A fisherman, a smuggler, and a syndicate of businessmen match wits over the possession of a priceless diamond.A fisherman, a smuggler, and a syndicate of businessmen match wits over the possession of a priceless diamond.A fisherman, a smuggler, and a syndicate of businessmen match wits over the possession of a priceless diamond.
- Für 5 Oscars nominiert
- 8 Gewinne & 32 Nominierungen insgesamt
Ntare Guma Mbaho Mwine
- M'Ed
- (as Ntare Mwine)
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Because I lived in Sierra Leone, in fact in Kono, the diamond-mining area of the country, for three years, I had to see Blood Diamond as soon as it came out. It is an excellent movie. Although it was not filmed in Sierra Leone, it captures the reality of the country to a remarkable degree. There is a great deal of violence in this movie, but that violence is organic, realistic, fitting to what happened there. They even manage to convey the fact that the people are as astonished by this violence as we are; Sierra Leone used to be one of the safest countries in the world. The movie tells the facts about conflict diamonds quickly and accurately. DiCaprio's performance is impressive, certainly the best by him I've ever seen: he is totally believable as a white African. Jennifer Connelly's role is much smaller but she makes the most of it. Djiman Housou has enormous physical presence as the brave Mende fisherman. This movie just gets so many things right that the few places it departs from reality are entirely forgivable. I would heartily recommend this movie to everyone; it is the best Hollywood movie I've seen in years.
An undeniably powerful and breathtaking film from talented director Edward Zwick. 'Blood Diamond' is a beautifully shot war thriller set against the backdrop of the Sierra Leone civil war, starring Leonardo DiCaprio and Djimon Hounsou in their Oscar-nominated roles. By far one of the best war dramas of modern times, 'Blood Diamond' is a powerful testament in the film industry boasting intense and well-executed action scenes and heart-wrenching drama. Zwick's vision truly outpaces his narrative in this compulsive and thought-provoking tale. An exciting and compelling tale, that stand as a great acting showcase for the two leads.
Leonardo DiCaprio has become one of the premiere American actors. With a set of natural instincts that lends a non-showy, believable quality to all of his performances, versatility, and movie star size charisma that fills up the screen and emotionally hooks the viewer into his character and story, it is hard to think of another male American actor (with the exception of Johnny Depp) who is consistently giving an audience its money worth; these two gentleman have taken the reins from Tom Hanks and Denzel Washington, as those two Oscar-winning future legends of the silver screen gracefully age into more mature roles.
In Blood Diamond, it is Mr. DiCaprio's performance that raises this film above it's standard Hollywood fare of a script (although it is a solid script) into something memorable. His performance here as an opportunistic diamond smuggler equals that of the one he gave earlier in the fall as "Billy Costigan" in The Departed, although the two characters couldn't be more different from each other. It may be his best performance yet, and in terms of sheer charisma and memorability it certainly rivals his mega-star making performance as "Jack Dawson" in Titanic.
I liked Blood Diamond a great deal, but do not think it is a great film. A good movie? Yes. Very mainstream and formulaic, but it is raised up quite a bit by DiCaprio's character and his terrific realization of it. If I had read this script beforehand, I never would have thought of Leo for this role- possibly George Clooney or some other star known for "roguish charm," but not Leo. But now, having seen it, I can't imagine anybody else as "Danny Archer;" it is a fully realized, winning performance.
Mr. Hounsou was wonderful as well, and I liked the chemistry between the two men in their scenes together. He was able to make the audience feel the gamut of emotions his character experiences during the course of the movie- pride and hope, fear, outrage, resignation, mistrust, desperation, and determination, and beautifully rises above the somewhat limiting way his role was written.
I thought Ms. Connelly did as good a job as possible in her role as "the idealistic journalist who wants to make a difference." Her part was just a larger version of Joaquin Phoenix's in Hotel Rwanda. As always, I find she brings a certain dignity and intelligence to her performances and does not allow her incredible beauty to overshadow her acting. I thought she and Leo worked wonderfully together, as well, and along with Mr. Hounsou they make an engaging trio you can't help rooting for.
In comparing it to other recent films about Africa, I didn't think this was quite as good as as Hotel Rwanda, but better than The Interpreter, The Constant Gardener, and The Last King of Scotland. I felt an emotional engagement with the characters I didn't experience in the latter three films. I found the script allowed my care for the characters to grow as the story progressed, and was not overly manipulative. At times it veered too much into standard action movie territory, with much violence and many "close calls" but would then be brought back into the realm of compelling human drama by a wonderfully acted, intimate scene.
After reading some early negative comments, I was pleasantly surprised at my response to it. Compelling characters and the skillful use of a truly gripping global issue as the plot line make this a satisfying viewing experience- one that I would happily see again.
In Blood Diamond, it is Mr. DiCaprio's performance that raises this film above it's standard Hollywood fare of a script (although it is a solid script) into something memorable. His performance here as an opportunistic diamond smuggler equals that of the one he gave earlier in the fall as "Billy Costigan" in The Departed, although the two characters couldn't be more different from each other. It may be his best performance yet, and in terms of sheer charisma and memorability it certainly rivals his mega-star making performance as "Jack Dawson" in Titanic.
I liked Blood Diamond a great deal, but do not think it is a great film. A good movie? Yes. Very mainstream and formulaic, but it is raised up quite a bit by DiCaprio's character and his terrific realization of it. If I had read this script beforehand, I never would have thought of Leo for this role- possibly George Clooney or some other star known for "roguish charm," but not Leo. But now, having seen it, I can't imagine anybody else as "Danny Archer;" it is a fully realized, winning performance.
Mr. Hounsou was wonderful as well, and I liked the chemistry between the two men in their scenes together. He was able to make the audience feel the gamut of emotions his character experiences during the course of the movie- pride and hope, fear, outrage, resignation, mistrust, desperation, and determination, and beautifully rises above the somewhat limiting way his role was written.
I thought Ms. Connelly did as good a job as possible in her role as "the idealistic journalist who wants to make a difference." Her part was just a larger version of Joaquin Phoenix's in Hotel Rwanda. As always, I find she brings a certain dignity and intelligence to her performances and does not allow her incredible beauty to overshadow her acting. I thought she and Leo worked wonderfully together, as well, and along with Mr. Hounsou they make an engaging trio you can't help rooting for.
In comparing it to other recent films about Africa, I didn't think this was quite as good as as Hotel Rwanda, but better than The Interpreter, The Constant Gardener, and The Last King of Scotland. I felt an emotional engagement with the characters I didn't experience in the latter three films. I found the script allowed my care for the characters to grow as the story progressed, and was not overly manipulative. At times it veered too much into standard action movie territory, with much violence and many "close calls" but would then be brought back into the realm of compelling human drama by a wonderfully acted, intimate scene.
After reading some early negative comments, I was pleasantly surprised at my response to it. Compelling characters and the skillful use of a truly gripping global issue as the plot line make this a satisfying viewing experience- one that I would happily see again.
A few years back I had the pleasure of visiting Antwerp, Belgium, a place many deem "the diamond capital of the world." Never before or since have I been in a location where I was surrounded by so much "bling". Storefronts had so many diamonds on display you would think they should be better kept in some European version of Fort Knox.
The film Blood Diamond puts an entirely new spin on Antwerp, the diamond industry and that pricey stone you might be wearing around your neck, on your ring finger, or in your ears (mine are cubic-Zs). Set in the West African country of Sierra Leone during the 1990s, this historical-adventure-drama covers a time when the country was in turmoil. Warlords, smugglers and the diamond syndicate all play roles in a refugee exodus, and the killing and enslaving of men to work the diamond fields. The title refers to diamonds which are harvested, smuggled and traded to finance the purchase of weapons used in Civil War.
Solomon Vandy (Djimon Hounsou) stars as a fisherman who has his family torn apart and instead of being killed, is sent to work mining diamonds where he finds and hides a large stone. Danny Archer (Leonardo DiCaprio) a former mercenary, diamond-smuggler, middleman, you-name-it, is looking to score with that stone and exit the business for good. Writer Maddy Bowen (Jennifer Connelly) is tired of writing shallow stories about less than newsworthy events; she is looking for information about major players in the diamond trade. They all come together in a fast paced, adventure packed piece of film-making that is brutal at times but never boring. The film has a pleasant, unanticipated ending, something hard to pull off in a film of this kind.
Director/Producer Edward Zwick is probably the best in Hollywood at taking a big budget feature film with a historical theme and carefully relay a message without lecturing his audience. His earlier works include a story of the first all-black U.S. Civil War company in "Glory" a film, which resulted in Denzel Washington winning his first Oscar. Zwick takes credit for works like The Last Samurai, Shakespeare in Love, Traffic and Courage Under Fire. He is second to no one when it comes to balancing a historical event with action-drama entertainment. Edward Zwick is one of few L.A. directors who still works within the Hollywood establishment yet is able to put out good quality film.
Check out Blood Diamond, your "bling" may never look the same again.
The film Blood Diamond puts an entirely new spin on Antwerp, the diamond industry and that pricey stone you might be wearing around your neck, on your ring finger, or in your ears (mine are cubic-Zs). Set in the West African country of Sierra Leone during the 1990s, this historical-adventure-drama covers a time when the country was in turmoil. Warlords, smugglers and the diamond syndicate all play roles in a refugee exodus, and the killing and enslaving of men to work the diamond fields. The title refers to diamonds which are harvested, smuggled and traded to finance the purchase of weapons used in Civil War.
Solomon Vandy (Djimon Hounsou) stars as a fisherman who has his family torn apart and instead of being killed, is sent to work mining diamonds where he finds and hides a large stone. Danny Archer (Leonardo DiCaprio) a former mercenary, diamond-smuggler, middleman, you-name-it, is looking to score with that stone and exit the business for good. Writer Maddy Bowen (Jennifer Connelly) is tired of writing shallow stories about less than newsworthy events; she is looking for information about major players in the diamond trade. They all come together in a fast paced, adventure packed piece of film-making that is brutal at times but never boring. The film has a pleasant, unanticipated ending, something hard to pull off in a film of this kind.
Director/Producer Edward Zwick is probably the best in Hollywood at taking a big budget feature film with a historical theme and carefully relay a message without lecturing his audience. His earlier works include a story of the first all-black U.S. Civil War company in "Glory" a film, which resulted in Denzel Washington winning his first Oscar. Zwick takes credit for works like The Last Samurai, Shakespeare in Love, Traffic and Courage Under Fire. He is second to no one when it comes to balancing a historical event with action-drama entertainment. Edward Zwick is one of few L.A. directors who still works within the Hollywood establishment yet is able to put out good quality film.
Check out Blood Diamond, your "bling" may never look the same again.
I have not been a Leonardo DiCaprio fan. I do like Djimon Hounsou and have seen several of his films. Watching this film, I have to say that both deserve every single award they received and should have probably gotten every award they were nominated for. I only hesitate to state this unequivocally because I have not seen The Last King of Scotland yet.
This story needed to be told and I cannot imagine anyone telling it better that DiCaprio and Hounsou in the extremely capable hands of Edward Zwick, working with an outstanding script by Charles Leavitt.
The story was tender, exciting, awesome, and, at times, just plain disgusting. The fact that there are countries that brainwash children and turn them against their parents and make killers out of them is inexcusable. The fact that these people are operating today is a blot of shame on all so-called civilized nations, including my own.
This is our homeland. All humans came from this soil. What we allow to happen there in the name of beauty is disgusting.
I cannot imagine anyone not owning this movie so as to watch it many times and remind ourselves that if we are not part of the solution to this problem, we share some of the blame for it.
This story needed to be told and I cannot imagine anyone telling it better that DiCaprio and Hounsou in the extremely capable hands of Edward Zwick, working with an outstanding script by Charles Leavitt.
The story was tender, exciting, awesome, and, at times, just plain disgusting. The fact that there are countries that brainwash children and turn them against their parents and make killers out of them is inexcusable. The fact that these people are operating today is a blot of shame on all so-called civilized nations, including my own.
This is our homeland. All humans came from this soil. What we allow to happen there in the name of beauty is disgusting.
I cannot imagine anyone not owning this movie so as to watch it many times and remind ourselves that if we are not part of the solution to this problem, we share some of the blame for it.
Wusstest du schon
- WissenswertesWhen Danny Archer arrives in South Africa, there are two women standing in front of the airport and he walks by them. These women are Leonardo DiCaprio's mother and grandmother.
- PatzerIn the beginning of the film, Danny Archer gets arrested by Liberian border guards while crossing the border from Sierra Leone to Liberia. He would therefore end up in a prison in Liberia and not in Sierra Leone where he meets Solomon.
- Zitate
Danny Archer: Sometimes I wonder... will God ever forgive us for what we've done to each other? Then I look around and I realize... God left this place a long time ago.
- SoundtracksShine on 'em
Written by Nas (as Nasir Jones), Salaam Remi and James Newton Howard
Produced by Salaam Remi
Performed by Nas
Nas appears courtesy of The Island Def Jam Music Group / Columbia Records
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Diamante de sangre
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 100.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 57.377.916 $
- Eröffnungswochenende in den USA und in Kanada
- 8.648.324 $
- 10. Dez. 2006
- Weltweiter Bruttoertrag
- 171.720.398 $
- Laufzeit2 Stunden 23 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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