Füge eine Handlung in deiner Sprache hinzuThree mismatched blokes are stranded in the Australian desert.Three mismatched blokes are stranded in the Australian desert.Three mismatched blokes are stranded in the Australian desert.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 8 Gewinne & 16 Nominierungen insgesamt
Empfohlene Bewertungen
Few films today dare to treat our border control issues with situational humor. Even fewer rely on a largely unknown cast, to carry a story that has very little to do with saving the western world or pointing any fingers. But almost none consider that coming to the western world could be worse than 'where ever it is they came from' for an asylum seeker. Lucky Miles is such a film. It takes the politics out of culture clashes and anchors conflict in the need for survival. It challenges stereotypes both international and indigenous without tippy-toeing or apologizing. Films like this one are long, long over due, and call the need for a shift in our attitudes to generating new Australian filmmakers. Lucky Miles is a leap forward in old fashioned cinema, and a beacon for commercial free stories.
This is a (non-romantic) comedy, based on several true life stories. An Indonesian fishing boat-full of unauthorized male migrants from Iraq and Cambodia is put ashore by the villainous captain on the north-western coast of Western Australia. The migrants are told all they have to do is climb up from the beach to a road from where they can catch a bus to Perth. What the captain fails to tell them that Perth is 2000 km away and the nearest bus stop (of the "Lucky Miles" bus company) is in Broome, 300 km away. Discovering the fraud, the party breaks up. Boat people are no novelty in these parts and most of them are soon picked up by the authorities, but three of them, Arun, a Cambodian who is trying to get to his Australian father in Perth, Yousif an Iraqi engineer who has lost everything at home and Ramelan, a member of the fishing boat's crew get themselves lost in the desert.
They are, however, not alone. A border patrol operated by Army reservists is on their trail, but the pursuit would have to be described as leisurely. One of the reservists, an Aboriginal, is quite at home in the bush and his superior tracking skills means his colleagues don't have to put themselves out very much. It is pleasant to record that the Army guys are actually concerned about the fate of their quarry. The lost trio on the other hand have nothing in common except that they are lost together and much of the comedy arises from their incompatibilities. They have to co-operate to survive, but it's a close-run thing.
Outback South Australia stood in for the northwest of WA, but it is still a tough landscape. The film-makers very sensibly shot on location between June and August, but you can still sense the heat. I'd like to make this film compulsory viewing for those of our politicians and officials who equate boat people as criminals. In the year in which this film was set, 1990, asylum-seekers were not automatically locked up. The future of the people in this film was quite bright. Now, of course they would be removed from the mainland, and dumped in our rented Pacific hell-hole, Nauru until we can persuade some other country (New Zealand perhaps) to take them.
Immigration politics aside, the central characters are well realized and we become involved in their fate. Some well-known names in Australian acting pop up in small roles, but the main roles are taken by relative newcomers. Kenneth Moraleda as Arun and Rodney Afif as Yousif really shine. Afif gives us a man who is angry all the time, yet eventually we understand and even like him. Moraleda is not so showy but equally sympathetic.
There was some nice camera work and clever cutting though at times the story meandered a bit. Entertaining and thoughtful.
They are, however, not alone. A border patrol operated by Army reservists is on their trail, but the pursuit would have to be described as leisurely. One of the reservists, an Aboriginal, is quite at home in the bush and his superior tracking skills means his colleagues don't have to put themselves out very much. It is pleasant to record that the Army guys are actually concerned about the fate of their quarry. The lost trio on the other hand have nothing in common except that they are lost together and much of the comedy arises from their incompatibilities. They have to co-operate to survive, but it's a close-run thing.
Outback South Australia stood in for the northwest of WA, but it is still a tough landscape. The film-makers very sensibly shot on location between June and August, but you can still sense the heat. I'd like to make this film compulsory viewing for those of our politicians and officials who equate boat people as criminals. In the year in which this film was set, 1990, asylum-seekers were not automatically locked up. The future of the people in this film was quite bright. Now, of course they would be removed from the mainland, and dumped in our rented Pacific hell-hole, Nauru until we can persuade some other country (New Zealand perhaps) to take them.
Immigration politics aside, the central characters are well realized and we become involved in their fate. Some well-known names in Australian acting pop up in small roles, but the main roles are taken by relative newcomers. Kenneth Moraleda as Arun and Rodney Afif as Yousif really shine. Afif gives us a man who is angry all the time, yet eventually we understand and even like him. Moraleda is not so showy but equally sympathetic.
There was some nice camera work and clever cutting though at times the story meandered a bit. Entertaining and thoughtful.
What a great little film and I mean that in the best way. Meaning it's not overplayed, over-acted, over-cut, over-the-top or any of the other "we're over it's" that fill most of the frames of blockbuster rubbish.
This is a film that tells a great story, with compelling and real people that will have you laughing along and wishing them all a happy ending.
Even better for an Aussie film, it's full of the great Aussie characters and they're not over-done or caricatures.
yes it's a touch long and if it gets the 10 minute trim I and others think it deserves, Lucky Miles will be one of the great little films of recent times - go see it!
This is a film that tells a great story, with compelling and real people that will have you laughing along and wishing them all a happy ending.
Even better for an Aussie film, it's full of the great Aussie characters and they're not over-done or caricatures.
yes it's a touch long and if it gets the 10 minute trim I and others think it deserves, Lucky Miles will be one of the great little films of recent times - go see it!
This is a road movie with a difference. It really gets to the heart of the vastness that is the Australian continent. It is essentially a quest like all good movies but with many twists and turn along the way.The sometime serious subject matter is treated with humour. If you like Mad Max,Crocodile Dundee and Walkabout you will find elements of all these in this film. It also good to see an Aussie film that has something besides lots of whitebread "skippy" characters. In keeping with the trend in many films today there are several stories running as linked threads through the film and this keeps the interest for the audience. Would recommend this as a feelgood and heartfelt film with something to appeal to many groups.
Every so often we get to see a little film on TV not too long after its hardtop screening. And this one was worth the second look. It's another way of looking at the Australian outback, not for its awesome beauty but for the challenges it sets for people not used to such a landscape. Here we have such a challenge, the protagonists being asylum seekers who are victims of amoral people-smugglers. This is currently a political hot potato in Australia, as it has been for many years. But this film has a quirky edge to it, and the seriousness of the images is relieved hugely by the humour. It really is fun, and the way the Australians in uniform handle the reality is the fun that has come to be known as gallows humour. Imagine you're a cop or a soldier faced with a nasty situation. You grin, and relieve the tension by making light of things. Resourcefulness and mateship are supposed to be part of the Australian psyche, and this great little film has it in spades. Think "Bush Mechanics". Think "Flight of the Phoenix". And listen out for the voice on the radio. That's the beautiful Deborah Mailman, whom the casting agent would surely have loved to at least do a walk-on. See it on wide screen.
Wusstest du schon
- WissenswertesThe film began as a response to 'The Lexus & The Olive Tree' by Thomas Friedman, the New York Times writer responsible for defining globalisation for much of the West, and took its form and inspiration from several true stories, played out on the remote coastline of Western Australia between the years 1989-1992.
- Zitate
Youssif Al-Samer: If this is such a great country, why haven't we heard of their football team?
- VerbindungenEdited into Terror Nullius (2018)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Счастливые мили
- Drehorte
- Coffin Bay, South Australia, Australien(landing beach)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.100.000 AU$ (geschätzt)
- Weltweiter Bruttoertrag
- 572.171 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen