ; however , being sometimes a shot-for-shot recreation but it doesn't insult the viewer's intelligence . The studio originally wanted the film to receive a PG-13 rating but John Moore insisted on an R-rating, suggesting people would "smell a cop-out" if a remake of original Omen was to receive a family friendly certificate .

Movie was good, better than expected, don't know why but it reminded me a lot to stigmata, anyways, picture is pretty good all over the movie, characters were chosen fine, i think Julia Stiles is still too young for her character, the kid was amazing, of course never like Harvey Spethens but still, the new Demian's smile was one of the best things on the movie, priests were fine as usual, and the nanny wasn't scary as i expected. The deaths were probably he highlights of the movie, absolutely well done, i think i jumped off the chair like 5 times. Now the worst thing, THE MUSIC, something so necessary in this kind of movies, it felt many times that appropriate music was being missed. so, an overall of 6 out of 10, great movie to have a good time, not one to remember. Happy 6/6/6 to everyone

A pretty tired remake of the original; admittedly they had a very hard act to follow but didn't really even start to live up to it.

Quite apart from the film merely following the original scene for scene but with less impressive actors was the state of the locations. The original was actually filmed in London but in the remake they substituted Prague for London. One European city may look like another if you've never been East of the Mississippi but if you actually live here it just made the whole thing look like a joke.

The American Embassy was suddenly transported from Grosvenor Square (a leafy tree-lined square built up on all sides) to the south bank of the Thames with big open views across the river.

And somehow we were supposed to believe that Prague's cathedral, the tramlines and overhead cables and traffic lights were supposed to be central London? In your dreams!

A re-make of the original horror classic of 1976, this film offers nothing more than the original film has already given us, besides some admittedly impressive death scenes. This re-make is far below the standard set by the original film. The acting is stiff and stilted, with Liev Schreiber (as Robert Thorne) giving a thoroughly one-noted performance which proved to be quite frustrating to watch for over two hours. Even when he finds out about the incredibly terrible events that consistently occur throughout the film, Schreiber keeps an indifferent expression on his face. This undoubtedly makes many problems arise; how can the audience get involved in a movie if the actors are unconvincing in their roles? Julia Stiles does well, but she doesn't work in her role as Robert Thorne's wife, but Mia Farrow as Mrs. Baylock gives the film a bit of a spark in an otherwise dull film. The main thing is, is it scary? Damien is creepy enough, and there are some OK dream sequences that offer a couple of good jump scares. But this is all it offers in scares. The film is basically just a re-shooting of the original scenes, except they lack the energy and tension. There is no sense of foreboding, and it's almost as if the film makers and actors were just bored and wanting to get it over and done with; it's as if they hardly cared about making a good film. What was meant to be a gripping, horrific and intense viewing experience right up to the stunning climax becomes a boring and plodding time, and you just about lose interest in the whole story, and the characters. Overall, a very disappointing re-make, which begs the question: Why did they re-make it in the first place?