The Champ

This movie is a gem, perhaps hasn't been marketed enough for most people to know it. But way better than half the stuff that is out there now, and a totally unexpected story. I'd definitely suggest going to see it before it's out of theaters. Samuel L. Jackson does an extraordinary job in a role you wouldn't normally associate him with. And Josh Hartnett really proves he's got acting chops. This is yet another film that proves that you don't need a blockbuster hit to find quality entertainment. It's well written, it's well acted, and in the ever predictable world that is most Hollywood products Resurrecting the Champ is a beacon of original beauty.

I saw this movie recently at a screening. Everybody's already talked about the plot so I don't need to get into those details. What I think this movie will be known for is its performances (more on that in a second...), and its how uplifting it is. You leave the movie feeling great and for reasons that I will not get into, it makes you want to call your dad and tell him how much you love him (or your son). A lot of people will talk about Samuel L. Jackson's portrayal of the worn-out boxer, but the true revelation of the film is the acting of Josh Hartnett, who I have never thought could be so believable or appealing. He has always been just kind of a pretty boy, really. But here, he plays a father, a husband, a journalist, and according to Aristotle's definition, a classic "Tragic Hero." He desires to impress his son to the degree that he sometimes bends the truth a bit too often...which ultimately annihilates his relationship with his son. The child, Teddy, is played by a kid named Dakota Goyo, who will become a big star. Teri Hatcher's cameo brought humor to the film when needed. If I had a criticism, it is that the film might be a tiny bit lengthy; however, every moment of the film was well-done. I wouldn't know how to make it shorter. I highly recommend this movie to everyone.

Currently, "Resurrecting the Champ" has a relatively low score of 6.7 on IMDB. I say low because, oddly, 6.7 is about average and the film is far better than an average movie. It's just too good for such a paltry score.

The movie is a dramatizing of real events. Not surprisingly, Hollywood made a few changes to 'improve' the story....in other words, to make it more cinematic. Fortunately, these changes are minor.

A writer (Josh Hartnett) meets a homeless guy (Samuel L. Jackson) who apparently is the ex-boxing great, Bob Satterfield. The writer's career is struggling and he wants to make a splash...and he eventually comes up with the idea of doing a 'where are they now' feature on the guy. The article turns out to be a sensation and the LA Times is thrilled. But, being a movie, there of course is MUCH more to the story and I don't want to say more, as it would ruin the suspense.

The acting is quite nice here but the best thing about the film is the writing. The story is very interesting and engaging....and well worth your time even if you are NOT a boxing fan...which, I am not.

This movie deserves more attention that what it has now (and distribution). Samuel L. Jackson played against type and did a wonderful job. It was also Josh Hartnett's best performance. The story is thought-provoking, heart-warming, and interesting.

The writing is solid and the performances impressive across the board -- even the kid who played Hartnett's son was excellent. As a writer, I really appreciate the themes on telling the truth, fame, integrity, responsibilities, talent, etc. The father-son theme echoes throughout the entire film. Like Field of Dreams, this is a guy's chick flick. Take your husbands, sons or fathers and go see this movie.

Jackson stands out in this heartfelt movie about a sports writer (played by Josh Hartnett), estranged from his wife (Cold Case's Kathryn Morris), who works to shine the limelight once more on a former boxer (Jackson) who has become homeless. In addition to Jackson, there's great work from young Dakota Goyo as Hartnett's son, and Rachel Nichols as the co-worker who assists in the writer's research. This is director Rod Lurie's most personal film to date, and it gives you some serious issues to think about, very rare in this threequel-laden summer. There's also a surprise appearance from one of our best character actors, and Alan Alda does a fine turn as Hartnett's boss.