Bis zum Hals

Waist Deep is another in the never ending black gangster films depicting a group of people the simply don't exist anywhere. O2, the misunderstood ex-con trying to get his life back on track, gets car-jacked while his son is sleeping the back seat of the car. His son winds up in the hands of a gangster that owns the streets, dismembering and killing with impunity. O2 and his posse rob banks and rich people trying to get enough money to buy his son back. Lots of action and blood in a well made film with inadequate dialog. If you like lots of gangster speak and culture, you'll like this film. Otherwise, it's a lot like all the other gangster films out there – pick one.

In South Los Angeles, while bringing his beloved son Junior (H. Hunter Hall) back home from school, the paroled ex-convicted O2 (Tyrese Gibson) promises his son that he would always come back to him and never leave him alone. However, his car is hijacked and Junior is kidnapped. Without any lead, O2 forces the street vendor Coco (Meagan Good) to help him to find where his car might have been sent for disassembling. Meanwhile, O2's addicted brother Lucky (Larenz Tate) discovers that the cruel leader of the Outlaw Syndicate, the drug lord Meat (The Game), is keeping the boy arrested in a room and asking a ransom of US$ 100,000.00 that he believes O2 have from an old heist. O2 and Coco plot a scheme to put the pimp P-Money and Meat against each other and steal their money.

"Waist Deep" is another good movie of gangsters in Los Angeles that never disappoints. The story is full of action and violent with excellent direction of Vondie Curtis-Hall, the cast has great performances and Tyrese Gibson and Meagan Good show a wonderful chemistry. It seems that there are viewers in IMDb that do not like this genre, but spend their time watching this type of movie apparently just to write bad reviews. My vote is seven.

Title (Brazil): "Ruas Sangrentas – O Acerto Final" ("Bloody Streets – The Final Payback")

There are two basic sub-genres within the "urban" (read black guys) category: 1/ The totally play-to-cliché everyone rocks a glock & has dumb hair & shoots before they talk & hates the cops & keeps it real at all times & is part of a gang selling drugs & 110% gangsta 112% of the time.

2/ A more realistic portrayal, which if the depictions are right is all of the above only slightly less so.

Waist Deep straddles the line of the two and ends up being a bit of both, but as a result not much of anything.

Streets is hot in LA cuz. There are continual street demonstrations demanding that the violence be stopped, (though for some reason this never really comes into the storyline – so why have it?) and the mood is tetchy.

Otis is called away from his job to pick up son Otis Jr who is about 9 years old. On the way home his car is jacked with Otis Jr in it. (Might I add that Otis Sr has the nickname O2, wouldn't it make more sense for his son to have that moniker?) Moving on… O2 realises that the hot (seriously) chick who distracted him and thereby assisted in the jacking was in on the ground floor. He grabs her (never abet a car-jacking and expect to run away in high heels luv) and after the girl Coco realises he really loves his son the two set off top spend the rest of the movie finding him.

Within 12 minutes or so O2 finds out through his sketchy cousin Lucky that a gang called the Outlaws (ooooh scary) lead by crime-boss Big Meat (it pays to advertise I guess?) has O2-2 and wants O2 to pay a ransom to get him back.

To raise the funds O2 and Coco – sounds like a bad Euro DJ team – must wreak a 2 person crime wave all over the city during which Coco gets to wear a cavalcade of fashionable outfits that were fortunately provided in an otherwise pointless scene where they go to an underground fashion dealer and stick 'em up.

I'm not complaining much, Coco is hot.

The film continues the paint by numbers approach, there is a love scene, proof that Big Meat is tough, nasty and ruthless and also that O2 is basically a hard working father pushed into a situation against his will, yet eminently capable in this environment… and Coco is still hot and wears lots of outfits (not sure if I mentioned that before).

The title Waist Deep probably means something, I have no idea what. The film is far less macho and has fewer chest-puffed out scenes than the poster might suggest, it also isn't anywhere near as over the top as I predicted. It's merely another film where a Dad must save his child from the naughty guys while the clock is running… and neither a good nor an especially bad one.

Final Rating – 5 / 10. Referring back to the first statement in this review: there are 2 sub-genres available. Waist Deep chooses neither, which is the main reason that it is quite forgettable and not very entertaining.

OK, my Mrs wanted to watch it for a few days but I thought it was going to be the usual muscle bound stuff which is synonymous with a Tyrese title. But was I wrong. The film captures you from the off with good sounds and fast moving filming. The story is predictable but enjoyable and left me with a nice taste in my mouth. Unfortunately it has taken Tyrese almost 20 years from his coke advert to finally make a film in which we see a little talent. In closing I was very happy because with a film like this you can only score on action but they were some strong roles (not award winning but there hasn't been much of that lately anyhow).

Saw this last night at the L.A. Film festival. Only went because it was FREE, but was pleasantly surprised at the pacing. There were implausible moments and a cheesy drawn out cell phone conversation..in the middle of a police chase, with a hackneyed "Shawshank Redemption"/ "Thelma & Louise" ending, but Tyrese Gibson and Megan Goode draw you in and make you want to see where this thing goes. They look great and had chemistry.

(Megan, it's time for you to do more films like "Brick". I think you have the range to break out in some different roles outside off 'hood flicks)

Kimora Lee Simmons is hilarious in her cameo. She may need to do a movie herself! Just check out the way she curls her lip when she gets an unwanted man in her house. I will have to add her performance to my collection of "Great Actor Scenes that stand out by themselves"

There are clichés galore, and one scene I found insulting to elderly black women. (Megan's character calls a grandmotherly-looking black woman the "B-word". It was funny in an earlier scene where Megan Goode's character is called one off screen for holding up traffic, but it doesn't work when used on an old woman in a bank. Kasi, you shoulda told Vondie to drop that line!)

Lastly, I always laugh when I see so-called "gangsters" making money hand over foot with their hustling,but they never move to nicer areas? You have thousands of dollars stashed in safety deposit boxes and $250,000 worth of jewelry, and you still live in a jacked up house in the worst parts of L.A.? Dumb.

Hunter Hall who plays the kidnapped son is a cute little boy, but his acting was stilted and unnatural in several scenes to the point of being distracting. But he sure does look like his momma! (Kasi, you need to be in more movies! We miss you!)

This movie is strictly popcorn fun. As Mr. Vondi Curtis Hall stated before showing his film last night, "This is a movie, not necessarily a film" in the artsy-fartsy sense. Most critics have been complaining that it's hodge-podge of various genres, but it works for what it tries to do: tell the journey of a single-parent father trying to save his son at all costs. How often do you get to see that? **(And the brother survives? Shee-itt!)

Lessons learned from this flick? You can shoot and kill a handful of bad people, rob empty houses in the Hollywood Hills because a half naked girl can fool police, and you can drive to Mexico and live happily ever after in a Malibu-styled beach house without a passport, just a bag full of money. Let me get my glock!