The Aura

El Aura has an interesting idea (man dreams about a big time robbery and gets the chance to do so in an unexpected way) but the way it is all worked out is just too slow. Though the pace does work on some moments, and I do certainly not always mind slow paced movies, it didn't have enough tension for me to keep my thoughts constantly on the movie. The images are nice, I liked the setting, it is well shot and atmospheric, but it seemed to me that the director was too much of a perfectionist with his focus on every separate scene instead of the whole of the movie. Which is a shame, as I think that with about 45 minutes less, I would have liked it a lot more. I certainly don't mind if a shot of a thinking man takes up long seconds but if that happens all the time, with about everything that's going on, well, I know the game and it looses it's strength to me.

The script itself was also not always very believable. I'll not go into details, but the reality of the story definitely had it's flaws.

All together it was disappointing, because the potential is certainly there. If the silence would have been used only in certain parts and less in the rest of the movie, and parts of the script would have been just a bit more believable, it would have worked better for me. I know I will get down rates for this review, as most people seem to be totally lyrical about it, but I just can't make anything more of it. Slow is great if there is a lot of tension. In this case, there were too many scenes were slow was used without that needed tension.

Maybe I watched it with too high expectations. I'll still give it a 7 out of 10 because it was good enough to not give it anything less, but I might change that (to a lower number) depending on if the movie stays with me or simply fades away in my memory. It was a good try, with some beautiful shots and great moments, but really.... not thát special, and definitely overrated.

El Aura

A few months ago, a true tragedy occurred; and I'm gonna say the same thing many people did. This year, Fabián Bielinsky died of a heart attack at the age of 46 in Brasil, while promoting his second film. A heart attack was the misfortune of one of the great Argentine directors who leaves us two legacies of fabulous film-making: "Nueve Reinas" and "El Aura".

"Nueve Reinas" was a tale of the Buenos Aires reality; a tale of thieves and cops, a tale of honest people and bastards, a tale of being played (conned) in the best existent way. If America didn't watch Bielinsky's original version, they watched "Criminal"; and go check the credits because he is there and if I watched "Nueve Reinas" today, I'm sure I'd feel the same way: Wow!

It took him five years to release his second movie. I don't know when he started writing it, when he finished it and in how many time he shot it, but I know he did a flawless job. A movie like "El Aura", in any other country, is a very good film from Argentina, but for us it's something we've never seen before; something that makes us think and feel.

Argentine cinema is nationalist; it shows our customs, the family life…And that's great, because new filmmakers have the chance of telling real stories and getting to the viewer…But with Bielinsky the line is indifferent; the main character in "El Aura", a taxidermist, could be a person from any part of the world; but he is Argentinean and he goes to the Patagonia on a hunting trip.

What happens during that trip I can't tell, but hint; it's about a robbery Bielinsky's main character always dreamed of, about a dog that represents a lot more than an animal, about secrets told and secrets known, about epilepsy. The taxidermist haves these attacks and the movie begins when he has woken up after having one.

In one occasion, he is asked: "Do they hurt?". "No", he says. "I know when they're going to come; because a few seconds earlier, I feel something…The doctors call it 'aura'…" The explanation which follows that statement is a pure demonstration of the cinematographic language. Because Bielinsky understands the language, he plays freely with it.

His picture is full of silence, but it wouldn't be as good without the shots he achieves while the silence lasts and the facial expressions of the taxidermist; but that's the work of an actor. Ricardo Darín is the most popular actor of our country, but we see him act every time, and the ones who love cinema, know; that today he is also the best actor we have. Just watch him here in the silence, pay attention to his body language; he carries the whole film on his shoulders.

However, the rest of the cast is first-rate. Dolores Fonzi, Alejandro Awada, Jorge D'Elía, Pablo Cedrón, a growing young talent called Nahuel Pérez Biscayart (a cast member of the Argentine adaptation of "Desperate Housewives" Mom!) and a totally unexpected and revealing portrayal by Walter Reyno. The film has been discussed in many ways, because it might mean more than it appears to mean. Don't worry about that, just admire this unique work and then feel happy for it.

Fabián Bielinsky: May you rest in peace.

This is another magnificent movie delivered by director Fabián Belinsky. I found the script captivating enough as to keep me tied to my seat from start to end. But besides, there's another goodie within El Aura, which is the photographic quality together with a pace that without being much too fast, remains still along the whole film -no decay at all-, making it a delight for purists and good quality cinema lovers. I found a couple of minor flaws which stand for the 9 instead of a 10, but they are indeed so minor that they can be perfectly overlooked. Moreover, Oscar Awards nomination should follow, as El Aura has absolutely nothing to envy from the very best Hollywood products. Indeed, film noir as good as it can be. Can't miss it.

From the director of "Nueve Reinas", here it comes his new piece of work you won't forget.

As soon as it begins, you will applaud every Darin's gesture, while you get immersed in the plot as you follow a shy epileptic taxidermist who dreams about a perfect theft, and all of the sudden gets the chance to make his dream come true. Don't let your aura put you aside the screen, you could miss valuable details as the action moves on. Take a deep breath, sit at the edge of your seat, and let Bielinsky do his job.

A perfect script, superb acting, and wonderful Argentine landscapes make this movie a "must see" for everyone.

Fabian Bielinsky's sudden death gave me an incentive to write these lines. Since the first time I watched "El aura" (The aura) -three times by now- I was touched by an awkward, strange feeling. ¿What was about? A story of a zombie, a man who is not aware about his own death (This is not an spoiler, nothing to do with the plot). In a way, it was the same thing I felt watching "Carnival of Souls" (Herk Harvey 1962). These movies are not only about ghosts, lost souls, lost people, they were made by them. Ricardo Darin's character is Bielinsky himself: had he the feeling about his impending end? If you didn't know anything about this weird tale, take a look of it. Some people complain about its pace, the story, the absolute lack of sense of humor. And they compare El Aura with Nine Queens, the other Bielinsky's movie. In my point of view Nine Queen is a nice, frivolous exercise, but once and for all, "El aura" is a whole new game, a different stage. If you are in the right mood, it will take you to another world, the world from Bielinsky was making this film, near his own end.