Die Queen

A moment that may have felt like surrender to Elizabeth II is the most moving and powerful moment in a film filled with moving and powerful moments. Helen Mirren works a miracle with her characterization. When the Queen is forced by circumstances to address her people and mourn in public Diana's death, Helen Mirren doesn't forget that her character is a seasoned public speaker but not an actress. When she delivers her speech to her subjects, the real strength is in her commitment to her duty and not the meaning of her words. It is a chilling, masterful acting stroke. Stephen Frears uses the brilliantly structured script to reveal something that's always being in front of our eyes but we've never seen. The privacy of the most public people in the world. Michael Sheen is terrific as Blair and every piece of casting is truly inspired but it's Helen Mirren's film, oh yeah, one hundred per cent.

Let's start by saying that the film itself is a perfect reflection of the days we live in. A deep human drama with a tabloid sensibility. A tradition that's lasted over a thousand years shaken by a world who demands public spectacle. Humbleness or humiliation? Asks Queen Elizabeth to her Prime Minister. Talk Show audiences wouldn't know the difference and we are all, one way or another, talk show audiences. From Jerry Springer to Oprah Winfrey. How did it really feel like? We all want to know, we all want to see the sorrow, the confession or the denial on the catch of the day's face. Michael Sheen is a adorable, yes I think adorable is the right word, as Tony Blair, the labor link between the people and the monarchy. Helen McCrory as Mrs Blair is another standout. Just look at her walking backwards trying to to be true to royal protocol. I had to adjust to the fact that the Queen Mother was played by Sylvia Syms. Sylvia Syms! Queen Mom, a wonderful old battleship who's seen it all and fought her entire life for things to change so they could stay the same. It is however Helen Mirren, in a performance that could only be described as miraculous, that takes us body and soul through the painful ordeal of those seven days surrounding the death of Princess Diana, the "people's princess" a natural master in a world of tabloids and self humiliation disguised as humbleness. Helen Mirren gives us more than a glimpse into the hermetic heart of a living queen. Not a single false note, not a single cheap shot. A performance that is as poignant as it is entertaining. I was as besotted with Helen's Queen as her Labor Prime Minister was. I can't wait to meet her again.

On the 1st of September 1997, the world saw tragedy. In the turmoil that followed, Princess Diana's death was blamed on the Media, the driver, and an entire array of others, before the upset and ill-meant malaise of the public was turned sneeringly to the Royal Family. In this film, we get a glimpse of what life was like inside Buckingham Palace, and whether The Queen (played here by Helen Mirren) was being cold and uncaring, or, if she was the one who was suffering most of all.

Director Stephen Frears recreates one week in 1997 with intelligent, deft strokes. The presentation of Princess Diana is artfully done in news snippets and archive footage, which brilliantly demonstrates the high impact her being had on people. The design of The Queen's home and her surroundings are convincing without being overly showy, and the Alexandre Desplat score is by turns dark, sad, and grand, perfectly summarizing the mindset of those involved.

But the film belongs to Helen Mirren, who takes on of her most challenging roles and showing us that behind the Queen lay a person, and one with feelings. In her role as the reigning lady, she is the epitome of suppressed disappointment and hurt. The Queen chose not to make a parade of her feelings in response to Diana's death, and, though the nation hated her for it, we learn here that it is not because she did not care, but because she honestly thought it the right thing to do.

As a young and newly elected Tony Blair with big aspirations and an even bigger grin, Michael Sheen is freakishly good as the Prime Minister. His performance shows a likable side of the prime minister in his refusal to side with the public over the denouncement of The Queen for her actions, and his attempts to make The Queen limit the damage that she has made is the basis for a very insightful story.

Other delights in this film come in some high-brow one-liners and some other good performances, but the best thing about it is how it manages to make you think, and even empathise with a group of people that you never saw yourself giving a toss about. At under 100 minutes, The Queen is funny, pointed and highly intelligent, showing that, as always, there are two sides to every story.

It's 1997. Tony Blair (Michael Sheen) and the Labour Party have just won a landslide victory. Then Princess Diane is killed in a Paris tunnel. The Queen (Helen Mirren) is reluctant to change any protocol. Prince Philip (James Cromwell) dismisses the tidal wave of grief. Blair tries to advise them despite their intransigence. Eventually the pressure becomes too overwhelming and the Royals must change with the times.

There are two great performances in this. There is also an interesting personal drama within this international story. The death of a princess may not be important in the grand scheme of it all, but it provides a backdrop for a compelling personal drama. Michael Sheen seems to be the guy to play Tony Blair. He's great at it. Helen Mirren is exceptional. She brings both the stoic and the scared with such ease. She fully deserves the Oscar for best actress.

It was Meryl Streep no less to call Helen Mirren "an acting God" and she wasn't kidding. I saw "The Queen" again last night, a year after the hype, the awards and the masses of superlatives thrown Helen Mirren's way and you know what? It was all richly deserved. Her performance got an extra something along the year and I believe it will continue to grow like most wonderful true things. Helen Mirren is not an actress who "dissappears" behind a character , no, she is in total control and that's what makes her creation so moving. The illusion is fueled by her own conviction - the character's as well as the actress's. Last night I wondered, during the Queen and her Prime Minister's walk, how did the real Elizabeth II reacted to this portrait. I'm sure she's seen it and I'm sure that she must agree that nobody could have done it better or more fairly.