Veer-Zaara

I am one of those fussy people who watches selected films. Most films bore me because either they are a re-make (old Indian or American)or the story just does not grab me. I went to see this film after a very long time at the cinema and within the first five minutes, I told me husband what I thought the story would be and I was so shocked to find that the films story was not what I had predicted. I also hate films were the lovers have to die in the end (as they did in "Qayamat Se Qayamat Tak), because I truly believe that true love can conquer all.

Yash Chopra has, as always, delivered an all-round entertainer. The songs were mesmerising; Madan Mohans' tunes were beautiful, Lata Mangeshkars voice was 'an out of this world' experience, Javed Akhtars' lyrics and Aditya Chopras' poem meant so much to those who understand them.

Photography was enchanting; such films make people like me who love India, love it even more.

The acting was par excellence, Shahrukh Khan did not disappoint at all, Preity Zinta was the essence of beauty and innocence and Rani was good as well.

I would just like to say thank you to Mr Chopra for a wonderful experience.

as my topic suggest,i am speechless after watching it,thanks Yash Chopra and SRK super emotional romantic movie of all time u can't compare this movie from money,words etc,this movie tells you why SRK is the king.those who didn't loved it they can not have a heart unforgettable movie,i am KID when this movie released and i regret not seeing it on theaters and Still regret why god didn't sent me before so that i should have catch this movie there...brilliance beyond words,this was the first movie i have ever cry and still cries when i watch this again and again,this movie can never be replaced with another movie this is epic and will remain epic best movie ever made in the history of cinema.

The main purpose of the cinema is to entertain.Entertainment can mean different things to different people.Normally we expect a lot of emotion in Indian movies.If emotion makes you feel like throwing up, you should not really be watching Indian Hindi movies.If you are really taken with realism, watch a documentary. If you want to get away from the mundane affairs of everyday life watch a Hindi movie.Veer Zaara is a Hindi movie with lots of emotion. The audience identify with the characters and go back to watching it again and again.One must realise that a movie is a hit only when the audience is able to identify themselves with the characters.Questions do come to mind. Like, how did Rani Mukherjee know Veer's name? Maybe Yash Chopra made a mistake. The mistake did not cost him anything because the movie succeeded at the box-office.It might also have taken too long a time to give an explanation.And the movie is already 192 minutes long. A flaw nevertheless, but then you can find faults with just about everything. If you have negative vibes about the person playing the principal character in a movie, you really should not be watching the movie in the first place. SRK has become a living legend.He is a good actor. He has done well as the young squadron leader as well as the ageing prisoner. Twenty two years in jail can age a man beyond his years. Shahrukh was convincing.Preity was her usual bubbly self initially, and then equally convincing.The movie was fast paced.Editing was good. No where did it drag.The songs were excellent.

Yash Chopra's Veer-Zaara is a visually stunning and emotionally touching picture about star-crossed lovers who meet once and are tied forever. Chopra artistically combines realism with unrestrained emotion and even some overdone sentimentality. On paper, the love story itself, the separation and everything else is quite typical, but Chopra infuses it with a different energy, masterfully emphasising the respect the two leads have for each other, the honour they pay to parents and elders, and their genuine willingness to sacrifice themselves for each other. While it is a cross-border love story between an Indian and a Pakistani, their nationality is not what really prevents them from being together. The lovers connect at the human level. Phenomenally well shot, Veer-Zaara flows smoothly through the stunning views of Indian and Pakistani fields and groves, and colourfully shows the bright sides of each country and their respective people. That the film does not define a specific period of historical time makes it universally relevant.

The love story is portrayed with grandeur, where larger-than-life orchestral music of heavy violins and piano accompanies the crucial moments, but at its core, it's beautifully old school. That is, the growing romance between the leads is not sleazy, it's not mainly driven by sexual tension or uncontrolled passion; there's pure interest to be together and be there for each other. The soundtrack is perhaps of the most beautiful assigned to a Hindi film in recent years, and that it was actually composed many years ago and rediscovered for this production, contributes to the epic mood of the film. Shahrukh Khan and Preity Zinta are great choices for the titular roles. They resuscitate their characters with restraint and dignity and have a credible chemistry despite not having much physical interaction. Khan is the main soul of the film and he is believable in everything his character goes through. Tremendously nuanced, Zinta is beautiful and compelling as the intelligent and headstrong Zaara, and looks ethereal in traditional outfits.

In the film's interesting progressive stance, religion and nationality are used as mediators to integration by means of shared human values. Among other issues, the film also addresses women's empowerment through Zaara's fierce independence and liberal views about women's rights, as well as Rani Mukherjee's role of a Pakistani lawyer who struggles to overcome societal norms. Indeed, Mukherjee, whose beauty appears so radiant throughout the film, makes a great impact with her relatively minor but pivotal role of the tenacious, level-headed Saammiya. She is natural and impressive and walks out leaving a mark. In general, as one would expect, Chopra manages to bring together a remarkable group of skilled actors to play the supporting roles, including Kirron Kher, Divya Dutta, Boman Irani, Manoj Bajpai, Amitabh Bachchan, Hema Malini, and Anupam Kher, all of whom play their respective parts to perfection, bringing layering and realism to their different, relatively short but memorably interesting characters.

Veer-Zaara, though a completely entertaining and often overwhelming epic romance, is not the greatest film you'll see, and many might think it often goes over-the-top with its abundant emotional quotient. I personally found much of it easily totally in place within the context and parameters of the film. Script-wise, it might be far from flawless as some loopholes exist, while several open questions pertaining to some of the proceedings remain open or unanswered. Having said that, it just doesn't matter here. This film is far ahead of anything it can be blamed for. It is a portrait centering on and endorsing the main values a person should cherish in life: humanity, respect and love, and it conveys this message very well. Many non-Indians were affected by this film even though it's not their immediate taste, and it's easy to see why. As a cinematic experience, it is both a visual and artistic treat. In this regard, it is one of those films which become instant classics, and I recommend it to anyone, whoever and wherever he or she is.

"Veer-Zaara" was shown as part of an international film series at my local public library. It is the first Bollywood musical I have ever seen, and as such, I lack the critical perspective necessary to make an informed judgement about it. However, I did rate "Veer-Zaara" seven out of ten, because I found it consistently entertaining, and often entirely delightful. I was never once bored - in spite of its three hour plus running time. In order to appreciate any form of musical drama, it's necessary to "surrender" to theatrical artifice, and seen in that light, "Veer-Zaara" is no more illogical or "unrealistic" than a classic Vincent Minnelli Musical or a "serious" Verdi opera. I was also very intrigued at the way that the plot of the film crossed several genres and combined a number of classic story-telling archetypes: "the star-crossed lovers," "the village pastorale," "the saga of family honor," "the courtroom drama," etc.

Watching this film I think I learned a lot about modern Indian culture. Although at times the sentimentality in "Veer-Zaara" is so gushing that it enters into the realm of camp, there is also much substance in the film which is entirely admirable and worthy of esteem: the honor paid to parents and elders, the independence and spirit shown by strong and intelligent women, the respect given to Law and Justice, and perhaps most importantly, the possibility of peace and reconciliation between two peoples and two nations who have been engaged in a long, bitter, and fruitless quarrel.