Ein Team von US-Regierungsbeamten entsenden, um den Bombenanschlag auf eine amerikanische Einrichtung zu untersuchen.Ein Team von US-Regierungsbeamten entsenden, um den Bombenanschlag auf eine amerikanische Einrichtung zu untersuchen.Ein Team von US-Regierungsbeamten entsenden, um den Bombenanschlag auf eine amerikanische Einrichtung zu untersuchen.
- Auszeichnungen
- 5 Nominierungen insgesamt
- Kevin Fleury
- (as T.J. Burnett)
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It starts out well enough. The gripping opening montage documents the connection between the U.S.A. and Saudi Arabia and sucks you right into the story. The first act plays out as a very good depiction of terror in the middle east. In the second act the movie loses some of its pace and we get to know the characters a bit more. What's really off-putting is that the Americans come across as constantly joking, relaxed, but at the same time totally competent people. It's the old "cowboy"-image Hollywood has always tried to convey in its war movies from the 80's, that should really have been left behind by now. It's not a fatal flaw, but it definitely prevents the movie from becoming more than just an action flick set in the middle east.
This becomes more apparent in the final act, which starts with a car crash and continues with countless shootouts. The movie goes way over the top from this moment on and turns into something Jerry Bruckheimer might have thought up. Technically the action scenes are developed pretty well (I don't share the common criticism of other reviewers that the shaky cam distracted too much. I'm not a fan of it usually, but here it was alright). In its best moments the action looks like something out of "The Bourne Ultimatum", in its worst the movie could be "Shooter".
What separates "The Kingdom" from "Shooter" is its message, though. The final lines spoken in the movie redeem Berg of a lot of the mindless action that preceded them. After all, the makers apparently did want to make some kind of statement and this last comment really hits home. Other than that you don't find much of a message in "The Kingdom". Just because the movie doesn't glorify the U.S.A. at any point, doesn't exactly make it critical. It's merely neutral, which is more than can be said about most American action movies dealing with terrorism. There is one questionable scene, in which a police man from the middle east and the main character, an FBI agent played by Jamie Foxx, seem to agree that it would be best to simply execute the masterminds behind terroristic acts without asking any further questions. On the other hand, this can just be seen as the realistic depiction of what those characters would feel, because I don't think that either would be a big defender of a terrorist's rights.
In the end "The Kingdom" is a straightforward action flick with enough critical undertones to not be propaganda. It's a very exciting thriller to watch, but except for the final scene there's nothing really thought-provoking here.
Story's core is interesting and script is dense with information and use of interesting messages to add weight to drama, furthermore is packed with moving ending scenes as when the team is attacked on the highway and when the crew is led to the killer's front door in a blistering do-or-die confrontation. The ultra-brisk editing and rapid images movement leaves little time to consider some inadequacies. The picture takes parts from ¨Syriana¨ ( by Steven Soderbergh with George Clooney) about the dangerous terrorism Arab ; ¨Black Hawk down¨ (by Ridley Scott) in which US military involved into action on a foreign country ; Spy game ¨(2001, by Tony Scott with Brad Pitt and Robert Redford ) concerning the spy-world and ¨Body of lies ¨ (2008 by Ridley Scott with Leonardo DiCaprio and Russell Crowe ) about sophisticated methods of the international terrorism . The intrepid Jamie Foxx , the veteran Chris Cooper and the only female Jennifer Garner are good as intelligent , brave super-agents and Jeremy Piven's cool displaying a brief performance. The film contains colorful , glimmer cinematography , predominating of yellow tones , by Mauro Fiore . Rousing and vibrant musical score by Danny Elfman with some Arab overtones. The motion picture is well realized by Peter Berg. Rating : Above average, well worth watching.
The plot is this: There is a big terrorist attack in Saudi Arabia. Some FBI agents led by Jamie Foxx, fast talk and bamboozle their way into the country to investigate, where they team up with two Saudi cops. There then follows a small amount of detective work, some interesting political manoeuvring and two really rather well-done shoot outs.
Now, I like Jamie Foxx, Chris Cooper and Jennifer Garner('s upper lip) who play the FBI agents, and although all three do the best they can with the material they are given, no effort is made to make their characters interesting. What's worse, although they aren't interesting, they are nevertheless vastly superior to everyone else. Thus nearly every single advance in the case is made by these three. They are the ones who solve everything.
The two Saudi cops, on the other hand, are interesting characters. Two good cops working in a corrupt, brutal system. Trying to solve a horrific crime whilst faced with hostility from their fellow officers and political interference from above. What's more, they're human. They have weaknesses and fears. They make mistakes.
And that's what occurred to me. I thought to myself that this film would almost certainly be more interesting and entertaining if the whole idea about the FBI agents had been removed, and instead, we'd just been following the wily but unfailingly polite Colonel Al Ghazi and his loyal sidekick Sergeant Haytham as they tried to solve the crime. Instead, once the FBI turn up, these two get relegated to standing to one side and looking suitably impressed every time one of the names-above-the-title stars does something brilliant.
Right at the start of the film, Jennifer Garner's character (ably assisted by her upper lip) makes a comment about how if the Saudi's allowed the FBI into the country to investigate the crime, it could prove to be enormously destructive. If only the film makers had listened to her.
It's not that the Kingdom is a bad film. In fact, it's actually a rather good film. I just think that if they'd dropped the stars, it could have been much better.
Wusstest du schon
- WissenswertesWhen director Peter Berg was trying to get Marcus Luttrell to assist with the making of the movie Lone Survivor, Berg told Luttrell to watch his movie The Kingdom, and if he didn't like it, Berg said he would not bother Luttrell again.
- PatzerIn the intro sequence, the film says that oil was discovered in 1933 by accident and that the ARAMCO was founded as the first union between Saudi Arabia and the United States in 1938. In reality, the dates are switched. The company was founded by Chevron in 1933 and the same company later discovered oil in 1938.
- Zitate
Attorney General Gideon Young: I'm gonna bury you.
FBI Director James Grace: You know, Westmoreland made all of us officers write our own obituaries during Tet, when we thought The Cong were gonna end it all right there. And, once we clued into the fact that life is finite, the thought of losing it didn't scare us anymore. The end comes no matter what, the only thing that matters is how do you wanna go out, on your feet or on your knees? I bring that lesson to this job. I act, knowing that someday this job will end, no matter what. You should do the same.
- VerbindungenFeatured in HBO First Look: The Kingdom (2007)
- SoundtracksStay (Wasting Time)
Written by Dave Matthews (as David J. Matthews), Stefan Lessard, LeRoi Moore
Performed by Dave Matthews Band
Courtesy of The RCA Records Label
By Arrangement with Sony BMG Music Entertainment
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Details
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- Auch bekannt als
- El reino
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Box Office
- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 47.536.778 $
- Eröffnungswochenende in den USA und in Kanada
- 17.135.055 $
- 30. Sept. 2007
- Weltweiter Bruttoertrag
- 87.019.158 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1