Als eine Psychiaterin aus Washington, D.C. den Ursprung einer Alienepidemie ausfindet, entdeckt sie auch, dass ihr Sohn der einzige Weg sein könnte, wie sei zu stoppen.Als eine Psychiaterin aus Washington, D.C. den Ursprung einer Alienepidemie ausfindet, entdeckt sie auch, dass ihr Sohn der einzige Weg sein könnte, wie sei zu stoppen.Als eine Psychiaterin aus Washington, D.C. den Ursprung einer Alienepidemie ausfindet, entdeckt sie auch, dass ihr Sohn der einzige Weg sein könnte, wie sei zu stoppen.
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So the original movie (which is still discernible somehow) was supposed to be a dark, slow take on isolation, pill overuse and boring modern life. With a twist: a mom so desperate to protect her child, she would silently watch other people being killed as long as she can find her kid. That's actually moving and seldom seen in a macho-dominated Hollywood. I won't say that ice cold Kidman is the right choice to depict a desperate mom, but given that her role is to often look emotionless (so she can pass as another "pod people") she doesn't do too badly.
Now, the suits didn't like that and called those soft-brained Wachowski bros to make it -supposedly- more mainstream. And what they did was to add car chases, crashes, helicopters, fires and senseless violence in general. Inserted into the original movie at close intervals to keep people amused (or so they thought). Now, there are a few good directors who can pull out a combination of slow burn and crazy action. But a patchwork movie made of two different directors' bits, guys with widely opposed instincts and goals, no wonder the result is a flop.
If anything is to be learned from this, it's how little do Hollywood executives know about what makes a good movie. Granted, a non-stop mishmash of violence and fifth-drink bar philosophy like The Matrix can earn the big bucks, but you can't expect Matrix-like bits to improve what was intended to be a slow paced, moody film. Which was probably condemned to be a box office failure, but also could have been pretty good.
There was a resounding creepiness that looms over the body snatcher remakes and the original. This film misses that on every mark. No pods... No siren screams... And the ending, well, is a slap in the face to the concept.
If your not a fan or have never seen any other versions you might think it is OK. But thats it, just OK. They screwed up one of the scariest concepts ever thought up. Permormences were OK. It had one or two bright points but overall it was crap.
Take the cgi out of war of the worlds and you have invasion... thats not a good thing.
I am probably of the minority here, but I actually really enjoyed this latest re-make in the "Invasion of the Body Snatchers" line of movies. I even liked it better than the black & white original, placing this at #2 behind the 1978 version (which was the best one IMO). Certainly hands above the rather plain and flat 1993 version. I really liked what Nicole Kidman brought to the table here - a fun film to watch.
This time around, our main protagonist is Carol Bennell (Kidman), a psychiatrist who is a single mother, who's ex-husband is a CDC agent who is heading the investigation into a space shuttle crash which has captured the attention of the world. Unknown to everyone involved, the shuttle brought with it to Earth's surface an unknown organism which starts off a chain of events that would change everyone's live. Bennell first notices it when one of her patients, Wendy (played by Veronica Cartwright who was also in the 1978 version), claims that her husband is not really her husband. Before Bennell knows it, she is running to save both herself and her son from an unspeakable end.
Of the four movies, this one was clearly the more action-packed version with foot races, car chase scenes, explosions, and helicopters. Yet, I felt it still delivered a healthy dose of tension and paranoia ... not really knowing who you can trust or who to run from. Nicole Kidman delivers a fine performance, and Jackson Bond was perfect as her son. All of our supporting actors were also very good here, with believable performances.
I highly recommend this one. It is anything but boring, and provides an adrenalin rush in addition to the fear of becoming an emotionless, empty shell of your former self. The angle is different here, but still effective. I give this one a solid 8 stars out of 10. I've watched it a few times over the years, and have enjoyed it just as much with each viewing. Stay tuned ... apparently, there is yet another re-make in the works!
It's alright. You can put the movie on and be entertained by the suspense and seeing Nicole Kidman be chased by weird stale people. The look of the picture is pretty nice. The blue-ish color tint fits the movie well. You should probably stick to the original "Body Snatchers", but if you wanna go for something that's easier to process then check this one out.
This film starts out with the premise and setup, but quickly deviates into a different film -- a rehashing of 28 days later and outbreak with illogical, formulaic action sequences that are literally lifted straight from any zombie film. As usual with sub-par screenplays, the plot requires illogical and implausible events to move forward and provide thrills. In the end, it couldn't make up its mind whether it was an intellectually compelling, psychological thriller or yet another zombie action film? The ending was ... eh I don't even want to explain it.
WUSSTEST DU SCHON:
- WissenswertesWhile filming in Baltimore, Daniel Craig got the call from Barbara Broccoli informing him he won the role of James Bond. He had to take a short period off shooting to fly back to London for the Casino Royale (2006) press release.
- Patzer(at around 1h 9 mins) When Tucker and his group of friends chase Carol and Oliver down the alley, they clearly show frustration (a form of anger, which is an emotion) once they cannot find the two. Yet, Tucker and his friends have already been infected with the alien virus, to show no emotion.
- Zitate
Yorish: I say that civilization is an illusion, a game of pretend. What is real is the fact that we are still animals, driven by primal instincts. As a psychiatrist, you must know this to be true.
Carol: To be honest, ambassador, when someone starts talking to me about the truth, what I hear is what they're telling me about themselves more than what they're saying about the world.
Dr. Henryk Belicec: Quite right, well done, doctor.
Yorish: Perhaps this is true, perhaps being a Russian in this country is a kind of pathology. So what do you think, can you help me? Can you give me a pill? To make me see the world the way you Americans see the world. Can a pill help me understand Iraq, or Dafur, or even New Orleans?
Dr. Henryk Belicec: Don't be drawn in by his madness, doctor. He is Russian, he needs to argue like he needs to breathe.
Yorish: All I am saying is that civilization crumbles whenever we need it most. In the right situation, we are all capable of the most terrible crimes. To imagine a world where this was not so, where every crisis did not result in new atrocities, where every newspaper is not full of war and violence. Well, this is to imagine a world where human beings cease to be human.
Carol: While I'll give you that we still retain some basic animal instincts, you have to admit we're not the same animal we were a few thousand years ago.
Yorish: True.
Carol: Read Piaget, Kohlberg or Maslow, Graves, Wilber, and you'll see that we're still evolving. Our consciousness is changing. Five hundred years ago, postmodern feminists didn't exist yet one sits right beside you today. And while that fact may not undo all of the terrible things that have been done in this world, at least it gives me reason to believe that one day, things may be different.
Yorish: Thank you, doctor.
Carol: You're welcome, ambassador.
Dr. Henryk Belicec: Excellent.
- SoundtracksThem Boyz in the Hood
Written by Tommy Armstrong and Deyon Davis
Performed by Drop Tha Bomb
Courtesy of Cinematic Tunes Inc.
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Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.074.191 $
- Eröffnungswochenende in den USA und in Kanada
- 5.951.409 $
- 19. Aug. 2007
- Weltweiter Bruttoertrag
- 40.170.558 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1