42 - Die wahre Geschichte einer Sportlegende

Greetings again from the darkness. After some soul searching, I have decided to turn off the critical side of my brain and concentrate on what is good about this movie. As a baseball and movie fanatic, a bit of trepidation creeps in when the two come together. However, this really isn't a baseball movie, though the story focuses on what may be the most critical turning point in baseball history. In fact, this turning point was much bigger than the American Pasttime ... it was also key to the Civil Rights Movement. The movie is a reminder of how different things could have been with the wrong man rather than the right one ... Jackie Robinson.

Writer/Director Brian Helgeland (s/p for L.A. Confidential and Mystic River) takes a look at what occurred in 1945-47, when Brooklyn Dodgers President and GM Branch Rickey (played by Harrison Ford) made the business decision to integrate baseball. We see his selection process ... Roy Campanella "too nice", Satchel Paige "too old". He settles on Jackie Robinson after their infamous 3 hour meetings where Rickey confronts Robinson with his need for a black player "with the guts NOT to fight back".

Chadwick Boseman portrays Jackie Robinson as a man thoroughly in love with his wife Rachel (played by Nicole Beharie), and one who says he just wants to "be a ballplayer", while at the same time taking pride in his world-changing role. We see his evolution from his stint as shortstop for the Kansas City Monarchs of Negro Leagues to his time with the Dodgers' AAA minor league team in Montreal and finally to his introduction to the Major Leagues in 1947.

This is an earnest and sincere movie that removes the complexities of the times and the main characters. Much of it is portrayed as good guys versus bad guys. The good guys are really good and the bad guys are really bad. Alan Tudyk has the unenviable task of portraying Philadelphia Phillies manager Ben Chapman, who famously unleashed a verbal assault of vile racism on Robinson. Mr. Rickey credited Chapman's small-mindedness as the single biggest factor in unifying the Dodger team around Robinson. The other famous moment given time in the movie is when beloved shortstop Pee Wee Reese (Lucas Black) put his arm around Robinson, shushing the Cincinnati fans. Of course as a baseball fan, I enjoyed the all too brief antics of Brooklyn manager Leo Durocher (Christopher Meloni) whose place in the Robinson story would have been much more profound had he not succumbed to the weakness of the flesh (so to speak).

Filmmaker Helgeland provides a tale of morality and social change, and provides a glimpse at the character and strength required by those involved. The story has much more to do with demonstrating how the times began to change than it does with how Jackie Robinson, an unpolished ballplayer but superior athlete, transformed himself into a perennial all-star and league MVP. And that's as it should be. As Rickey stated, acceptance will only occur if the world is convinced Robinson is a fine gentleman and a great baseball player. That burden must have weighed heavily at times, but it's very clear that Robinson was the right man at the right time.

I remember seeing Jackie Robinson as a retired man and walking with a cane, being applauded before World Series games in 1972. Was wondering who was that man. My mother told me he did something important in baseball, better than a winning home run.

Thank God what he did was open the doors to talented black and other ethnic players to play baseball, it changed the game forever.

This movie depicts this feat done by this man as well as the audacious Branch Rickey, general manager of the Dodgers. Well photographed, story well written and good characters. I noticed there were a lot of barriers that the Dodgers itself had to suffer (bigotry, banned from hotels, possible strike by players, white people booing). But that did not move Jackie on the field.

Sad that the producers did not shot a local scene regarding Montreal where he played for the "Royals". There was an anecdote that Robinson was ran over on the streets, not for bigotry, but for heroism on the field. And of course at the time, French-Canadians were subject to some bigotry by the English Canadian majority (until a certain Maurice Richard gave them courage to stand up, there was a movie about it...). Jackie Robinson is well honoured here with a statue near Olympic Stadium. However, the jersey said it all, and the former "Expos" did made a replica in 1992.

For the rest, a movie to see. To remember that there a place for all, and all can succeed, despite the hatred and bigotry...

42 is a movie about that particular black man, who entered the league for the very first time, challenged everyone, including his teammates and won. Jackie Robinson (Chadwick Boseman) became the pioneer athlete to stand alongside the white sportsmen on the field when segregation & racial discrimination was a "rule" in United States. However, film does not actually follow the whole story of Jackie, it more tells a story of racial revolution in baseball, which escalated after one bold decision of Brooklyn Dodgers executive - Branch Rickey (Harrison Ford). Branch was the first manager to hire a black man, a talented black man who ran fast, who could catch any ball and who could bring hundreds of black spectators to the field. And since every of them, regardless their skin color paid money to see Robinson playing, this new transfer to the team could be successful.

Brian Helgeland wrote a pretty interesting and engaging script, with really good dialogues (well, he has a great experience of it from LA Confidential and Mystic River). Even though there is no much tension in the movie, it still makes you enjoy every minute of it. At first I was not comfortable with the idea of racial discrimination, because I've seen so many good movies on this topic, and it just makes me feel bored. Most of them look like each other much. I believe that any film that regards this topic, shall be very much emotional, which helps director to deliver a message successfully. The last film that affected on me, and for sure on every person, was The Help - a masterful presentation of historic segregation. But 42 does not arise rave emotions, it instead provokes great satisfaction. That is why 42 is an above average film.

Picking totally unfamiliar actor, Chadwick Boseman, for lead role, which actually presents the whole idea of the movie, is a risky choice by director. But Jackie was exactly as it should be. Chad delivers a passionate, evolving character who struggles with his emotions and almost every person surrounding him. His convincing performance is really worth to call potentially one of the best performances this year.

And Harrison Ford, it's been years I've not seen him acting well. In fact, the portrait of Branch Rickey is one of the best performances he'd ever had. Even though Mr. Ford gets older, he can make Brooklyn Dodgers story unbelievably interesting.

As for the rest of cast, everyone is good. Maybe not the best actors you can imagine, but they make a good team and there is nothing we can reject about their performances.

I'm a middle-aged black man now and sometimes I wonder if young people get it.

I was born in Richmond, VA, and I'm 1 (ONE) generation removed from segregation.

It is because of this that I was FLOORED by the performance of these young actors. Chadwick Boseman & Nicole Beharie did a magnificent job portraying the grace and courage of the Robinsons.

I couldn't have done it. Boseman has an UNCANNY resemblance to Jackie, and his performance was so visceral that it proved to me that I couldn't have done it.

I wouldn't have had the courage to stand up to racism by NOT fighting back. I wouldn't have had the patience to bide my time until folks decided it was time to see me as being more than sub-human. I absolutely wouldn't have taken the risk of playing a game while people threatened my wife and child.

When Jackie finally got angry enough to smash his bat against a wall, that was the ONLY thing I could relate to - then to realize he had to go back out there because it was about MORE than just him - I was flabbergasted by his courage.

This is more than a film about baseball. The nuances like watching people in second class seating still turning out to support Robinson in full-on "Sunday church service" dress was poignant to me.

This movie ain't just about Jackie.

My mom is from New York, and she was 7 years old when Jackie joined the Dodgers. She remembers this clearly.

It's obvious why you (as I did) would take your kids to see this film as it shows what happened and how far we've come. For me, it shows what other people did FOR ME that I was incapable of doing for myself.

This film has some corny parts to it - like most films of this ilk, it sanitizes some things and does tie a nice bow on some issues glossed over in the retelling...

..that doesn't mean it's not a darned good film.

I'm pretty cynical these days. It's not often that I watch a film with a lump in my throat the whole time. I am indebted to the young actors who portrayed the people of my grandparents' generation with style, class and urgency.

I will own this film when it becomes available and that date can't come soon enough.

I'm a big baseball fan, so I was excited to see this movie as soon as I heard about it. The release date of April 12th coinciding with the start of the baseball season, as well as Jackie Robinson Day on April 15th (when every MLB player sports #42 in his honor), felt appropriate and was clever marketing.

In case you live under a rock and/or you happened to go to one of the few elementary schools that didn't require its students to write a report on a famous black person for Black History Month, Jackie Robinson was the first African American Major League Baseball player, who played first and second base with the Brooklyn Dodgers from 1947 through 1956. After doing a little research about Robinson, I discovered that one detail that was left out in those grade school reports was that he wasn't really the first black player in the majors, only of the of the modern era. What I mean by "the modern era" is after the Negro Leagues, which existed for about 60 years, starting in the 1880s. There were actually some black players in the major leagues before the Negro League started. However, this does not make Robinson's accomplishments any less impressive.

I have a whole new respect for Jackie Robinson after actually seeing and hearing the racism that he had to endure. In one scene, a Pittsburgh Pirates pitcher even hits him in the head. (Speaking of which, it made me wonder what the hell took so long for helmets to be made mandatory.) Some of the behavior and racial slurs coming from the crowd, coaches from other teams, and umpires was truly disgusting to watch for someone who was brought up in a generation where it's no longer socially acceptable to be blatantly racist. Sure, racism is unfortunately still alive and well in America, but it exists on a more underground level, compared to 60 years ago when it was considered the norm.

Newcomer Chadwick Boseman did a fantastic job. I'm glad the producers cast an unknown because it made it easier to believe that he really was Jackie Robinson. It would be cool to see him be recognized with an Oscar nomination, but even more importantly, I hope this will be the start of a long career. The supporting actors were great as well, particularly Lucas Black as Pee Wee Reese, the Dodgers shortstop who supported and stood up for Robinson the most during his rough first years on the team, and Alan Tudyk as Ben Chapman, the unapologetically racist Phillies manager who was one of Robinson's worst tormentors. Tudyk was so convincing in the role, it was hard not to hate him. Then of course, there's the legendary Harrison Ford as Dodgers general manager Branch Rickey, the man who helped break the color barrier by deciding to sign Robinson. I didn't realize just how old Harrison Ford is until I saw him in this. He was almost unrecognizable, and really disappeared in his role. At 71 years old, he still looks good for his age though.

It was great to see how his teammates went from signing a petition against him playing with them to gradually accepting and respecting him. The only problem I had with the film was that it ended very abruptly. I was shocked when the concluding notes of what happened to all the characters started rolling, as they typically do in films based on true stories. I felt like they stopped telling his story too early. Aside from that, I was very impressed with the film's authenticity and honest portrayal of the characters and time period.

"42" has already proved to be a hit. It opened at number one at the box office, and it broke some records for baseball-themed movies. At $9.1 million, it had the best opening day ever, and at $27.3 million, it had the best opening weekend. This will undoubtedly go down as one of the greatest baseball movies of all time. In my book, it's right up there with "The Sandlot" and "A League of Their Own." What's great about "42" is that it's far more than just a baseball movie. It's a movie about overcoming obstacles, staying strong during difficult times, believing in yourself, and standing up for what is right.