Havanna Blues

leaving the cinema , I was amazed at the real feelings i had about this film. Situated in ordinary Havana, the intense social coherence , existing in difficult economic circumstances were spelled out wonderfully. The music ,which is one of the main characteristics in this film was not corny, but hiphop,jazz,rock, and salsa at the same time. The characters were deeper and deeper, when the film continued, and i seldomly saw friendship so beautifully evoked as in the relationship between the two main men.all other important stories within the film were moving and warm, and realistic. The end is not not-happy; i'd call it positive and real. it's a for-all-people-around-the-world-award-winner film.

I must say I wasn't really interested in this movie at first, and more or less was dragged to the theater to watch it. Which I am definitely grateful for, since it's one of the best movies I've seen this year by far.

The bittersweet story, the uncommon picture of the less known 'real Habana' and the strong friendship between the main characters really got to me.

The only annoying thing was the music during the first half of the movie. But the songs played during the second half (the ones the main characters play) are really pretty too.

I really liked how the plot wasn't over-dramatic, how everyone, both good and bad ones, is flawed and there's nobody perfect in the story (especially the main character). And how they make the message of the movie (choose your own path and live up to your decisions) reach the audience.

The only thing that ruined the movie for me was Marta's character (the Spanish woman). Or rather, the actress playing her role. She's bad to boot.

This film starts off poor underground music players that you think are never going to make it, and you think that is the only story to the film; but when you get further into the film you see a large part of the Cuban culture. There are people that do not want to sell out and going to a country where it is easier to get popular, there are people that want to get popular at any cost, and there are people that must leave in order to better their family. This film is great at portraying this, because it is not over dramatized.

The theme of music is a little overwhelming in the film because music is constantly being played to the point where it should be classified as a musical; but the music is very culturally sound with Cuban sounds, this keeps the viewer interested in watching the film. The music plays along with the plot, and gets poppy when the movie is exciting, and slower romantic music when the film is trying to portray intimacy.

The actors are pretty good; the main actor goes through many changes through the film. From wanting to do drugs, sex, and rock & role, to towards the end, wishing that he were more of a family provider; he knows at the end that he must let go of something to keep another. These decisions at the end is what made the film for me, it makes it real, and not over dramatized; which makes the viewer relate more.

Benito Zambrano's 'Habana Blues' has got all the clichés to make it marketable internationally. The story is very deja-vu and unfortunately, there isn't much to offer. Nothing new in any case. The themes of friendship, partying etc have been done to death. In the first half, the pace just drags on. For a movie that's about music, one would expect at least a few great tracks and here while the instrumental tracks work to an extent, the songs fail because either the lyrics are syrupy or they're too preachy. The execution is quite poor. Cinematography is flat and the background score give it an out-of-date feel. The only sequences that got my attention were the ones with Caridad. This is perhaps majorly due to Yailene Sierra's terrific performance. In addition, I also liked the scenes with Tito's grandmother. Roberto Sanmartin is passable while Alberto Yoel's wooden acting is one of the major factors that contribute to 'Habana Blues's list of flaws. As a whole, 'Habana Blues' just did not work for me.

Just saw the movie, together with some 140 students (14 - 17 years old, Dutch but mixed backgrounds) Was an absolutely gorgeous experience. Not used to non-Hollywood productions, they were both chocked and charmed by the non-happy ending, and they did really like both the story and the music, as well as the film's central ideas of love and friendship. I'd recommend it to every teacher that wants to do something with either music or history or politics or drama or a combination of any of these subjects to use the film for educational purposes, esp. with not all-too self-confidential / intellectually orientated groups of students. At least in the Dutch version, there was perhaps a bit too much sex (at least what the Muslim viewers were concerned) but that need not bother too much...