Free Zone

My 7 vote was for the filming, direction, and plot. For the informative value of the film, I would give it a 9. It was a bravely balanced portrayal and helped personalize my understanding of the how the structure of the conflict militates against the urge to empathize when face-to-face. It is heartrending watching antipathy being replaced with empathy and mutual assistance even while the regional conflicts continually compel opposing sides toward distrust and attack. Seeing the way the many groups are living in constant fear of lethal attacks has become the norm is heartbreaking. Each side continuing to live with a hollow hope for resolution and peace is awesome and somewhat offsets the massive human tragedy. While typical of human social psychology, it is still sad to see that even clashes within affiliates can lead to incendiary outbursts. The final scene is a terrific metaphor for the complex, dire configuration of the plight of the individual people, the American, Israeli, Palestinian, and all others in the region. Portman is to be commended for her taking the role of Rebecca in a movie that was sure to receive little acclaim.

This is more of a response to the latest post by "Mrnaturalsez". I guess we are expected to take your word on a movie instead of the Cannes Film Festival and the Toronto Film Festival, which incidentally gave this move high praise. The film was an interesting, raw look at Jerusalem and Jordan as one would see it as a traveller. Plot has nothing to do with appreciating this movie, so I think you missed the mark. The story was used as a reason to explore the middle eastern culture. It was also interesting seeing Natalie Portman speak in her native Hebrew language. The film drew upon Portman's real life, as she was born in Isreal and had a Jewish father and American mother. Some films are watched for action, others for art, but I guess one will believe what one wants. There's my 2 cents.

This is one of those really bad films. Actually there isn't too much to say. Boring script, shallow stereotypical characters and long unending scenes. "ART FILM" at its worst. Some of the camera shots were nicely made though, I have to agree. And Channa Laszlo does a good work as leading actress.

OK, now let's forget about that. Another boring film from Gitai. Nothing new. What interests me as a film-goer from Israel is the question: How come Gitai is the most successful Israeli film maker in international audiences.

There are other much more talented Israeli directors such as Avi Nesher, Dover Koshashvili, Gil Dar or Keren Yadaaia. So why Gitai? Well it is a known fact that the French and European audiences love him because of his left wing ideas. He flatters the European views on Israel and he sells himself in Europe as an Israeli dissident and exile unacknowledged or even censored by Israeli establishment for his so called radical views.

As an Israeli left winger, let me tell you. Nobody cares enough about Gitai to even bother to censor him. The truth of the matter is that if you know the Israeli reality only a bit, it becomes immediately apparent how phony and untruthful his films are. His view of Israel, the way you see it in "Free Zone" is like that of the tourist he is, coming to Israel from Paris to make a new film and watching the whole of Israeli reality condescendingly from his know-all glasses.

This is the reason why all his films fail in Israel both critically as well as in the box office. Not because of his "radical" political views. Israeli audiences can cope with criticism, but not with Gitai's packs of cliché's. It is a shame audiences in the world who don't know the situation in Israel well enough, get their impression from such phony works.

4/10

Unlike some other people, I did find this movie to be a great one. Amos Gitaï show us the middle east complexity through three beautiful characters, one Israelian, one Palestinian and one American with Jewish extracts. Those three women are supposed to represent three "forces" who can play a part in the situation over there : Israel, Palestine and the "international community" represented by Natalie Portman's character Rebecca. Rebecca appears to be just a witness to what is happening. Although she tries to get involved and to ease the conflict down her efforts remain without effect. The movie shows as well that Israelians and Palestinians could talk to each other instead of getting at war. They have quite the same problems, they live on the same land, they are quite the same people, they have quite the same cultural background. but some have to forget about their fear and parano while the others need to stop fanatism growing within their ranks. Amos Gitaï wants to show us as well that Israelians should accept to talk to moderate Palestinians. It's the only way to move towards a better tomorrow otherwise fanatics will be their only opponents and there will be no possible dialogue. Some people here have not understood a thing in the movie. I read two main wrong critics. One was about the language used in the movie. It seemed disturbing for some people that the movie is not only in English. But truth is not everybody in the world speaks English ! In Israel, the official language is Hebrew. Palestinians speak Arabic. So it's normal that those three languages (with English) are used and spoken in the movie. Otherwise it would be just sci-fi or American fantasm ! The other thing is about Rebecca's crying at the beginning of the movie. She does not cry about her loss. She and we don't give a damn about this loss. As a near to be witness of the situation in the Middle East, she cries about that, about her uselessness, about the vicious circle which make good people killing each others. That's why as well she leaves running at the end of the movie because she can't help Israel and Palestine to get along. She can't understand their fighting. Thank you Mister Amos Gitaï.

The confused American Rebecca (Natalie Portman) has left USA to live in Jordan. After breaking her engagement with her Israeli boyfriend, she asks the Israeli taxi driver Hanna (Hana Lazlo) to take her anywhere but the place where she is. Hanna tells her that she needs to go Jordan's Free Zone, a place surrounded by Syria, Iraq and South Arabia, to receive US$ 30,000.00 that the Palestinian partner of her husband called "The American" owes to him. When they arrive in the location, they do not find the "The American" but a Palestinian woman called Leila (Hiam Abbass). Hanna forces Leila to take her to meet "The American" in his Oasis, but when they arrive there, she is informed that his son has burnt the place, stolen the money and crossed the border.

"Free Zone" is a movie with great acting leaded by the adorable Natalie Portman, Hana Lazlo and Hiam Abbass. The road trip through the locations in Jordan and the soundtrack are other attractions. However, the screenplay is simply awful. Following the "Dogma 95" style, with a free handy cam, no lighting, many improvisation etc., the director and writer Amos Gitai makes a confused and inconclusive story with one of the worst opening scene I have ever seen, with Natalie Portman crying without explanation and a boring song for almost ten minutes. My vote is six.

Title (Brazil): "Free Zone"