IMDb-BEWERTUNG
5,5/10
1786
IHRE BEWERTUNG
In einem runtergekommenen Londoner Vorstadtviertel findet Johnny nach seiner Haftentlassung Unterschlupf.In einem runtergekommenen Londoner Vorstadtviertel findet Johnny nach seiner Haftentlassung Unterschlupf.In einem runtergekommenen Londoner Vorstadtviertel findet Johnny nach seiner Haftentlassung Unterschlupf.
- Auszeichnungen
- 2 wins total
Emma Little Lawless
- Cafe Waitress
- (as Emma Lyttle)
Ricky Watson
- Ras
- (Synchronisation)
Una C.
- Cafe Diner
- (Nicht genannt)
James Tolcher
- Clubber
- (Nicht genannt)
Empfohlene Bewertungen
Attended Rebelfest in Toronto where this won the Sony Audience Award and as a fellow filmmaker enjoyed meeting some of the guys involved in making it.
The mix of voices in the movie was really different - Jamaican, Irish, English and a lot of people have commented on the soundtrack of reggae, which was well used.
Some aspects were not so great - technical production left a bit to be desired, but I suppose this is low budget indie problems always.
Acting wise I think Vinnie Jones was good and while I read some comment about him not doing a good Irish accent, unless I've completely missed the point I thought he was supposed to be a Londoner whose family came from Ireland, which would mean he spoke like a Londoner - which to my ears he did.
Another small grumble is that Roger Daltrey is very good but should have had a bigger role. He has an interesting character, but it just comes and goes.
I agree with the comments on Samantha Mumba - a bit too healthy looking for a junkie. On the other hand, Lennox Lewis, who I was expecting to be just a celeb cameo did really well in an interesting role as a DJ running an illegal music station.
Anyway - we enjoyed it, so congrats to cast and crew from someone who knows how hard it is to get indie movies made.
The mix of voices in the movie was really different - Jamaican, Irish, English and a lot of people have commented on the soundtrack of reggae, which was well used.
Some aspects were not so great - technical production left a bit to be desired, but I suppose this is low budget indie problems always.
Acting wise I think Vinnie Jones was good and while I read some comment about him not doing a good Irish accent, unless I've completely missed the point I thought he was supposed to be a Londoner whose family came from Ireland, which would mean he spoke like a Londoner - which to my ears he did.
Another small grumble is that Roger Daltrey is very good but should have had a bigger role. He has an interesting character, but it just comes and goes.
I agree with the comments on Samantha Mumba - a bit too healthy looking for a junkie. On the other hand, Lennox Lewis, who I was expecting to be just a celeb cameo did really well in an interesting role as a DJ running an illegal music station.
Anyway - we enjoyed it, so congrats to cast and crew from someone who knows how hard it is to get indie movies made.
I saw Johnny Was in Dublin and I was totally blown away by the film. The acting, the cast, the soundtrack, everything worked. At first I was a little disappointed that only a couple of the cast were there, but that quickly disappeared when the film began. I must add that I am not the type of person that has NEVER watched a Vinnie Jones film, because I'm far too scared of blood and violence, but this film is very different. It has an intelligent storyline and doesn't focus on the troubles like most other Northern Irish films. As for the ending, it is a stroke of genius. I did not expect what happened and I thought it was a wonderful way to end a fantastic film. I will definitely be showing this film to all of my friends and I wish the cast and crew all the best with it.
Johnny Was just one the audience award at Rebelfest, the indie fest that runs alongside Toronto Film Fest. It even got an encore screening because it sold out and the audience feedback was so good.
It beat out ten other features, some of which were also really good.
I agree with Innababylon's comments. The movie is a rolicking good bit of madness that gallops all over the place. The characters are larger than life so of course not 'believable' but very engaging. The movie tries to be both a B-Movie and a 'thinker' with a lot of humor.
Will it make my top ten? Doubt it, but is it part of a great night in, for anyone who likes a mad little movie with a heart and a brain, you bet. The movie is driven along by an amazing soundtrack of about forty reggae tracks from the On-U label and others.
Overall, eight out of ten.
It beat out ten other features, some of which were also really good.
I agree with Innababylon's comments. The movie is a rolicking good bit of madness that gallops all over the place. The characters are larger than life so of course not 'believable' but very engaging. The movie tries to be both a B-Movie and a 'thinker' with a lot of humor.
Will it make my top ten? Doubt it, but is it part of a great night in, for anyone who likes a mad little movie with a heart and a brain, you bet. The movie is driven along by an amazing soundtrack of about forty reggae tracks from the On-U label and others.
Overall, eight out of ten.
Only saw review DVD, but enjoyed it. Actually watched it twice, partly due to a really great reggae soundtrack, and liked it better second time.
While it is a bit rough at the edges, it has some great performances and a sort of quirky appeal. The idea of an unsafe safe house works well, and there is an interesting dynamic between Vinny Jones, Patrick Bergin and Eriq LaSalle. While it is a thriller, it does not take itself too seriously and I agree with the 'spagetti western' comments elsewhere. Nice twist in the ending and some good one-liners.
Jones gives a very solid performance a long way from his usual tough guy, Bergin is theatrical, but entertaining and Eriq LaSalle is powerful as a gangster who wants to be a businessman.
It zips along and the wall-to-wall reggae is first rate - must be about 30 or 40 tracks
While it is a bit rough at the edges, it has some great performances and a sort of quirky appeal. The idea of an unsafe safe house works well, and there is an interesting dynamic between Vinny Jones, Patrick Bergin and Eriq LaSalle. While it is a thriller, it does not take itself too seriously and I agree with the 'spagetti western' comments elsewhere. Nice twist in the ending and some good one-liners.
Jones gives a very solid performance a long way from his usual tough guy, Bergin is theatrical, but entertaining and Eriq LaSalle is powerful as a gangster who wants to be a businessman.
It zips along and the wall-to-wall reggae is first rate - must be about 30 or 40 tracks
What a complete surprise and what a great story. I went to the screening with a bunch of friends knowing virtually nothing about this other than the cast, which was very celeb-driven.
It looks like a little low key action movie, and in some ways it is, but the story, the quirky characters and the subject matter - about race, national identity and gangster morality - is much smarter than most of the britflicks of recent years. It is like a strange hybrid of Long Good Friday and dark almost comic-book B Movie, and the low key dialogue plays well against the violence in the background.
It completely pulled me in. Vinnie Jones had one foot in his usual hard-man act, but the other was as a much more thoughtful guy, running away from his past.
Patrick Bergin plays a larger than life veteran psycho and is responsible for most of the dark laughs. La Salle is great and the opposite of his old ER character. Talking with my friends afterwards, there was disagreement about Samantha Mumba the former pop singer. Some thought she was too low key, but I thought she played the character of a junkie gangsters girl very well. Everyone agreed that Vinnie and Lennox Lewis were the best performances. Old Rocker Roger Daltrey was also good in a smaller role.
Some of the action looked a bit wobbly, but London came out looking well, especially Brixton Market.
Our verdict: if you are looking for a big budget action movie, this isn't it. But if you are sick and tired of movies which are all flash and no substance, this one with its unusual settings and great characters that stay with you after the movie is over might be for you.
It looks like a little low key action movie, and in some ways it is, but the story, the quirky characters and the subject matter - about race, national identity and gangster morality - is much smarter than most of the britflicks of recent years. It is like a strange hybrid of Long Good Friday and dark almost comic-book B Movie, and the low key dialogue plays well against the violence in the background.
It completely pulled me in. Vinnie Jones had one foot in his usual hard-man act, but the other was as a much more thoughtful guy, running away from his past.
Patrick Bergin plays a larger than life veteran psycho and is responsible for most of the dark laughs. La Salle is great and the opposite of his old ER character. Talking with my friends afterwards, there was disagreement about Samantha Mumba the former pop singer. Some thought she was too low key, but I thought she played the character of a junkie gangsters girl very well. Everyone agreed that Vinnie and Lennox Lewis were the best performances. Old Rocker Roger Daltrey was also good in a smaller role.
Some of the action looked a bit wobbly, but London came out looking well, especially Brixton Market.
Our verdict: if you are looking for a big budget action movie, this isn't it. But if you are sick and tired of movies which are all flash and no substance, this one with its unusual settings and great characters that stay with you after the movie is over might be for you.
Wusstest du schon
- WissenswertesLennox Lewis spent his honeymoon in Belfast filming the movie less than a week after the wedding in Jamaica.
- PatzerIn the shootout scene with the police in chapter 10, the white police Vauxhall Vectra has the registration number ATM 874L, this is a 1972 registration and the car is clearly post 2000.
- VerbindungenReferences Fantasia (1940)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Johnny Was - The last Days of a Good Guy
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.300.000 $ (geschätzt)
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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