Backstage

Fans obsess over stars, yes, but when a celebrity is lonely, isolated, and needs someone in their life they can connect to, and control ... even a crazy fan may have some something to offer. Such is the premise of Backstage. As with many foreign movies its not just the plot, or the relationships, but the texture and feel of the world the characters inhabit that forms the "meat" of the film. And its a sad, manipulative, emotionally-starved world these people inhabit. Never having been a celebrity, nor a member of an "entourage", still I sense this movie "gets it right" as it tracks the characters efforts to find love and happiness in their dysfunctional, stifling unnatural world. Amazing performances from all cast members. Well worth a watch.

Had potential but falls back on the old French staple of style over substance. Some suspense but drifts and feels contrived.

Performance-wise, Isild Le Besco is irritating but Emmanuelle Seigner provides the suitable gravitas and hedonistic randomness as the pop star.

Emmanuelle Bercot - popular in France, little-known in the U.S. - may make a name for herself with "Backstage," opening today [1/5] at the Embarcadero Cinemas.

In this film she directed last year, a teenage groupie's fantasy comes true, turns into a nightmare, then resolved with a bizarre and chilling double-cross, in relentless action that often borders on melodrama.

If Bercot did nothing else except cast Isild Le Besco to play Lucie, the true believer in Lauren, a Blondie/Céline-like pop star (Emmanuelle Seigner), she would deserve much credit. Lucie is totally obsessed with Lauren - her room a shrine to the singer, every word of her songs memorized and internalized - and Le Besco makes the character scarily believable.

A veteran of 32 movies, the 24-year-old actress has the face and temperament of a chameleon, she is far from "Hollywood-pretty," but has a mesmerizing presence. It's high time American audiences get to see her. Le Besco's "strangeness, raw presence, combining a child's gentleness with the disturbing qualities of madness" (in Bercot's words) make an indelible impression.

Fan and star cross paths, and the monstrous diva brings the often catatonic idolater into her dysfunctional, chaotic life. All the power is on one side in this relationship, and yet - shades of "All About Eve"! - Lucie gets her way unexpectedly at times. A large, capable cast rounds out what is essentially a duet for the two women.

Without lecturing or preaching, Bercot unmasks ugly aspects of celebrity worship. Her script for the film ranges from pedestrian to insightful. As so many movies today, "Backstage" suffers from the lack of a decisive editor, overstaying its welcome by running almost two hours. It may remain unrated, but the realistic/intimate depiction of the pop star's life definitely puts it in the "R"-plus range.

Granted, this movie depicts what I would imagine any celebrity driven to the edge by fame and it's expectations, would go through. A woman who's life of being a celebrity appears just as unstable as the former, Amy Winehouse or likened to Britney Spears. These were also women of the early 2000s era where bottling things up was the way and events and expectations were more extreme and outrageous. Versus the current times we're in where it's become brave and admirable for celebrities to be outspoken about their truths of the industry, defending and protecting themselves and their sanity more so.

Not sure what the director, Emmanuelle Bercot was trying to accomplish with this film, however.. my assumptions were that this was merely a 'Once upon a time' tale of an overworked celebrity and a crazed fan. A story that I'm sure holds small truths to the lives of those who've been in these situations before. This seems like a story told for the fun of it, for that I can't be mad.

I personally feel like there could've been more scenes with the two women, but nonetheless, it is what it is.

This 2005 film was surprisingly good, thanks to very deft and often subtle direction by Emmanuelle Bercot, who co-authored the script. She establishes an intense mood, a dark song of love, that nevertheless remains rooted in ordinary reality, despite occasional histrionics by one or another of its leads. A superb supporting cast (including Noemie Lvovsky) provides human touches and Emmanuelle Seigner, as the adored diva, and Isild Le Besco as the smitten fan, approach one another with a mix of curiosity, fear, and affection. This theme has been done before, notably in Tom DiCillo's sentimental and funny "Delirious," but "Backstage" has a European air, like Chopin's "Tristesse" Etude. Bercot is careful not to let it go over the brink, keeping the mood disciplined and the story within the boundaries of reality, despite the younger woman's often neurotic behavior. A relationship movie that is intriguing.