IMDb-BEWERTUNG
6,5/10
5376
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuJosh Sagers drives cross-country on a mission to deliver his father's birthday gift - a giant purple LazyBoy.Josh Sagers drives cross-country on a mission to deliver his father's birthday gift - a giant purple LazyBoy.Josh Sagers drives cross-country on a mission to deliver his father's birthday gift - a giant purple LazyBoy.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 3 Nominierungen insgesamt
Katie Aselton
- Emily
- (as Kathryn Aselton)
Daniel Gonzalez
- Furniture Employee
- (as Daniel Gonzales)
Bill Leighton
- Fire Extinguisher
- (as Billy Leighton)
Empfohlene Bewertungen
By all accounts, most reviewers liked this film. I did not find the male characters likable. I did not find the story likable. I did not find the production likable. I did find this film a total waste of time.
I saw "The Puffy Chair" at South by Southwest, and it is an excellent film. It is genuine, thoughtful, and alternately hilarious and melancholy. It deserves to be the new "Garden State."
The movie's premise is simple: Josh and his girlfriend Emily go on a road-trip to pick up an old puffy recliner that Josh won on ebay and bring it to his dad for his birthday. Along the way, they stop to visit brother, a well-meaning but slightly insane lover of all things - especially nature and women - who ends up tagging along. One of the funniest scenes in the movie occurs when the three attempt to stay at a motel in Virginia but only pay for one person to save ten bucks; the ridiculous scheming (which of course backfires) to save a few bucks is on par with any of George Costanza's finest moments. The exchanges between brothers remind me of my banter with my own siblings, and the relationship that Josh and Emily have feels both unique and universal. The direction and and hand-held camera work give the film a documentary feel that really works well, and the music blends well with what is going on. The director and screenwriter used their low budget to great advantage, keeping things totally authentic; eliminating the documentary-style camera and getting rid of the improvisation would have ruined the mood of the movie.
Overall, the film moves seamlessly from comedy to melancholy and from jubilant romantic beginnings to bittersweet possible endings. If you get a chance to see this flick, give it a try: it's short and sweet, but it will stay with you for a while.
The movie's premise is simple: Josh and his girlfriend Emily go on a road-trip to pick up an old puffy recliner that Josh won on ebay and bring it to his dad for his birthday. Along the way, they stop to visit brother, a well-meaning but slightly insane lover of all things - especially nature and women - who ends up tagging along. One of the funniest scenes in the movie occurs when the three attempt to stay at a motel in Virginia but only pay for one person to save ten bucks; the ridiculous scheming (which of course backfires) to save a few bucks is on par with any of George Costanza's finest moments. The exchanges between brothers remind me of my banter with my own siblings, and the relationship that Josh and Emily have feels both unique and universal. The direction and and hand-held camera work give the film a documentary feel that really works well, and the music blends well with what is going on. The director and screenwriter used their low budget to great advantage, keeping things totally authentic; eliminating the documentary-style camera and getting rid of the improvisation would have ruined the mood of the movie.
Overall, the film moves seamlessly from comedy to melancholy and from jubilant romantic beginnings to bittersweet possible endings. If you get a chance to see this flick, give it a try: it's short and sweet, but it will stay with you for a while.
I was lucky enough to see "The Puffy Chair" at Sundance this year, I had to fight for a seat and it was worth it. The movie is explores two relationships, one between two brothers and another between one of the brothers and his girlfriend. The characters are right out of life, totally real and funny. The directing and acting is excellent and it never misses an opportunity to sharpen the portrait of these muddled angels. The Chair in the title refers to a gift for the brothers' father that becomes a catalyst for not only the road trip that forms the spine of this excellent film, but inflames all the character's flaws and passions to hilarious dénouement. More than once I heard people saying that there were scenes out of their own lives on the screen in the "Puffy Chair"; I wish that we could all see ourselves as precisely and humorously as the Duplass brothers do. I eagerly look forward to their next project.
I've read quite a few reviews of this film (as well as other "mumblecore" flicks) that are far too generous with the Cassavetes comparisons. Cassavetes dealt with deeply profound subject matter. His characters were struggling with issues of morality, death and sometimes sanity. This was a nice, cute movie, nothing more. The stakes are small-scale, the problems and concerns of he characters are personal to the point of being solipsistic and there's really nothing driving the action other than a pretty hackneyed sense of "loss of childhood." If anything, valid comparisons could be made for the films of John Hughes. His "brat pack" body of work seems to be a point of reference for many of these filmmakers, at least on an emotional level.
I liked this film but I wanted more puffy chair. More pound for your puff, if you will. The chair is in effect a character in this film. It's puffy and cool, and I wanted way more of it. Most, if not all, of this film is improvisational dialogue. I would bet on it. Some of it works, some doesn't, often times it calls attention to itself, that's not cool, but the chair is a silent character and he speaks for himself. Yes, I think the chair is a "he." The chair is the glue that holds the film together. The chair is the raison d'etre for the road trip. I craved more scenes with the chair. The scenes wouldn't have to be much, just some occasional short scenes with the chair to chart his progress. It would help. Thank you.
Wusstest du schon
- WissenswertesThe actors were each paid $100 a day for their work.
- VerbindungenFeatured in 2006 Independent Spirit Awards (2006)
- SoundtracksTransatlanticism
(2003)
Written by Benjamin Gibbard (uncredited) and Chris Walla (uncredited)
Performed by Death Cab for Cutie (as Deathcab for Cutie)
Barsuk Records
Top-Auswahl
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Details
Box Office
- Budget
- 15.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 194.523 $
- Eröffnungswochenende in den USA und in Kanada
- 26.029 $
- 4. Juni 2006
- Weltweiter Bruttoertrag
- 195.254 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
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Oberste Lücke
By what name was The Puffy Chair (2005) officially released in Canada in English?
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