The Lives of the Saints

Don't be fooled by the title of this film - there are far more sinners than saints in it. What happens when you go out for a jog and stumble across a bundle of humanity, thinking at first that it is a drunkard in the gutter, but you then discover that it is a small, angelic looking child? Not only are you surprised by this find, but what subsequently happens when this little beautiful boy appears to have supernatural powers and can change your life according to your will? The possibilities are endless and this film explores some of the enduring themes which have haunted and perplexed mankind since the beginning.

If you like the ancient urban myth of "The Monkey's Paw" you will find much of interest in "The Lives". Be prepared to be taken on a series of personal and emotional journeys, with unexpected results.

Next time you wish for something, be careful. Be very careful indeed.

As a photographer myself, but don't find the aura of Rankin to be beguiling at all, I was almost hoping that this was a failure, that it was as bad as most reviews make it out to be.

Direction-wise, it is very ordinary, indeed. No 'special eye'; just pointing the camera in the right direction at the right time. But, I like a challenge, I like a difficult movie and I'll give Brit flicks an extra effort, so I watched this with an open mind.

Yes, James Cosmo as gangster Karva is a difficult fella to like and I can't work out if he's being himself or is indeed, acting. Either way, he's either overacting or an extremely overexcited, maybe unstable individual. David Leon, as the Runner at least adds some semblance of decency until the movie descends into Tarantino territory, in a torture scene. Then it goes back into a Cockney 'Shameless' zone, as the wide- eyed 'saint/angel' or whatever "it" is goes from speechless orphan to fortune teller and caster of wishes in a nano-second - and miracle of all miracles, everybody knows this, without the child seemingly having said anything.

Unfortunately, The Lives Of...has the narrative consistency of school- dinner custard as it jumps about like a frog in a blender and basically one's faith in it diminishes as all credibility crashes.

The script wants to be big and clever but isn't, it's just shouty and aggressive. As the religious bits kicked in, I was not relishing the afore-warned appearance of Marc Warren, who is, to my mind a greatly overrated actor, who always manages to rub me up the wrong way. That's a personal thing, of course and shouldn't affect my view of the film itself, but it does.

At this point, during a scene in church, where a man burps and then plugs from a large bottle of vodka, I did a rare thing - and switched it off. A waste of everybody's time, especially mine. I saw it on BBC2

Local gangsters stumble across a foundling boy and believe that he can confer good luck on whoever "possesses" him. However, the presence of the foundling unearths various deep seated divisions between people and amplifies them, with startling and tragic consequences.

Othello, the stepson of small-scale villain Mr. Karva, wants to step out from his stepfather's shadow and claim his own destiny. He believes that, with a little success, he can jettison certain relationships and seek out new ones, which will be more suitable (in his eyes) to his new station in life. Othello's girlfriend is a local prostitute who specialises in hand relief. She lost her childhood innocence and now yearns for a better, cleaner life, with different values to those of the gangsters. Othello's sidekick, a callow youth who is always in Othello's wake, wants to prove himself in his own right. Mr. Karva is not really as hard as he portrays himself, but he is frightened that others will consider him weak, so he poses as a tough nut in order to gain respect. Stepfather and stepson are very small fish in a very small pond, but both think that they are sharks.

The action takes place in a relatively small decaying urban area. The film captures the character of the neighbourhood perfectly. Interior and exterior shots accurately depict the unwholesome, incestuous, stifling atmosphere of a closed inner city ethnic community, portraying very effectively a low level, low life, parochial localised gang and their contacts, making the film a contemporary example of British realism at its best. The casting is faultless, with the child who plays the foundling as the paradigm.

This film continues the rich heritage of mob films beginning with "Get Carter", followed by "The Long Good Friday", then "Lock, Stock and Two Smoking Barrels", "Snatch" and more recently "The 51st State". There is homage to "Reservoir Dogs", but this is not simply a reworking of the genre; it is more a blending of the earthy gangster movie with "The Enigma of Kaspar Hauser", "The Rocking Horse Winner" and "My Beautiful Launderette". It explores various enduring themes of human conduct including betrayal, guilt, kinship, lost chances, self delusion, ambition, greed, hatred and lost innocence.

Complex relationships are developed and examined. There are scenes of violence and of compassion. The climax is tense and taut. These are the mean and sometimes comical streets of London. Geoffrey Chaucer would be proud to include "The Lives of the Saints" as his final Canterbury Tale.

I saw this film at the London Film festival, and along with Shane Meadows' This is England it was the best film there. It is ambitious in a way few films dare to be for fear of commercial exclusion and entertaining on a variety of levels.

Rankin has been very shrewd. For his debut feature he has taken on a project which not only reflects the values of Dazed and Confused magazine but which sends out the message that he is more interested in quality film making rather than just making a quick buck.

The Cast is strong and centres around the character of Othello played by David Leon who gives one of the most impressive and dynamic debut performances I have seen. He is joined by James Cosmo, again giving what must be one of the best performances of his career playing the overbearing, beast of a man, local boss Mr Karva. Surrounded by support from Bronson Webb (Emilio) and Marc Warren (wanna-be transvestite, father Daniel) the ensemble add layers of depth which at times border on weird but, manage to somehow remain surprising and wholly original.

It felt to me a a conscious decision to rebel against the so often seen 'tale of urban London', found in our multiplexes since the success of Lock stock. The huge achievement of the film is the fact that in that sense it has huge irony, as on the surface it seems to be the aforementioned however we quickly realise this is a conscious ploy, Lives of the Saints is a moral tale, wrapped in urban London paper, set on the streets of a pocket of London so remote it could be anywhere, yours or my backyard, the tale being that greed, no matter in what form it may manifest itself, will ultimately have it's consequences or that: "what you want is not always what you need." It left me wanting more.

Just saw this film today, it's interesting. Obviously not to everyone's taste (as witnessed up the negative reviews on this page) but i don't think it's as bad as people make out.

the story was thought provoking, a little bit of a tale on morality, but with a few bits of comedy, some graphic violence, some social commentary. a little bit of something for everyone.

and thankfully assumes it's audience is smart enough to make up their own minds without needing to spell out and explain everything.

lots has been made of this being Rankin's debut as a directory, i think he's done a good job. i was a little concerned he'd have filled the movie with artsy scene settings and camera-work, but while there are a couple of sections like that, they've been used appropriately for effect, without distracting you from the rest of the film

the actors did a fine job too - i wasn't looking to pick hole in their performances, but i didn't notice any either. most of the cast were new to me, although Emma Pierson is always brilliant in anything she does, and Marc Warren was very good as the priest with a secret.