IMDb-BEWERTUNG
6,6/10
27.133
IHRE BEWERTUNG
Die wahre Geschichte eines Tanzlehrers, der an das Talent einer Gruppe von Problemkindern glaubteDie wahre Geschichte eines Tanzlehrers, der an das Talent einer Gruppe von Problemkindern glaubteDie wahre Geschichte eines Tanzlehrers, der an das Talent einer Gruppe von Problemkindern glaubte
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
Empfohlene Bewertungen
There are so many good films being released and so many formulaic films like these are released that it seems like we can do without a film like TAKE THE LEAD.But guess what,this ain't your average coming-of-age inspiring story.This is rather more fun and effective drama powered by fantastic dance sequences,with the aid of Benderas who leads the kids.
The entire film depends on Benderas' energy and wit.He fills the film with energy and wit and excites everyone in the film.I really enjoyed the superbly choreographed dance sequences as it brings about different cultures together and shows how much fun it could be.It's really enthralling.
A finely made entertaining film with a different treatment to an old formula.Surprise is on their side.
The entire film depends on Benderas' energy and wit.He fills the film with energy and wit and excites everyone in the film.I really enjoyed the superbly choreographed dance sequences as it brings about different cultures together and shows how much fun it could be.It's really enthralling.
A finely made entertaining film with a different treatment to an old formula.Surprise is on their side.
I just returned from seeing this film at a preview/test screening.
This film was much better than I had expected. The story brings to mind movies such as Mad Hot Ballroom or Dangerous Minds, but is different enough that it is able to stand on its own.
Overall I thought the acting was well done. The dancing was great (both the hip hop dancing and the ballroom). And while I am not a huge Antonio Banderas fan, I thought he was excellent, and I really liked him. He was able to be the star of the movie, but not the center of attention at all times. He looked good and seemed to provide a different element to what could have been the same old "help the inner city kids find hope" story.
The script and dialogue had nothing too cheesy or corny, which is usually found in "feel good" films, or movies about highschool students. There are plenty of funny parts, as well as enough drama and interesting character conflicts to keep everything interesting.
My only complaint was that the ending didn't seem to wrap up everything - there were some back story lines and issues that weren't resolved. But a few unanswered questions can sometimes be better than a cheesy, unbelievable ending where suddenly all is right in the world. I'll be curious to see if they make any changes before it is released in theatres.
I give it an 8 out of 10, because I was genuinely entertained.
This film was much better than I had expected. The story brings to mind movies such as Mad Hot Ballroom or Dangerous Minds, but is different enough that it is able to stand on its own.
Overall I thought the acting was well done. The dancing was great (both the hip hop dancing and the ballroom). And while I am not a huge Antonio Banderas fan, I thought he was excellent, and I really liked him. He was able to be the star of the movie, but not the center of attention at all times. He looked good and seemed to provide a different element to what could have been the same old "help the inner city kids find hope" story.
The script and dialogue had nothing too cheesy or corny, which is usually found in "feel good" films, or movies about highschool students. There are plenty of funny parts, as well as enough drama and interesting character conflicts to keep everything interesting.
My only complaint was that the ending didn't seem to wrap up everything - there were some back story lines and issues that weren't resolved. But a few unanswered questions can sometimes be better than a cheesy, unbelievable ending where suddenly all is right in the world. I'll be curious to see if they make any changes before it is released in theatres.
I give it an 8 out of 10, because I was genuinely entertained.
Attended a premiere of the film yesterday without knowing anything about it, and I was pleasantly surprised.
Along the lines of similar films regarding inner city schools and the use of fine arts to motivate students, this film chooses dance as its educational medium. It provides a realistic examination of true life in the New York public school system, and of New York City in general...no "Sex and the City" or "Friends" glamor here. I applaud this film for its casting of Antonio Banderas as the teacher who really cares for his student's lives in a world of despair. He does a great job conveying the inner struggle of a person who yearns to offer their help despite limited resources and support. Meanwhile, the students that make up his class are relative unknowns, but all are fantastic dancers with acting skills to match.
Even if you are not a fan of either Hip Hop/Rap or Ballroom/Jazz/Ballroom styles of music and dance, this film will have your foot tapping and imagination wandering..."maybe after some lessons, I could dance like that". Both worlds are depicted with accuracy and realism, allowing followers of either genre to spy on the other.
For parents looking for the suitability of this film for their children, I would say the minimum age should be 13-ish. Other than the odd curse word or gun play, there is not much else to worry about. The benefits and moral lessons taught by this movie far outweigh the negative aspects.
If you've ever secretly wanted to join a dance class, this film will (hopefully) push you past your fears and have you dancing in no time.
Along the lines of similar films regarding inner city schools and the use of fine arts to motivate students, this film chooses dance as its educational medium. It provides a realistic examination of true life in the New York public school system, and of New York City in general...no "Sex and the City" or "Friends" glamor here. I applaud this film for its casting of Antonio Banderas as the teacher who really cares for his student's lives in a world of despair. He does a great job conveying the inner struggle of a person who yearns to offer their help despite limited resources and support. Meanwhile, the students that make up his class are relative unknowns, but all are fantastic dancers with acting skills to match.
Even if you are not a fan of either Hip Hop/Rap or Ballroom/Jazz/Ballroom styles of music and dance, this film will have your foot tapping and imagination wandering..."maybe after some lessons, I could dance like that". Both worlds are depicted with accuracy and realism, allowing followers of either genre to spy on the other.
For parents looking for the suitability of this film for their children, I would say the minimum age should be 13-ish. Other than the odd curse word or gun play, there is not much else to worry about. The benefits and moral lessons taught by this movie far outweigh the negative aspects.
If you've ever secretly wanted to join a dance class, this film will (hopefully) push you past your fears and have you dancing in no time.
This movie is "inspired by" the story of Pierre Dulaine, who started a ballroom dance school program in New York. But "inspired by" seems to equal "use a real person's name," because this movie feels utterly false in every detail, from its "cute meet" with a thuggish (but good-hearted) student through its two cardboard bad guys to a final ridiculous finale that pushed absurdly unrealistic to new heights. It felt so unlikely, and I remembered that Mad Hot Ballroom, about that same dance program, had featured younger kids, so I googled around and found an excellent review on some website called Townhall by Megan Basham that pretty much said everything I felt, and also pointed out that in fact the program was created not by one person but by two and did in fact start in two schools with younger kids of various backgrounds.
But what is probably a very interesting story is tossed out in favor of a very shallow Hollywoodization.
This is not to say the movie isn't watchable. The cast is engaging and there are some nice dance numbers in it, and of course Hollywood clichés can have a certain manipulative power. But the problem is, every new ridiculous event in the movie pushed me further from enjoyment and towards irritation.
When people complain about Hollywood movies, this is exactly what they're complaining about.
But what is probably a very interesting story is tossed out in favor of a very shallow Hollywoodization.
This is not to say the movie isn't watchable. The cast is engaging and there are some nice dance numbers in it, and of course Hollywood clichés can have a certain manipulative power. But the problem is, every new ridiculous event in the movie pushed me further from enjoyment and towards irritation.
When people complain about Hollywood movies, this is exactly what they're complaining about.
In New York, the polite dance instructor Pierre Dulaine (Antonio Banderas) sees a black teenager vandalizing the car of the director of a public school and on the next day he volunteers to teach dance to students to give respect, dignity, self-confidence, trust and teamwork. The reluctant director Augustine James (Alfre Woodard) offers the troublemakers that are in detention expecting Pierre to give-up of his intentions. Pierre struggles against the prejudice and ignorance of the students, parents and other teachers, but wins his battle when the group accepts to compete in a ballroom dance contest.
Movies of dance are usually attractive, and the entertaining "Take the Lead" is no exception. However, this feature is more important because it is based on a true story of a man that has decided to make a difference, helping poor students to see life with another perspective. Antonio Banderas shows again that he is a "complete" actor, capable of performing the most different roles. The real Pierre Dulaine deserves this homage for the importance of his gesture and action. Jenna Dewan, from "Step-up" and the sexy Katya Virshilas are stunning dancers and the actors and actresses present wonderful choreographic dances. My vote is seven.
Title (Brazil): "Vem Dançar" ("Come to Dance")
Movies of dance are usually attractive, and the entertaining "Take the Lead" is no exception. However, this feature is more important because it is based on a true story of a man that has decided to make a difference, helping poor students to see life with another perspective. Antonio Banderas shows again that he is a "complete" actor, capable of performing the most different roles. The real Pierre Dulaine deserves this homage for the importance of his gesture and action. Jenna Dewan, from "Step-up" and the sexy Katya Virshilas are stunning dancers and the actors and actresses present wonderful choreographic dances. My vote is seven.
Title (Brazil): "Vem Dançar" ("Come to Dance")
Wusstest du schon
- WissenswertesThe youthful members of cast worked with the real Pierre Dulaine to get their dance moves correct for the movie.
- PatzerWhen Morgan comes to the school to dance with Pierre for the students, she descends the steps to the room fully costumed, including her shoes. Ballroom dance shoes have soft suede soles that are are easily damaged by wet or dirty floors, so most dancers, especially serious ones like Morgan, will not put risk their shoes by putting them on at a non-competition venue until they are ready to step onto the dancing surface.
- Zitate
Pierre Dulaine: To do something, anything, is hard. It's much easier to blame your father, your mother, the environment, the government, the lack of money, but even if you find a place to assign the blame,it doesn't make the problems go away.
- VerbindungenFeatured in HBO First Look: Take the Lead (2006)
- SoundtracksI Got Rhythm (Take the Lead Remix)
Written by George Gershwin and Ira Gershwin
Performed by Lena Horne
Additional vocals performed by Q-Tip
Remixed by Swizz Beatz and Aaron Zigman
Courtesy of RCA Victor Group by arrangement with Sony BMG Music Entertainment
Q-Tip appears courtesy of Motown Records a division of UMG Recordings, Inc.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Take the Lead?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Dance!
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 34.742.066 $
- Eröffnungswochenende in den USA und in Kanada
- 12.775.000 $
- 9. Apr. 2006
- Weltweiter Bruttoertrag
- 66.500.090 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Dance! Jeder Traum beginnt mit dem ersten Schritt (2006) officially released in India in English?
Antwort