Das Waisenhaus

Ingeniously weighing the elements of supernatural & psychological horror, The Orphanage is an expertly crafted horror film from Cinema of Spain which with its welcome absence of cheap scares & more emphasis on its plot turns out to be one of the finest examples of its genre. Cleverly plotted, it dares to take its time to create the required atmosphere rather than prematurely rushing into scaring its audience like so many horror films do nowadays.

The Orphanage concerns Laura; a former orphan who returns with her husband & son back to her childhood home which used to be an orphanage for handicapped children, which she hopes to reopen again. Things are set in motion when her son Simon, who claims to have invisible friends, goes missing one day after an altercation with her. Convinced of others' presence in the house, Laura tries to uncover the secrets about the orphanage that dates back to the time when she used to live here with the hope that it may provide some hint about her son's whereabouts..

Directed by J. A. Bayona, The Orphanage is his debut feature & he has done a really good job with the provided story. The film is very well scripted too with proper time devoted to its lead character & her plight, and it also benefits from its arresting cinematography, smart editing, sincere performances & outstanding use of sound as well as its score. On an overall scale, The Orphanage is an intelligently crafted chiller that scares as well as amazes & is primarily a tale of how far a mother is willing to go to find her son. Highly recommended.

I saw this at the Frightfest and its AMAZING, did the previous reviewer even see it? No real shocks!!, I've never seen a cinema jump like the audience at Frightfest for this film. I'm kind of tempted to name the shocks but I wont. Its such a stunningly made film, creepy, atmospheric, shocking, great story, beautifully directed, the main woman is incredible. I was never really sure if it was supernatural or psychological, but as it reveals...wow, its excellent. Its so well done I cant write more without giving stuff away, but go and see it. I was expecting a low rent " pan's Labyrinth " but I think it might be even better than PL, though very different. Best film i've seen in ages

I went into a screening of this today knowing only that it was about a woman who buys the home she lived in as an orphaned child, planning to open it to other orphans, that it mixed fantasy and reality, and that Guillermo del Toro of 'Pan's Labyrinth' had a hand in it. I didn't have any expectations. Even if I did, I certainly not have expected what I got. 'El Orfanato' surprised me first in successfully thrilling me with its surface, and surprised me again in how deeply it moved me with its core.

When Laura (the marvelous Belén Rueda) moves back into the house that used to be the orphanage she lived in as a girl, she is thirty-seven, married, and she and her husband have adopted a son - Simón, a little boy with HIV who doesn't know that he's terminally ill or adopted. Simón is wildly creative - he has several imaginary friends and a penchant for treasure hunts, mind games, and the story of Peter Pan. One day shortly after a mysterious visit from a social worker and Simón's revelation that he knows the truth about his adoption and illness, Simón disappears. The rest of the film follows Laura's desperate search for her son as she comes to terms with her loss and her own past as well.

Screenwriter Sergio G. Sánchez does a masterful job of balancing the thriller with the drama. Laura's attempts to connect with everything that haunts her and her home are darkly touching, though slightly psychologically twisted. The acting is strong, and the directing, editing, cinematography, and music all work together well. Some of the sound effects - the constant creaking, wind blowing, etc. - got wearisome as the film went on, and some of the thrills were a little cheap - I won't ruin it for anyone by revealing them - though, admittedly, they were effective all the same. The story dragged a little towards the end and during the scene with the medium - cutting it just a little shorter might have been equally as effective and easier on the viewer.

Bottom line: even if you don't like "scary" movies (like me), you'll probably still appreciate and enjoy the more thrilling aspects. If you're a horror flick buff, you'll probably find some of the thriller elements a little tired and overdone. Either way, it's still worth seeing - the exploration of Laura's heart and mind are both lovely and tragic to behold, and though the film is morbid, it is beautiful as well.

If you love a well-told ghost story, then you should enjoy THE ORPHANAGE. It's packed with mystery, dread, and perfectly-placed chills.

Laura (Belen Rueda) returns to the titular institution of her youth in order to turn it into a home for disabled children. With her husband and young son in tow, all seems fine at first. When tragedy strikes, Laura's world collapses, leaving her at the mercy of a supernatural game.

This movie deals as much with the agony of loss as it does with the paranormal. The ending is as poignant as it is terrifying. Recommended for those seeking intelligent horror films...

The Orphanage is a slick and quietly chilling piece of work based around (what else?) an orphanage. A woman named Laura returns to the orphanage she grew up in as a child, with the intention of opening it up again as a home for children with disabilities. Together with her husband and adopted son Simon, Laura tries to make the huge old building ready to receive it's first new residents, but all is not quiet in the dusty rooms and grounds, and gradually she starts to feel sinister presences from the past making themselves known.

The film strings out quite a good story, blending traditional scares (bumping noises heard through walls and doors, silently appearing children in masks) with modern touches (Simon is HIV positive). Although most of the actual frights are on the soft side, the film does have quite away with sudden shocks, especially one great sequence involving the death of a sinister secondary character...you'll know when you see it! But mostly, things stay pretty calm, and there were times when I was wishing for something more visceral to actually happen, as many of the very well built tension sequences fade away without any cinematic pay-off, such as a very tense séance sequence, and in most of the (many) scenes of Laura alone in the orphanage, she being almost too subtly menaced for things to get really scary, which I think is a shame. However there are certain moments when you WILL jump!

However, The Orphanage still stands up as a strong piece of work. The backbone of the film is undoubtedly the strong performance by Belén Rueda as Laura, who carries the entire film admirably. The film looks great, with stunning photography and very elegant sets and a gorgeous building standing in for the orphanage itself. Sound and music work very well too, and the film succeeds in working many small elements together (such as a playground hiding game and some very clever revelations towards the end), so all in all, the film is an accomplished piece of cinema and well worth seeing, although don't expect too much real terror as most of the chills in this film are poetic rather than gruesome.