IMDb-BEWERTUNG
7,0/10
1986
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA drama loosely based on Jean Bernard's Nazi-era prison diary.A drama loosely based on Jean Bernard's Nazi-era prison diary.A drama loosely based on Jean Bernard's Nazi-era prison diary.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Gewinne & 13 Nominierungen insgesamt
Vladimír Fiser
- Bischof Kozal
- (as Vladimir Fiser)
Peter Varga
- Józef (Polish Inmate)
- (as Petr Varga)
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The Ninth Day is based on the true story of a Luxembourger priest (Henri) who is sent to Dachau concentration camp (among thousands of other priests in WW II) for standing against the Nazi regime. The film brilliantly contrasts the hell of the concentration camp with making a deal with the devil (i.e. the Nazi regime that sent him there) once Henri is "freed" to return home. Some very weak-minded individuals will call this film "propaganda", since it accurately portrays the persecution of the Catholic church (both the clergy and the laity) under the Nazi regime rather than the historical revisionism which was popularized by the communist bloc over the last few decades. Not for the faint of heart (there is very graphic brutality throughout), it is definitely worth watching as both a time-capsule of life during occupied countries during the Nazi regime as well as a wake-up call to future generations.
7nmuk
This movie has been unduly panned by IMDb critics as being Catholic propaganda, when there is hardly any. It's actually an exploration of questions on faith and morality, viewed from the perspective of Rev. Henri Kremer, a priest who has been "on leave" from Dachau to convince the Bishop of Luxemburg to support Nazism, who has been a silent opponent all throughout. At one point the film even mentions that the Pope however congratulated Hitler on his birthday - that clearly indicates the acquiescence of the Catholic world - to me that's quite the opposite of propaganda.
**** SOME SPOILERS AHEAD **** The movie chronicles each of the 9 days that Rev. Kremer is allowed, and his conversations with Gestapo officer Gebhardt. When Kremer fails to convince the Bishop, he is persuaded to write a memo himself, given his own respectability due to his family status. In return he can have all the priests in Dachau released. Kremer at one point thinks he is being like Judas betraying the Christian cause (also to be noted that his personal cash upon release amounted to 30 marks), which Gebhardt, a former theology student himself, argues is a necessary evil, because without Judas there would be no martyrdom of Christ, and hence no Christianity. Rev. Kremer also learns that by giving Nazi policies the official blessing of Catholicism, he can be responsible for the deportation of thousands - although some 40 priests could be let go from Dachau. The resulting dilemma of Kremer dominates the movie.
Ulrich Matthes is very convincing in the role of Kremer with his sunken cheeks and eyes, and watch the young actor August Diehl in the role of Untersturmfuehrer Gebhardt.
**** SOME SPOILERS AHEAD **** The movie chronicles each of the 9 days that Rev. Kremer is allowed, and his conversations with Gestapo officer Gebhardt. When Kremer fails to convince the Bishop, he is persuaded to write a memo himself, given his own respectability due to his family status. In return he can have all the priests in Dachau released. Kremer at one point thinks he is being like Judas betraying the Christian cause (also to be noted that his personal cash upon release amounted to 30 marks), which Gebhardt, a former theology student himself, argues is a necessary evil, because without Judas there would be no martyrdom of Christ, and hence no Christianity. Rev. Kremer also learns that by giving Nazi policies the official blessing of Catholicism, he can be responsible for the deportation of thousands - although some 40 priests could be let go from Dachau. The resulting dilemma of Kremer dominates the movie.
Ulrich Matthes is very convincing in the role of Kremer with his sunken cheeks and eyes, and watch the young actor August Diehl in the role of Untersturmfuehrer Gebhardt.
In World War II, after a period living hell on earth in the concentration camp of Dachau with other catholic priests, Father Abbé Henri Kremer (Ulrich Matthes) gets a nine days leave to return to his home town for his mother's funeral. Along this period, the SS Gestapo lieutenant Gebhardt (August Diehl) tries to persuade Henri, who was born in silver-spoon and member of an influent Luxembourgian family, to convince the local bishop to give-up resisting to the Germans and write a letter to the Vatican in the name of the Catholic Church of Luxemburg convincing the Pope to support Hitler and the Nazi regime. The ambivalent Henri questions himself and the bishop what he shall do.
Based on a true story, "Der Neunte Tag" is an awesome movie and another impressive example of the powerful German cinema, of which I am a great fan. The philosophical duel between the characters of Ulrich Matthes and August Diehl is simply fantastic, with magnificent silence and dialogs. Sometimes, silence associated to the expression of the face is more significant than words. The direction is stunning and very realistic, particularly in the concentration camp; the music score and the cinematography are very beautiful; and the performances are perfect, with the two lead actors deserving nominations to the Oscar. My vote is nine.
Title (Brazil): "9o Dia" ("9th Day")
Based on a true story, "Der Neunte Tag" is an awesome movie and another impressive example of the powerful German cinema, of which I am a great fan. The philosophical duel between the characters of Ulrich Matthes and August Diehl is simply fantastic, with magnificent silence and dialogs. Sometimes, silence associated to the expression of the face is more significant than words. The direction is stunning and very realistic, particularly in the concentration camp; the music score and the cinematography are very beautiful; and the performances are perfect, with the two lead actors deserving nominations to the Oscar. My vote is nine.
Title (Brazil): "9o Dia" ("9th Day")
10golomi
After reading some of the reviews below, I could not resist the frustration and decided to register and express my own opinion on the subject. First of all, it is a great movie, very humanistic and powerful. It is a movie about inner human struggle, it has nothing to do with church propaganda or any other nonsense so cheaply expressed by some "commentators". Being myself raised and atheist (in the former Soviet Union), subsequently going through Christian transformation but eventually abandoning it and becoming a naturalistic pantheist, I found the movie extremely resonating and devoid of any propaganda at all. It is a story about life the way it was, about people cast into the horror of the state machine, powerless and nearly broken. You will see no heroics, no pretty faces, no romantic interludes, only the bleak atmosphere and a masterful portrayal of the events. The most persistent feeling the movie leaves inside is the torturous question "What character could I actually be had I lived back then?" and the chilling realization of the answer "anyone of them." I only hope that the History is not going to repeat itself the way it always persistently did over the past millennium.
Most people are "conditioned" with the false sense of Hollywood "reality" in movies, but the real life is very different and this movie provides a great example of it. It actually is a big plus that the language is German, it adds a lot to the authenticity of the feeling. I have no difficulties following the English subtitles, the dialogs are sparse and do not divert from the main flow (needless to say, my native language is Russian). Finally, the soundtrack is simply incredible. The morons who call it "weak" should check the credits at the end the bulk of the sound uses Alfred Schnittke's symphonic works a perfect ornament to the gloomy and hopeless flow.
If you are looking for a movie to entertain yourself, you are definitely in a wrong place. By if you are like me, looking for a movie to enhance your soul and understanding of the drama of our life, then it is definitely worth checking out. 10/10
Most people are "conditioned" with the false sense of Hollywood "reality" in movies, but the real life is very different and this movie provides a great example of it. It actually is a big plus that the language is German, it adds a lot to the authenticity of the feeling. I have no difficulties following the English subtitles, the dialogs are sparse and do not divert from the main flow (needless to say, my native language is Russian). Finally, the soundtrack is simply incredible. The morons who call it "weak" should check the credits at the end the bulk of the sound uses Alfred Schnittke's symphonic works a perfect ornament to the gloomy and hopeless flow.
If you are looking for a movie to entertain yourself, you are definitely in a wrong place. By if you are like me, looking for a movie to enhance your soul and understanding of the drama of our life, then it is definitely worth checking out. 10/10
It showed just all the considerations that the Vatican and the clergy had to make and how complicated and not black and white their decisions were based upon. Not everything is as obvious as it seems. And it was not a Catholic based excuse movie for decisions made, it was just the facts. And it wasn't just the church that had to make these difficult considerations in WW2, but many governments and institutions. When your dealing with a madman who can like current day Putin, kill tens of and hundreds of thousands of people because of a single slight, you certainly have to be careful in your decisions. Just as the NATO decision on a no fly zone over Ukraine decision is. Sure we want to do it but is it worth starting WW3 over? Decisions I'm certainly glad I'll never have to make.
Wusstest du schon
- PatzerWhile their fellow-prisoner is being crucified, the priests are singing the hymn "Pange, lingua, gloriosi" by Thomas Aquinas (1264). However, they are singing a German version of this song, which was not in use before 1969. In addition, even if they happened to know a German version, it would be more likely for them to sing the original Latin version, as there were priests from all over Europe imprisoned in this block.
- VerbindungenReferenced in Der Ja-Sager (2008)
- SoundtracksConcerto Grosso No. 1
Music by Alfred Schnittke
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Box Office
- Bruttoertrag in den USA und Kanada
- 72.888 $
- Eröffnungswochenende in den USA und in Kanada
- 8.786 $
- 29. Mai 2005
- Weltweiter Bruttoertrag
- 135.311 $
- Laufzeit1 Stunde 38 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Der neunte Tag (2004) officially released in Canada in English?
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