IMDb-BEWERTUNG
7,7/10
1071
IHRE BEWERTUNG
Ein britischer Dokumentarfilm, der zwei nordkoreanische Mädchen bei ihren Vorbereitungen für das Arirang-Festival begleitet, das als die weltweit größte, choreografierte Gymnastikschau gilt.Ein britischer Dokumentarfilm, der zwei nordkoreanische Mädchen bei ihren Vorbereitungen für das Arirang-Festival begleitet, das als die weltweit größte, choreografierte Gymnastikschau gilt.Ein britischer Dokumentarfilm, der zwei nordkoreanische Mädchen bei ihren Vorbereitungen für das Arirang-Festival begleitet, das als die weltweit größte, choreografierte Gymnastikschau gilt.
- Auszeichnungen
- 1 Nominierung insgesamt
Daniel Gordon
- Self - Narrator
- (Synchronisation)
Jong-Il Kim
- Self - Supreme Leader, North Korea
- (Archivfilmmaterial)
- (as Jong-il Kim)
Empfohlene Bewertungen
Do not expect to see a shocking reality about the life in North Korea. This movie is not about it. Some may perceive it as propaganda. I am pretty sure, that every scene was pre-arranged and approved by the state. It is nevertheless very interesting to see and listen how people think and live in a country we know so little about.
To me there is a huge paradox in the mass games in which the state's ideology "the subordination of the individual's desires to the needs of the collective" directly contrast "to continue the State's policy of self-reliance and independence." So on one side the state is teaching about cooperation, on the other hand it refuses to cooperate internationally.. I think this movie gives a lot to think about various concepts..
To me there is a huge paradox in the mass games in which the state's ideology "the subordination of the individual's desires to the needs of the collective" directly contrast "to continue the State's policy of self-reliance and independence." So on one side the state is teaching about cooperation, on the other hand it refuses to cooperate internationally.. I think this movie gives a lot to think about various concepts..
The most interesting comment from director Daniel Gordon at the Tribeca Film Festival's screening of this movie was about the difficulties encountered in making this film, none of which came from state censors or anyone at all in North Korea. The most resistance came from Western entities (distributors, studios) that dismissed the film as inaccurate because it did not conform to their own notions of what life in North Korea was really like. The tone of this film, with the lives of two young gymnasts at its center, is straight-forward and unpreachy. Aside from brief glimpses of the obligatory posters condemning the U.S., masses in blue suits swearing allegiance to the socialist cause, and abundant references to the General, what we mostly see are the two girls and the intimate details of their lives, singing karaoke with their families, preparing for school in the morning, being chided for not eating their breakfast or doing their homework, and struggling through hours of exhausting gymnastic practice. There is also the spectacular, dizzying footage of the mass games, which alone would be worth the movie ticket. There was never the feeling that this is meant to be an "inside-look," even though the film does owe much of the fascination surrounding it to its subject matter. It was enlightening and entertaining to see what life is like in Pyongyang, but to approach this film as simply a bit of cultural curiosity is to miss the richer experience it offers, one that had me rooting and fretting for the two girls as they approach their final performance, and hoping that their wish to perform in front of the General comes true.
I just saw this movie and really enjoyed it.
To those who are criticizing the makers of the film for not revealing the horrific "truth" about North Korea, it's worth pointing out that politicizing the film would have resulted in 1) the film crew's Korean minders being thrown in jail (they are responsible for making sure that the film doesn't reflect negatively on the state), not to mention the extended families of the minders, 2) most probably both girls & their families also being jailed, and 3) pretty much any other Korean people who show up in the film also, being thrown in jail.
Jail in North Korea is very, very ugly and I imagine many people don't live long there.
Rather than have everyone they ever interviewed possibly tortured and killed, the film's creators wisely chose to criticize the North Korea state only in an oblique manner, simply by stating the truth and avoiding controversial topics. Had they not, aside from the consequences to their subjects, they would never have been allowed to set foot in the country again.
Yes, the girls and their families are the elite of the state. Frankly, I live better than that, and I'm not rich. If they're the elite, the country must be in rough shape.
I'm just glad we were able to see so much of what daily life is like (in Pyongyang). Extended footage like this from inside the country is very rare.
To those who are criticizing the makers of the film for not revealing the horrific "truth" about North Korea, it's worth pointing out that politicizing the film would have resulted in 1) the film crew's Korean minders being thrown in jail (they are responsible for making sure that the film doesn't reflect negatively on the state), not to mention the extended families of the minders, 2) most probably both girls & their families also being jailed, and 3) pretty much any other Korean people who show up in the film also, being thrown in jail.
Jail in North Korea is very, very ugly and I imagine many people don't live long there.
Rather than have everyone they ever interviewed possibly tortured and killed, the film's creators wisely chose to criticize the North Korea state only in an oblique manner, simply by stating the truth and avoiding controversial topics. Had they not, aside from the consequences to their subjects, they would never have been allowed to set foot in the country again.
Yes, the girls and their families are the elite of the state. Frankly, I live better than that, and I'm not rich. If they're the elite, the country must be in rough shape.
I'm just glad we were able to see so much of what daily life is like (in Pyongyang). Extended footage like this from inside the country is very rare.
I agree with what most posters say about this movie. Yes, the film does not show any of the real horrors of the country. What it shows is what the North Korean government would allow, and nothing else.
But the film also gives a rare insight into the (few) people whose lives in some ways can be compared to the lives of people in other countries. But where we have film stars, pop singers, authors, intellectuals and other role models that present us with diversified views on life, they (the affluent minority) have only one philosophy, and that is Kim Jong Il. They have no alternative religions, politics, philosophies, myths, icons, legends, thoughts or anything else.
What is interesting about the film is that it gives us an insight into the lives of those who are relatively well off in a totalitarian regime. And it is clear that the movie is made by people who do not live in that same regime. The filmmakers look at the human, 'weak' side of these people instead of just showing these people as role models. The North Korean government would see these people as becoming a glorious unified whole during these games. We see them as robots and slaves to a corrupt regime that doesn't care about them.
It is like British people visiting and making documentaries about the Nazi-devotees in the late 30s Germany. We know what is going on behind the scene, but the devotion and naivety shown by the people on screen is almost just as frightening, since these people could be ourselves under similar circumstances.
But the film also gives a rare insight into the (few) people whose lives in some ways can be compared to the lives of people in other countries. But where we have film stars, pop singers, authors, intellectuals and other role models that present us with diversified views on life, they (the affluent minority) have only one philosophy, and that is Kim Jong Il. They have no alternative religions, politics, philosophies, myths, icons, legends, thoughts or anything else.
What is interesting about the film is that it gives us an insight into the lives of those who are relatively well off in a totalitarian regime. And it is clear that the movie is made by people who do not live in that same regime. The filmmakers look at the human, 'weak' side of these people instead of just showing these people as role models. The North Korean government would see these people as becoming a glorious unified whole during these games. We see them as robots and slaves to a corrupt regime that doesn't care about them.
It is like British people visiting and making documentaries about the Nazi-devotees in the late 30s Germany. We know what is going on behind the scene, but the devotion and naivety shown by the people on screen is almost just as frightening, since these people could be ourselves under similar circumstances.
I don't like to politicize my reviews. I have found that in practically ever land there are amazingly good films--regardless of the political tensions between my country and theirs. For example, although things are a bit tense now with Iran, this nation has made some wonderful films--such as the films of Majid Majidi which manage to transcend nations and ideologies. So, if you are willing to be open-minded and look, you can find good everywhere in my opinion. However, this is a difficult proposition with North Korea. They don't seem to be making movies and there simply is almost no opportunity to look into their culture to see what the nation is like, as there simply is almost nothing going in or out of this isolated nation. However, back about a decade or so ago, a few small glimpses occurred and "A State of Mind" is one of them*. Like it or not, for now this is all we appear to have from which we can learn about this nation. And, because of that, I think it's well worth seeing.
"A State of Mind" is a film made by a British production company. They were invited to the nation to follow several girls as they prepared for the 'Mass Games'. These games are ENORMOUS pageants in which many days of mass parades and performances are done to honor their leader. Some of these HUGE spectacles required 80,000 people and millions of man- hours according to the film!! The devotion and energy of the participants is difficult to imagine in our Western cultures and I would never imagine folks I know joining in a massive celebration in which the individual is sublimated to the glory of the State. It's just so very foreign--and this is what makes the film hard to stop watching. It is almost like looking onto an alien culture--and this is NOT meant as a criticism at all.
What I liked best is that the narrators didn't over-narrate or opine about the nation. Instead, they mostly just showed the people and let them talk. Now I might have liked to have heard about the restrictions placed on the filmmakers--such as where they could and couldn't visit and questions they could or could not ask. But, this is really not all that important--what IS important is that it gives you a glimpse of what is going on in North Korea. See it and learn.
By the way, the reason I didn't score this one a bit higher is that I do think that perhaps TOO MUCH of the parading was shown. It became tiresome to watch the girls practicing again and again and again and again for months. However, even this was interesting in a way--imagine how this was for these thousands and thousands of kids who did this! Wow....
*Another documentary filmed in North Korea by Western filmmakers was National Geographic's "Inside North Korea"--about a group of doctors who came to the country to perform free eye surgery for many blind North Koreans. It is fascinating--perhaps more so than "A State of Mind" as the now sighted folks did not thank their doctors when their bandages were removed but immediately ran to a poster of their leader, Kim Il Sung and began crying hysterically--thanking HIM for the restoration of their sight.
"A State of Mind" is a film made by a British production company. They were invited to the nation to follow several girls as they prepared for the 'Mass Games'. These games are ENORMOUS pageants in which many days of mass parades and performances are done to honor their leader. Some of these HUGE spectacles required 80,000 people and millions of man- hours according to the film!! The devotion and energy of the participants is difficult to imagine in our Western cultures and I would never imagine folks I know joining in a massive celebration in which the individual is sublimated to the glory of the State. It's just so very foreign--and this is what makes the film hard to stop watching. It is almost like looking onto an alien culture--and this is NOT meant as a criticism at all.
What I liked best is that the narrators didn't over-narrate or opine about the nation. Instead, they mostly just showed the people and let them talk. Now I might have liked to have heard about the restrictions placed on the filmmakers--such as where they could and couldn't visit and questions they could or could not ask. But, this is really not all that important--what IS important is that it gives you a glimpse of what is going on in North Korea. See it and learn.
By the way, the reason I didn't score this one a bit higher is that I do think that perhaps TOO MUCH of the parading was shown. It became tiresome to watch the girls practicing again and again and again and again for months. However, even this was interesting in a way--imagine how this was for these thousands and thousands of kids who did this! Wow....
*Another documentary filmed in North Korea by Western filmmakers was National Geographic's "Inside North Korea"--about a group of doctors who came to the country to perform free eye surgery for many blind North Koreans. It is fascinating--perhaps more so than "A State of Mind" as the now sighted folks did not thank their doctors when their bandages were removed but immediately ran to a poster of their leader, Kim Il Sung and began crying hysterically--thanking HIM for the restoration of their sight.
Wusstest du schon
- Alternative VersionenItalian version of this title (broadcast on TV channel "Cult") has a different soundtrack during the ending exhibition.
- VerbindungenFeatured in Faithless: I Want More (A State of Mind Version) (2004)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Die jungen Tänzerinnen aus Pjöngjang
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 41.468 $
- Eröffnungswochenende in den USA und in Kanada
- 5.515 $
- 14. Aug. 2005
- Weltweiter Bruttoertrag
- 81.450 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
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Oberste Lücke
By what name was A State of Mind (2004) officially released in Canada in English?
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