IMDb-BEWERTUNG
3,7/10
40.438
IHRE BEWERTUNG
Ein Nebel voller rachsüchtiger Geister sucht eine wohlhabende Inselstadt vor der Küste von Oregon heim, während ihre Bewohner versuchen, das dunkle Geheimnis ihrer Stadt zu erfahren, um es z... Alles lesenEin Nebel voller rachsüchtiger Geister sucht eine wohlhabende Inselstadt vor der Küste von Oregon heim, während ihre Bewohner versuchen, das dunkle Geheimnis ihrer Stadt zu erfahren, um es zu stoppen.Ein Nebel voller rachsüchtiger Geister sucht eine wohlhabende Inselstadt vor der Küste von Oregon heim, während ihre Bewohner versuchen, das dunkle Geheimnis ihrer Stadt zu erfahren, um es zu stoppen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 wins total
R. Nelson Brown
- Machen
- (as Rnelsonbrown)
Douglas Arthurs
- Founding Father David Williams
- (as Douglas H. Arthurs)
Charles Andre
- Founding Father Norman Castle
- (as Charles André)
Rade Serbedzija
- Captain William Blake
- (as Rade Sherbedgia)
Empfohlene Bewertungen
I was hoping and praying that "The Fog" was going to be good and better then the original. Nope, didn't happen. Where the original film at least kept you on the edge at times, the new remake is very predictable. The story isn't any different then the first one. Ghost of a 100yr old ship come back to an offshore island town to get revenge for what was done to them by the founders of the island. Yes it's a remake, but at least add something original.
The main problem with The Fog is, there's no build up or suspense. Even when it tries, it fails with the results. There are maybe 1-2 jump out of your seat moments and they aren't because of anything scary on the screen. Even the deaths are pretty weak, except for one, which you'll have to see for yourself. Then again, maybe not.
The acting is drab and weak. Maggie Grace should choose her films more carefully. Coming from a hit T.V. show like "Lost" to make this crap is unforgiving. Tom Welling (Smallville, Cheaper by the Dozon) isn't going to set his film career ablaze with this film. A least this will be a learning experience for both of them. Selma Blair is the only one who at least give an admirable performance, but she really don't have much to do it this film.
What the Fog does get right is, "THE FOG". The eerie mist has a mind of it's own and I loved the way the ghosts slipped around in the background. The fog is done very well, but everything else is way below average. There's just not enough scares and the story just won't hold people's interest for long, as it's been done before.
Stay out of the fog and out of the theater for this one. Now I know why John Carpenter didn't want his name on this film. What a bomb.
The main problem with The Fog is, there's no build up or suspense. Even when it tries, it fails with the results. There are maybe 1-2 jump out of your seat moments and they aren't because of anything scary on the screen. Even the deaths are pretty weak, except for one, which you'll have to see for yourself. Then again, maybe not.
The acting is drab and weak. Maggie Grace should choose her films more carefully. Coming from a hit T.V. show like "Lost" to make this crap is unforgiving. Tom Welling (Smallville, Cheaper by the Dozon) isn't going to set his film career ablaze with this film. A least this will be a learning experience for both of them. Selma Blair is the only one who at least give an admirable performance, but she really don't have much to do it this film.
What the Fog does get right is, "THE FOG". The eerie mist has a mind of it's own and I loved the way the ghosts slipped around in the background. The fog is done very well, but everything else is way below average. There's just not enough scares and the story just won't hold people's interest for long, as it's been done before.
Stay out of the fog and out of the theater for this one. Now I know why John Carpenter didn't want his name on this film. What a bomb.
In Antonio Island, Oregon, the dwellers are celebrating the anniversary of the foundation of the seaside town and the mayor has built the statues of the founders: Wayne, Castle, Williams and Malone. The descendant Nick Castle (Tom Welling) owns the Castle & Son, a fishing charter company, using his vessel Seagrass for tourism in the Antonio Bay. When his girlfriend Elizabeth Williams (Maggie Grace) returns to the island, coincidently a huge fog appears with weird noises and killing locals. When Elizabeth slips in Nick's boathouse and falls in the sea, she finds an 1871 journal written by a man called Blake, who bought half the island for his leper people to build a town for them to live. While sailing in the clipper ship Elizabeth Dane, bringing his community to Antonio Island, Blake is betrayed by Wayne, Castle, Williams and Malone. The quartet locks Blake and his friends in the vessel, steals their money and possessions and fires the ship, killing them. In the present days, the ghosts of Blake and his crew are seeking for revenge on the descendants of the criminals.
1981 "The Fog" is a dark ghost story of the master of horror John Carpenter, with great cinematography and special effects, giving a scary atmosphere without the need of gore. The screenplay builds the horror in a low pace, but increasing the tension.
I decided to see this remake just because of the names of Tom "Clark Kent" Welling, Maggie "Shannon Rutherford" Grace and Selma Blair. In spite of my wish of liking this movie, unfortunately it is terrible. The story is basically the same, but the modifications in the original screenplay are awful and confused. The edition never reaches the tension, and for example, I have not understood why Elizabeth leaves Antonio Bay (and Nicholas Castle) with the ghosts, or the modification in the statue of the angel in the cemetery. The songs that the DJ Stevie Wayne presents in her station are the best this movie offers to the viewers. My vote is four.
Title (Brazil): "A Névoa" ("The Fog")
1981 "The Fog" is a dark ghost story of the master of horror John Carpenter, with great cinematography and special effects, giving a scary atmosphere without the need of gore. The screenplay builds the horror in a low pace, but increasing the tension.
I decided to see this remake just because of the names of Tom "Clark Kent" Welling, Maggie "Shannon Rutherford" Grace and Selma Blair. In spite of my wish of liking this movie, unfortunately it is terrible. The story is basically the same, but the modifications in the original screenplay are awful and confused. The edition never reaches the tension, and for example, I have not understood why Elizabeth leaves Antonio Bay (and Nicholas Castle) with the ghosts, or the modification in the statue of the angel in the cemetery. The songs that the DJ Stevie Wayne presents in her station are the best this movie offers to the viewers. My vote is four.
Title (Brazil): "A Névoa" ("The Fog")
It's bad enough that Hollywood has finally run out of original movie ideas, that they have resort to making either A) sequels to successful past movies that don't come close to the original, B) movies based on successful books/video games that don't come close to the original, or C) remakes of successful movies that don't come close to the original. This version of John Carpenter's subtle masterpiece "The Fog" falls into Category C. I was worried when I heard they were remaking this, and I wasn't disappointed (I should get a job predicting movie success/failures--no one believes me, but I'm right at LEAST 90% of the time). I was hoping it would stay true to the original, but so many liberties were taken to "make it so that modern audiences could relate to it" that it became a totally different film, and I don't mean that as a compliment. I mean, I can understand the modern music at the radio station and the up-to-date equipment. But why the gratuitous sex scene? Why the hoochy-koochy-dancers on the boat? And why make Elizabeth and Stevie related to the Founding Fathers (the FF's last names are never given in the original, except for Malone)? Also, there was never any logical REASON for the "attack"--at least in the first movie, it was the 100th anniversary of the crime that brought on the revenge (the crime took place in 1880; the movie was made in 1980). This crime took place in 1871, and the revenge took place in 2005?? 134 years?? That made less than no sense. And that ending?? Talk about anti-climactic. At least in the original, it ended the way it should have--it followed the plot line, it was the REASONABLE conclusion. This one--I only stayed with it to see how it played out, and it was completely unreasonable. I won't give it away, but it made NO sense to the plot. The special effects weren't even enough to redeem this sad excuse for a remake--I kept making jokes about "Pirates of the Caribbean" throughout the whole thing! I couldn't help it--I had to salvage this film somehow! That was the part that was so GOOD about the original, that you never really SAW the faces of the ghosts or graphic details of what they did--think "Blair Witch", people--less is MORE. The human imagination is the best scare tactic on the planet! Once you put a face on the fear, you can deal with it. It's the fear you CAN'T see that messes you up for days on end! All in all, another wasted rental from Blockbuster.
I wasn't angry about The Fog remake until I heard that it was going to be released by Revolution Studios, a company known to house crap movies. From then on, my hopes weren't that high, and they sank even lower when I saw the trailer. It looked to much like Boogeyman or Darkenss Falls rather than an atmospheric, imaginative, horror production like the original.
The original Fog deserves to be a cult classic and is a great film, but I thought it could have used a couple of improvements. It was not John Carpenter's best effort, but it still was an 8 out of 10 movie. This remake had potential because it could have corrected some of the plot holes from the original. Not surprisingly, the modernized Fog created new loopholes in the story and in addition had a terrible script.
The characters here were clichéd. The naive young girl who sees "horrible things" happening and who is befriended by her "hot ex-boyfriend". There is even a token black guy who serves as the "comic relief" for the film. Why can't they have black heroes in horror movies? Every character is seen in some state of undress, including Stevie Wayne, a mother of a young teenage boy named Andy, who struts around in panties in front of her son (I thought that was funny). I'm surprised Andy's old nanny wasn't shown strutting around in her undies while cleaning the dishes.
The leper colony ghosts were not scary. They were all see through, and instead of a giant fishing hook, Father Blake carried a cane (WTF??), not for support while walking, but for a scene near the end of the film where flying glass shards contribute to the death of a character. Also, the fog in this film is all CGI, and is not nearly as menacing as the one in the original was.Father Malone's character in the original was a major contributor to the story, because he represented the sins of the founding fathers. In this one, he's just a stupid old drunk who has a minimal impact on the story and plays more like the typical "old lady who can see the future" kind of character. Also, why aim for a PG-13? It's obvious the filmmakers wanted to put some gore in this, and they did, because there were many deaths that involved people being maimed and/or set on fire, not necessarily in that order. Only a few more drops of blood and it would be R.
There are two good things though. There is one pretty shocking death scene that was cool and there were some cool cinematography shots. The eerie image of the sailors on their ship in the fog gave me the chills. There was also a really creepy ghost who was only shown in shadows (you never saw his face) and who wore a top hat. It would have been interesting if they showed that ghost more, but alas, they shied away from it.
And don't get me started on the ending. It's supposed to be a shocker, but it's extremely predictable. It also makes everything that preceded it make little sense. What was the point of that? Stevie Wayne's cheesy closing monologue was even cheesier than the concluding monologue in House of the Dead.
Overall, this dreadful remake ran shy of where it could have won the race.
The original Fog deserves to be a cult classic and is a great film, but I thought it could have used a couple of improvements. It was not John Carpenter's best effort, but it still was an 8 out of 10 movie. This remake had potential because it could have corrected some of the plot holes from the original. Not surprisingly, the modernized Fog created new loopholes in the story and in addition had a terrible script.
The characters here were clichéd. The naive young girl who sees "horrible things" happening and who is befriended by her "hot ex-boyfriend". There is even a token black guy who serves as the "comic relief" for the film. Why can't they have black heroes in horror movies? Every character is seen in some state of undress, including Stevie Wayne, a mother of a young teenage boy named Andy, who struts around in panties in front of her son (I thought that was funny). I'm surprised Andy's old nanny wasn't shown strutting around in her undies while cleaning the dishes.
The leper colony ghosts were not scary. They were all see through, and instead of a giant fishing hook, Father Blake carried a cane (WTF??), not for support while walking, but for a scene near the end of the film where flying glass shards contribute to the death of a character. Also, the fog in this film is all CGI, and is not nearly as menacing as the one in the original was.Father Malone's character in the original was a major contributor to the story, because he represented the sins of the founding fathers. In this one, he's just a stupid old drunk who has a minimal impact on the story and plays more like the typical "old lady who can see the future" kind of character. Also, why aim for a PG-13? It's obvious the filmmakers wanted to put some gore in this, and they did, because there were many deaths that involved people being maimed and/or set on fire, not necessarily in that order. Only a few more drops of blood and it would be R.
There are two good things though. There is one pretty shocking death scene that was cool and there were some cool cinematography shots. The eerie image of the sailors on their ship in the fog gave me the chills. There was also a really creepy ghost who was only shown in shadows (you never saw his face) and who wore a top hat. It would have been interesting if they showed that ghost more, but alas, they shied away from it.
And don't get me started on the ending. It's supposed to be a shocker, but it's extremely predictable. It also makes everything that preceded it make little sense. What was the point of that? Stevie Wayne's cheesy closing monologue was even cheesier than the concluding monologue in House of the Dead.
Overall, this dreadful remake ran shy of where it could have won the race.
The worst movie I have ever seen (so far)! It deserves a "1," but I'm saving "1" for the movies they make when I'm 70 years old.
I wasn't expecting much but I thought "at least it will have a few scary parts to grab me." WRONG! As far as I could tell NO ONE in the theatre was scared ONCE -- not even those teen girl screamers that are always at horror flicks. I think everyone was CONFUSED, not scared -- Why the two love interests for Nick? Why was Elizabeth envisioning the past? Why did no one comment on the one guy's face ROTTING? Why did no one care the priest was drunk all the time? Why did it matter that the statue was made incorrectly? Why did the ghosts resort to using GRAFFITI? (and why did they use what looked like paint?)
WHY? WHY? WHY DID I PAY MONEY TO SEE THIS? Instead of paying for this, ask an eight-year-old, heck, make it a seven-year old to tell you a scary story. I GUARANTEE he or she will come up with a better plot, more realistic characters, and scarier scenes than this piece of garbage!
I wasn't expecting much but I thought "at least it will have a few scary parts to grab me." WRONG! As far as I could tell NO ONE in the theatre was scared ONCE -- not even those teen girl screamers that are always at horror flicks. I think everyone was CONFUSED, not scared -- Why the two love interests for Nick? Why was Elizabeth envisioning the past? Why did no one comment on the one guy's face ROTTING? Why did no one care the priest was drunk all the time? Why did it matter that the statue was made incorrectly? Why did the ghosts resort to using GRAFFITI? (and why did they use what looked like paint?)
WHY? WHY? WHY DID I PAY MONEY TO SEE THIS? Instead of paying for this, ask an eight-year-old, heck, make it a seven-year old to tell you a scary story. I GUARANTEE he or she will come up with a better plot, more realistic characters, and scarier scenes than this piece of garbage!
Wusstest du schon
- WissenswertesThough credited as producer, John Carpenter described his involvement in this way: "I come in and say hello to everybody. Go home."
- PatzerWhen the truck crashes into the boat, Elizabeth is knocked unconscious inside the truck. After her flashback, she wakes up several feet outside the truck.
- Zitate
Nick Castle: Holy shit.
- Alternative VersionenTheatrical version 100 min. and unrated version 103 min.
- VerbindungenFeatured in Feeling the Effects of 'The Fog' (2006)
- SoundtracksSalome's Wish
Written by Jamie Balling, Dan Crombie, Adam Lerner and Jonathan Yang
Performed by The Booda Velvets
Courtesy of Gotham Records
(Played when Nick picks up Elizabeth)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Terror en la niebla
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 29.550.869 $
- Eröffnungswochenende in den USA und in Kanada
- 11.752.917 $
- 16. Okt. 2005
- Weltweiter Bruttoertrag
- 46.201.432 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
What was the official certification given to The Fog - Nebel des Grauens (2005) in Brazil?
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