In der prähistorischen Vergangenheit ist D'Leh ein Mammutjäger, der mit dem schönen Evolet wird. Wenn Krieger zu Pferde Evolet und die Stammesangehörigen gefangen nehmen, muss D'Leh eine Ody... Alles lesenIn der prähistorischen Vergangenheit ist D'Leh ein Mammutjäger, der mit dem schönen Evolet wird. Wenn Krieger zu Pferde Evolet und die Stammesangehörigen gefangen nehmen, muss D'Leh eine Odyssee beginnen, um seine wahre Liebe zu retten.In der prähistorischen Vergangenheit ist D'Leh ein Mammutjäger, der mit dem schönen Evolet wird. Wenn Krieger zu Pferde Evolet und die Stammesangehörigen gefangen nehmen, muss D'Leh eine Odyssee beginnen, um seine wahre Liebe zu retten.
- Regie
- Drehbuch
- Hauptbesetzung
- Warlord
- (as Ben Badra)
- Narrator
- (Synchronisation)
- High Priest
- (as Fahruq Ismail Valley-Omar)
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But who cares, right? No one in his right mind would watch a Roland Emmerich movie for the plot. The man brought us Godzilla, Independence Day, and The Day after Tomorrow, after all. No, your focus here is supposed to be on the prehistoric-ness of the thing, like the wild, carnivorous birds, or the mastodons, or the sabre-tooth tigers. Oh, and the smoldering hotness of lurve that Our Hero and His Love can barely contain.
Your first clue that this won’t be much more than a silly bore is the simple fact that our noble hunters speak perfect, inflectionless English. No idea why. I’m not the biggest fan of subtitles, granted, but I think here they at least would have made sense. Instead, we have these perfectly coiffed young people with gleaming white teeth - as any prehistoric hunter would have - speaking the Queen’s English to each other. It’s bizarre and off-putting. These cool kids look like they fell out of a Gap commercial; they’d be dead in minutes if they actually had to fend for themselves on a tundra or in the jungle. They’re as believable as Ed Begley, Jr. at a biker rally. Which is not very believable.
And it’s not as if they get clever, intelligent dialog to mouth. D’Leh (heh, sounds like Delay) tells a vicious, trapped sabre-tooth tiger, “Do not eat me when I set you free!” See, because he doesn’t want to be eaten, and he figures that reasoning with the beast will do the trick. D’Leh, played by newcomer Steven Strait, is sort of a poor man’s Colin Farrell, complete with otherworldly eyebrows. He wants you to think he’s earnest and sincere, but instead you think he’s vapid and vain. Crazy! (”Do not eat me when I set you free!” That’s hilarious right there. Why, it’s right up there with “Throw me the whip, and I’ll throw you the idol!”) Besides, this whole pursuing-the-savages-who-stole-our-people thing was done much better only a few years ago in Mel Gibson’s Apocalpyto. Now, you might not buy into the notion of using an ancient Mayan dialect in a movie, but at least it made some sense. Using that dialect, with subtitles, there was a real sense of adventure and tragedy; here, the fluid English feels woefully inept and completely anachronistic.
Unlike Apocalypto, there’s scant fighting and mayhem here. The tribe (like that in Apocalypto) is a hunting tribe, so that explains why for much of the movie they run and hide and duck and cover. I will find you! What’s his name cries. And then he finds her and then loses her again, and he says, I’ll come back! And then he spends the next hour or so trying to find her. His One True Love is like a set of pretty car keys.
Back to that tiger, which makes a couple of appearances. Now, I like CGI as much as the next guy. It can very easily enhance a scene, make the unrealistic seem obvious and believable. But this tiger reminded me of the cyclops and other fantastical creatures you’d see in those old fifties Greek-epic movies, the ones featuring the work of the great Ray Harryhausen - basically, essentially, stop-motion animation. And that looks crappy here in good ol’ 2008.
10,000 BC isn’t meant to be a historical epic - the year 10,000 BC is used here merely to connote a Long Time Ago - which is fine in and of itself, but really isn’t anything compelling about it other than its setting. It’s predictable pap without much of a heart, instilling no compassion or feeling from its audience.
The movie could upset many scientists or people who love and or respect history. Having mammoths in what looks like the Ice Age, large Velociraptor-like birds in an immense jungle and Egyptians all in the same time era, it seems like the movie just threw a whole bunch of material together. However, I am always willing to accept that even with information and proof on past time eras, we can never be 100% certain on anything, and I judged this film not on it's historical accuracy, but it's entertainment and enjoyment levels. The characters, while a lot are a bit unbelievable or one-dimensional, all pass the time effectively and fill in for what is needed in the story. The storyline itself is probably my favorite aspect, having some wonderful material to work with and really nice effects and performances from the lead man and Camilla Belle, who is regarded as a horrid actress, but I very well liked in this and her other work.
It is nicely done, in the sense that I am interested and entertained with how everything moves along, and even though it seems like it is unsure on which direction it should go at some points, it never jumps subject, even if it does jump scenes. I do not understand Roland Emmerich, though. It seems at times that he just did not want to concentrate on or deal with this film, having some very poorly played out scenes. Even if I liked the way it moved along, he was not as dedicated as he could have been on this movie like he was Godzilla and even The Day After Tomorrow. The movie also has some poor dialogue and some material just does not make sense, but I still however stand by my approval of it. It is not as bad as many claim, even if it is not amazing. It is worth the watch if you want to watch it.
A+ for replay value A+ for sheer no-brain entertainment A+ costumes and makeup A+ for special effects
Thumbs up.
Well, I finally shelled out the money, and was pleasantly surprised to find that it was not only as exciting as the trailers promised, it did have a plot and was enjoyable. I will not pretend that it was a brilliant movie, because it just wasn't. It definitely had the premise of what could've been a triumph, but it just couldn't cut it.
There was some cheesy dialog, but mostly it was pretty original. The plot was something that could've been ripped off from any ancient folktale, but I think that the scriptwriters and directors did a decent job of making it their own. Seeing as it's supposed to be a legend, and proves itself to be more of a fantasy than historical epic, the historical inaccuracies can be forgiven.
All in all, it was a fairly good movie that was both thrilling and enjoyable. I can see why people didn't like it, but, honestly, they're being much too tough on it.
When the story reached the pyramids, it reminded me so much of Stargate, only without the laser blasters. The concept of deities and gods was present but did not really add much to the plot...it only served as a villainous model.
I find it weird that the primary characters (for a change, no big stars among them) speak English on screen.
So is 10,000 B.C. a special film, one that could be "The 300 of 2008"? Nope, nothing special about it. It's nice however that a prehistoric setting was used for this adventure.
If you truly value your time and money, don't watch it and just wait for the DVD instead. If you're too hungry for adventure and special effects, go ahead watch.
Sharkey360 (visit Sharkey360.blogspot.com)
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- Wissenswertes(at around 1h 10 mins) The film includes a glimpse of a map showing Atlantis off the coast of Spain. It's a reference to Plato's theory that the construction techniques used in Egypt were imported from the ancient lost civilization of Atlantis. This would be the second time that director Roland Emmerich makes this suggestion, as in his previous film Stargate (1994), someone jokingly asked whether "men from Atlantis" were responsible for the ancient Egyptian pyramids.
- PatzerThe film features Smilodon, a genus of sabre-toothed cat that only existed in the Americas.
- Zitate
Tic'Tic: A good man draws a circle around himself and cares for those within. His woman, his children.
Tic'Tic: Other men draw a larger circle and bring within their brothers and sisters.
Tic'Tic: But some men have a great destiny. They must draw around themselves a circle that includes many, many more.
Tic'Tic: Your father was one of those men. You must decide for yourself whether you are, as well.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- 10,000 A.C.
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 105.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 94.784.201 $
- Eröffnungswochenende in den USA und in Kanada
- 35.867.488 $
- 9. März 2008
- Weltweiter Bruttoertrag
- 269.784.201 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1