Lethal Eviction

This movie was supposed to be a thriller, but it turned out to be a silly comedy, and I am being kind when I say this. Judd Nelson is an excellent actor, but in this movie he has a consistent blank stare on his face. This in itself was funny. I was surprised to see actress Michael Lerned, who played the mother on the television series 'The Waltons.' I don't know if it was the make-up job or what, but she looked terribly older looking than from when I remembered her in the 70's. The direction was poor, photography was slightly better, and the acting was passable(except for Michael Lerned who played her role brilliantly).

It did not take a rocket scientist to find out who was doing the 'evicting' of the tenants in this run down apartment dwelling. Just give it 30 minutes and you will know. This movie is just another slasher movie without any teenagers in it.

I'm sorry everyone, but this movie was just plain lousy. Judd Nelson and Michael Lerned's talents were wasted in this one, and I'm surprised they even agreed to do this movie. Evict this movie please...lol Richie, Bronx, New York

Okay, to me personally Michael Learned's performance was HORRIBLE, not 'Brilliant', as another reviewer here has stated. Interestingly, the Direction was just about the ONLY thing that was actually pretty good. The visuals, camera work, framing, editing, etc. weren't really bad at all; there were some nice transitions and the look and mood of the film were pretty decent. BUT... that was just about it... The acting was NOT 'Passable'; overall it was horrible with moments of okayness (okayness...?) Anyway, YES Judd Nelson was indeed sleepwalking through this; you could almost hear him saying to himself ('I'm getting paid for this; I'm getting paid for this...')

Normally, I give a LOT of slack to this kind of film. My 2 favorite directors (dead and alive, respectively) are Stanley Kubrick and David Lynch, so I'm no stranger to the 'Strange'...

But... this script was REALLY bad; man oh man, was it bad.

So, perhaps if the script and the actors had been better, THEN MAYBE with the above average direction and the half way decent concept, I think it might have had a good chance to come out a LOT better...

Pros: We get a chance to see early Jennifer Carpenter at work, and it is very interesting to say the least. This movie is worth it for that reason alone. The actual script had potential, as far as the storyline goes, but no budget to speak of I imagine.

Cons: Everything else. Oh, it's Judd Nelson alright, but it ain't vintage...

I whole heartedly recommend this for Jennifer Carpenter, she has some serious chops. She's kinda hot in this movie, too, depending on what character she is playing.

Get it, you have nothing better to do.

You Know I've Remembering Seeing Grayson Arms A.k.a. Lethal Eviction Back in 2005 When it Came On On Either Showtime Or On The Encore Movie Channel And When i Was Fifthteen Years Old is When i First Saw it i Thought it Was A Very Good Suspense Film And After All These Years i Finally Watched it Again Now That I'm 28 Years Old And i Tell You Seening it Again Just Brings Back Great Memories Also Too i Really Thought That This Film Brings Me Back To That Fifthteen Year Old And i Completely Forgot About The Movie That's is a Plot Twist And One Of Those Climax Endings That Completely Surprises You. Oh! i Forgot About The Neatly Done Small Cast That's in This Movie i Mean There's Jennifer Carpenter Who Will Go To More Feature Movies Like "The Exorcism Of Emily Rose" And The Character Of Debra Dexter in The T.V. Show Series "Dexter" Who Was Surpring Good i Loved Her Dual Split slide Perstiontlie Role As Tess/Sarah And i Completely Forgot That Her Character is The Serial Killer Killing Some Of The Resident Tenants, Next is Judd Nelson Who The John Bender Character in John Hughes 80s Classic "The Breakfast Club", And The Psychopath Character Of Stanley in "The Cabin By The Lake" Show Series Who Has a Good Little Bit Scenes And Who Plays a Character Name Shep An Ex Employee Who Got Kicked Our Of The Mental intuition For After Losing a Former Patient Name Tess/Shrah Who Escaped And Has Been Send To Track Her Down And Being Her Back To The intuition, Michael Bowen From Quentin Tarantino's "Jackie Brown", "Less Than Zero" And "Valley Girl" As Detective Lewis, Stacey Dash Ah... Yes Who Played The Dion Character From Amy Heckering's 90s Cult Classic "Clueless" Now Here in This Film Plays a Character Name Amanda Winters That's is Why i Like This Movie Grayson Arms is Because Seeing Stacey Dash Which Was Excellent To See in a Suspense/Thriller Movie And i Thought She Was Great Just Like How i Remembered it And Finally There's The Late James Avery Who Plays The iconic Very Funny And a Very Serious Character Of Uncle Phillip in The Classic 90s T.V. Show "The Fresh Prince Of Bel Air" That Started Will Smith Who in This Movie He Plays The Character Of Gus Who's Also Plays Stacey Dash Character's Father And Even Though He Has Some Great Spotlight Funny Moments As Well But His Uncle Phillip Character in "The Fresh Prince Of Bel Air" Show Will Always Be One Of His Best And Greatest Characters Of All Time So Rest in Peace James Avery You Will Be Missed Epespecially From Me And Grayson Arms A.k.a Lethal Eviction And Even it's Been a Long Time For Me Of Watching This Film it Still Holds Up To This Day As Still My Favorite Thriller Film And it Will Always Be One Of Those Films From My Growing Up Childhood Days.

This throws so very much at us in no time at all. We're introduced to a colorful cast of characters right off the bat, and learn that this is an especial boon for fans of Jennifer Carpenter since she gets to have fun in two different roles. We're introduced to the new landlord indicated in the premise, and in the very first moments that we meet them (and in every scene thereafter) we get confirmation of the real-life truism that landlords are trash and should be abolished. We also get racism, transphobia, homophobia, misogyny, and toxic masculinity, and hypocrisy from a judgmental religious zealot, all within the first twenty minutes. There's a forewarning (and subsequent content warning) for animal cruelty, and no ready indication of where the story is going to go - the killer in this thriller could well be anyone, and most of the characters seem to readily deserve to be knocked off, too. 'Lethal eviction,' also known as 'Grayson Arms,' is promising at the outset, and one way or another it is a bit of a ride - but at that, while not necessarily outright bad, unmistakably uneven and troubled.

Screenwriter Gary Barkin has penned characters with plentiful personality, as suggested - though not necessarily especial depth, so it seems difficult at some points for actors to find the exact right tone or balance for their performance. As dialogue follows from the characterizations, and many of these figures are decidedly unlikable, the language is somewhat unsavory to say the least, though in fairness, perfectly suitable in terms of the narrative. That narrative, and the scene writing that lays the groundwork, is duly compelling, keeping the course of events enough of a mystery so that even as bits and pieces are fed to us to build the plot, viewers are kept in the dark up to the last act as to what exactly is going on. And so it is with other facets of the feature - direction, cinematography, editing, music, and so on all demonstrate basic capability for the most part, though they are also not at all remarkable. More interesting is the work of production designer and art director Carlos Osorio, costume designers Matt Berger and Laura Flett, and the hair and makeup artists. What sparing effects or stunts are employed look good.

Mind you, I've used some qualifying words and phrases here, and not without good reason. I do think 'Lethal eviction' is passably enjoyable, but as the digital timer advances it becomes more and more clear that it's less than perfect. The major red herring in the plot is too obvious to be of specific value, and we can readily guess at the twist that comes around the start of the third act (even if it seems for a time, earlier on, like that trope isn't being used after all). The killer's motivations aren't exactly strong in terms of cinematic storytelling, and even if we accept them at face value, they feel so specious that after watching I found myself second-guessing if they were established at all. It's also worth observing that while all the fundamental components of film-making are just fine, at the climax especially the cinematography and editing become pointedly overexcited and self-indulgent; there was no need for the flourishes to which we're treated, and the inclusion thereof is mildly aggravating. And when it's all over, the ending accentuates that one character has survived as though we're supposed to sympathize with them, even though it's been thoroughly cemented that they're awful - and the very last moments of dialogue, serving up one last twist, just seem too on the nose to pass muster. The screenplay needed to be tightened, and in many regards the feature could have benefited from more mindful self-restraint.

For those movies that exist somewhere in the middle of a spectrum between "totally excellent" and "totally rotten," I commonly find myself thinking that however good it might be, the title might be most recommendable for those who are particular fans of the cast or someone else involved. I think that's even more true here: at large the acting is nothing special, yet even as some distinct moments don't come off well, for the most part it's just fine. One's favor in this capacity, and with respect to the feature overall, might well be swayed by how much they like one actor or another; sometimes it can be fun to watch someone even if the film they're in is less than stellar. I freely admit that I like Carpenter, so there's the biggest factor for me even as I somewhat sort of kind of appreciate what this tried (with mixed results) to do. With that said, for general audiences - well, you could do better, and you could do worse. There's certainly no need at all to go out of your way for 'Lethal eviction,' though if you happen to come across it, it's alright so long as you keep expectations in check. In fairness, for a thriller with slasher aspirations, that level of quality might well be exactly par for the course.